Sentences with phrase «with painted language»

They made legible statements in English with painted language.

A consistent practice concerned with painting language employs collage, paint, still life, studio, found material and photography.

Not exact matches

With all that said, the New Testament paints a picture of a community where people not only heard from God through scripture, prayer and the sacraments, but also through prophecy, other languages, and words of wisdom and knowledge.

The document stresses both mothers» and fathers» importance as educators, making clear that when fathers and mothers talk, play, read, paint, investigate numbers and shapes or sing with their children it has a positive effect on children's later development — and that mums» and dads» involvement in reading is the most important determinant of their child's early language and literacy skills.

We'll explore ways to introduce the language of color into the early grades curricula as you work on seasonal themes, curriculum inspirations, color dialogues, painting techniques, and the important practical work of set up and clean up with children.

The most liberal home - birth advocates sometimes paint the medical community as unable or unwilling to care for women, with language that puts the profession itself on the defense.

Domains include any structured area of activity with its own symbol system (e.g., mathematics, music, language) and / or set of sensorimotor skills (e.g., painting, dance, sports).

Coupled with the agreements made with the state's Indian tribes to share revenue and gain exclusivity rights for their casinos, the deck is being staked in favor of the amendment: A committee with the potential to raise funds quickly, a numbered analysis of the benefits and language that paints a glowing picture of expansion.

Boyd believes the paintings «can be read like a language, with patterns that can be broken down and understood.»

This week the approach takes a major step forward with a combined genetic and linguistic study that paints a picture of how people entered and spread across Australia, giving birth to new languages as they went.

Instead, one finds a tendency to paint introduced species with a single broad brush, often accompanied by inflammatory metaphors and doomsday, scare - tactic language, such as «biological pollution» and «invasion meltdown.»

The Ten Hundred and One Word Challenge invited the 46 Energy Frontier Research Centers (EFRCs) to represent their science in images, cartoons, photos, words and original paintings, but any descriptions or words could only use the 1000 most commonly used words in the English language, with the addition of one word important to each of the EFRCs and the mission of DOE: energy.

Safety in Numbers Part of the series: Painting With Numbers Mathematician Marcus du Sautoy reveals how the language of maths is used to construct the complex codes that we encounter in everyday life.

Domains include any structured area of activity with its own symbol system (e.g., mathematics, music, language) and / or set of sensorimotor skills (e.g., painting, dance, sports).»

Domains include any structured area of activity with its own symbol system (e.g., mathematics, music, language) and / or set of sensory motor skills (e.g., painting, dance, sports).»

«I think it's hard to paint charter schools with one broad brush,» said Orin Gutlerner, chief academic officer at Match Charter Public School, where the percentage of English - language learners exceeds the Boston school system's average and its population of students with disabilities is near the system's average.

In pared - down language and vividly colored and patterned paintings, this poetic book concludes with an appended historical note.

Crittenden's language aches with an authenticity that is beautiful and raw as she paints a portrait of her journey with God from infatuation, to passion, to commitment, to crisis, to comfortable.

Leonard says that, unless you're Margaret Atwood and can paint scenery with language, don't go overboard describing the environment around your characters.

She also loves to travel, spend time at her «hoods,» volunteer at her son's school, paint with acrylics, and speak four different languages at home with her family.

Specifically, though, a large influence on the language of the recent paintings was inspired by a trip to Otranto, Italy that I took during a residency with the Bau Institute.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.

Rainey works with and manipulates paintings language and physical qualities to create strange other - worldly painted environments; worlds where time stands still, and gravity is no more, resulting in paintings that lie somewhere between abstraction and representation.

Here, Manister's work resonates with a significant aspect of the New York School, in its understanding of painting as its own form of language.

The German abstract figure painter, who became widely known in the»80s along with Jörg Immendorff - associated circle of friends Werner Büttner, Georg Herold, and Martin Kippenberger, often painted interiors, self - portraits, landscapes, language fragments, and diverse abstractions.

Some of these paintings, abstract or monochromatic, dwell comfortably in the language of their medium, but others flirt with photography and textile pattern printing, perhaps an «oblique» reference to painting's material connection to textile: paint and color on canvas or linen.

In this new series of paintings, he draws on Indian and Western European traditions to create a hybrid visual language with which to relate intimate tales of sensual and spiritual encounter.

Radiant Fields presents us with an artist who is capable of moving between painting languages — abstract Expressionism, geometric Abstraction, neo-geo — without being beholden to any of them.

Williams» recent works continue to be inherently political but utilize the language of painted abstraction paired with explicit titles to convey meaning.

[30][31][32] The late 1960s saw painters turning to surface inflection, deep space depiction, and painterly touch and paint handling merging with the language of color.

A key figure of Australian art since the mid-1980s, Linda Marrinon has developed an idiosyncratic language of figurative painting and sculpture that merges contemporary cartoons with neoclassic tropes of the nude, reclining figure, and bust or standing portrait.

Little fingers will experiment with painting, gluing, sticking, printing, and creating while developing fine motor, language, and self - help skills.

The bindi becomes a language or code we begin to read through works that elicit formal connections with abstract expressionism, op art, and geometric abstraction from Western painting and the tantric and neo-tantric traditions of India.

He aims to bring painting into conflict on several fronts at the same time — with its own history, with its clichés, and with the ubiquitous power of the pictorial languages of advertising and pop.

Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.

Iva Gueorguieva adapts the visual language of modern abstraction to create tumultuous, energetic spaces on canvas; her process of building up paintings by layering torn cloth with pigment and color washes produces spontaneous, dynamic compositions rooted in personal stories.

With his return to painting, Dubuffet adopted an energetic new language to approach everyday subject matter.

The inspiration for Wylie's paintings often comes from a particular sight or visual moment that strikes her with a «special quality» that she tries to capture through her own language of painting.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

The thematic exhibition begins with a group of Picasso's early paintings and works on paper before going through the art historical movements (Dadaism, Surrealism, Post-War) through to today, tracking how language is a unifying thread.

I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.

Taking up the iconography and subject matter inherent to Western culture and making use of crude painting techniques blended with the vandalistic language of graffiti, Lister appropriates and reformats codes and languages in order to create a new proposal of grotesque contours brimming with creative energy.

I'm not interested in the idea of the wave of an arm as a drawing — dance has its own language with its own issues that are different from sculpture, painting, and drawing.

Still, Ms. Holzer's way with language, morality and history — alternately poetic and withering, and expressed in incised stone benches or on silk - screen paintings of redacted government documents concerning the dark side of recent wars — has a renewed and tragic force in the current political climate.

March saw his landmark debut with Nosei: Jeffrey Deitch praised his «ability to merge his absorption of imagery from the streets, the newspapers and TV with the spiritualism of his Haitian heritage, injecting both into a marvellously intuitive understanding of the language of modern painting» (J. Deitch, quoted in Jean - Michel Basquiat, Tony Shafrazi Gallery, New York, 1999, p. 326).

His word painting «Untitled» (1990 - 1991), in enamel and graphite on aluminum, which begins with «THESHOWISO / VERTHE AUDIEN / CEGETUP,» dominates the room devoted to art based on language and advertising, which includes a joke painting by Richard Prince («Nancy to Her Girlfriend,» 1988) and the mock liquor ad, «Come Through with Taste ⎯ Myers's Dark Rum ⎯ Quote Newsweek» (1986) by Jeff Koons.

Her use of the language of both painting and sculpture creates striking works that combine formal tension with emotional presence.

The exhibition explored Gifford's on - going concern with the language of painting and the balance between painting and object.