Sentences with phrase «with philosophical language»

The problem to which this sentence refers is of interest to many besides those who are acquainted with philosophical language.

Not exact matches

The current language debate is just one more indicator of how much the church lost when it got caught up in the philosophical / theological Christology debates, and replaced the name of Jesus with the titles Father, Son, and Holy Spirit.

There is a difference the particular language (and with that language, the philosophical notions which it entailed) which they employed in stating that instinct and desire.

While Bultmann in some sense agrees with this, Ogden says, his employment of Heidegger's philosophical system makes the second kind of language virtually impossible.

Current philosophical preoccupation with language analysis can not, indeed, say what this discourse should be.

As Robert Mellert notes, our present historical criticisms are very similar to efforts by the Christians of the first centuries: «We are attempting to explain the primitive Christian experience of Jesus in the language of a philosophical perspective of God and man to suggest how that perspective might deal with the inter-relation of humanity and divinity in the person of Jesus, who is called the Christ (WPT 79f).

In harmony with his general philosophical principles Humboldt regards language, the single word as well as connected speech, as an act, «a truly creative act of the mind.»

In his reflections upon Valéry's work, Derrida contends that the philosopher gives a formality to philosophical language by forging a connection with natural language that allows mere ciphers to resemble the thing in itself (MP 293).

All philosophical assertions necessarily rest upon a previously assumed context that provides those assertions with meaning, preventing the philosopher's escape from the linguistic concepts the language presupposes.

Whitehead's description thus provides a language and philosophical context with which to explain systematically dimensions of women's experience which are usually dismissed as unimportant.

This article examines Whitehead's theory of perception to indicate how this theory provides a philosophical reinterpretation for two issues of concern to feminists: criticism of cultural symbols, including language, and the importance of intuition and emotion, usually associated with women, in experience.

We are attempting to explain the primitive Christian experience of Jesus in the language of a philosophical perspective of God and man to suggest how that perspective might deal with the inter-relation of humanity and divinity in the person of Jesus, who is called the Christ.

The true testing ground for the implicate - order strategy, it seems to me, may indeed be biology rather than physics, where abstract methods are so powerful as to perhaps make it dispensable: just as the old style building - block materialist was refuted not by philosophical polemic, but by the one authority in which he trusted, i.e., by physics itself, so the nothing - but reductionist in contemporary biology will modify his views should it be possible some day to provide him with a mathematical language that fills the currently existing gap between our formal knowledge of gene structure and combinations, and our intuitive apprehension of growth and shape.

After setting the stage with some philosophical analysis of the themes and techniques of Expressionist art, Foster engages his main subject — how «the work of several young artists reflects critically upon the language of Expressionism.»

Her polyphonic and speculative ensembles, which often comprise a large number of individual components, combine an exploration of questions in art with philosophical inquiries into issues such as the essence of time, place, and language and their interrelations.

Her work interweaves an austere yet sensuous visual language with music, poetry, and history, as well as the political and philosophical.

The poetic, even philosophical, prose mirrors the romanticized language of the former magazine, but becomes tinged with a subtle sarcasm and self - mockery that destabilizes the relationship between image and caption.

Sage Dawson speaks with curator Lea Anderson about how contemporary artists explore a distinct language of surface, emerging with personal, political, and philosophical surface expressions in her recent exhibition at 516 Arts.

It is a notion that incorporates philosophical ideas with science fiction, abutting an extroverted cultural language with intellectual interiority.

This philosophical and poetic prose reflects the romanticized language of the old magazine but is tinted with precise sarcasm and self - mockery that weakens the relationship between the illustration and the caption.

While Singapore shares with China many of the core philosophical tenets of Confucianism, we worked over the past forty years to establish English as our first language and Chinese as the second.