Sentences with phrase «with philology»

The contrary evidence marshaled by Konstan begins with philology.

Not exact matches

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

She studied theology, along with German philology, at Göttingen and Freiburg.

It turns out, however, that these presumptions fit nicely with a wide array of different and perhaps even contradictory metaphysical schemes, and I doubt the arguments in the area of Hebrew philology change much if one is an ancient Platonist, a medieval Aristotelian, or a modern - day logical positivist.

The painting by David Schutter, fluid expression of a philology of pictorial language — perception, gesture, memory of the image and its translation through layering — converse with the sculptures by Nicola Martini, animated by a inner and perpetual tension between rigidly opposed elements (horizontal / vertical, centrifugal / centripetal, solid / liquid) and which draw, challenging the limits of their own materials, a distant, atemporal and almost metaphysical landscape.