Her visual work integrates digital drawing practices
with photographic material, laser - etching, or specific software.
Overlaying the anachronistic medium of rice paper
with the photographic material, Wu reinvigorates a traditional art form with a contemporary vocabulary.
For this body of work, Nelson selects excerpts from her experiments
with photographic materials, then creates hi - res scans to capture the highly toxic and constantly changing state of the material.
The elements that she employs in the process — rain, waves, wind, and sediment — leave physical inscriptions through direct contact
with photographic materials.
Not exact matches
Stages Learning
Materials, a company that publishes
photographic flash cards and posters to teach basic language and communication skills to individuals
with autism and related disorders, has one philosophy: «Learning happens in stages — you learn to crawl before you walk, and learn to walk before you run.»
Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive
photographic documentation, and an array of archival
materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers
with an expanded historical and political context for the project.
In 1966 Gerd Koch, a German anthropologist, carried out research at Graciosa Bay on Nendö Island (Ndende / Ndeni) in the Santa Cruz Islands and on Pileni and Fenualoa in the Reef Islands, and returned
with documentary film,
photographic and audio
material.
The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a
photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged
materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview
with Elaine W. Ng.
The train is shown alongside Pryde's new
photographic series, which features hands touching, and in contact
with, various
materials: their own chest, a tablet, a phone, a touch - sensitive lamp base.
With Fersini's equal focus on the
photographic image and its lustrous surface, the eye flits between recognizing the original photograph's perceptual depth — what it depicts — and the image as a physical /
material object.
The exhibition will include hundreds of
photographic works, along
with additional
materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.
Storytelling, or the narrative structure itself, has served as a medium in its own right, providing artists
with a new kind of raw
material with which to craft their
photographic and filmic imagery.
In her work, Stenram interacts
with and re-interprets imagery, meticulously using fragments of found
materials and finding similarities in
photographic styles.
By merging the
photographic image
with monumental and synthetic
materials, she expands the boundaries of how a photograph can be physically engaged.
He uses unconventional
materials in traditional
photographic techniques to produce unique
photographic prints
with a conceptual twist; for example his «dust» series, which uses collected dust and adhesive in place of the usual
photographic chemicals to print delicate, gossamer images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.
Perceptually deceitful, or even illusionistic, solid
material travels back and forth between sheer obscurity and physical presence: as
with Kasten's
photographic work, the scale and materiality are interchangeable and thus become co-dependent.
Multiple canvases
with in - progress works line his walls, all of them surrounded by litanies of
photographic source
material.
Bonilla's process begins
with a heightened awareness of Nuyorican portrayals through
photographic images and object - based
materials.
Idris Khan's second solo show
with the gallery, will consist of two major sculptural installations and a number of new
photographic works that interlink seemingly disparate ideas of religion, Minimalism, music and poetry Khan's new body of work has a more formal engagement
with the
material he appropriates, in order to elicit a kind of lyricism and spirituality using a Minimal aesthetic.
It's a print made
with one obsolete
photographic process on which the image is of the
material of the now also - obsolete
photographic process that replaced it.
The exhibition contains original evidence, archival
material,
photographic documentation, film footage, forensic instruments and specimens, and is rich
with artworks offering both unsettling and intimate responses to traumatic events.
Bob and Roberta Smith creates brightly coloured text - based paintings
with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or
photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings
with a flair for colour and
material richness.
Over the ensuing decades — and particularly
with his Sunburn project — McCaw has used
photographic materials, especially expired gelatin silver paper, in groundbreaking ways.
Doty Glasco's
photographic silk prints depict the landscape as a symbol of geologic time embedded into an ethereal
material that ripples
with the viewer's movements.
At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of
photographic and archival
material from the artist's studio, presented thanks to a collaboration
with the Dublin City Gallery The Hugh Lane.
Edited by Skira and curated by Bruno Corà, the monograph will contain colour images of all the works on display, together
with an extensive selection of
photographic documents, critical commentary and source
material, all of which illustrate Gianfranco Pardi's long and fertile creative career.
The studio works closely in
photographic production and the proliferation of the
photographic medium at large
with a dedicated gallery space for showcasing publications and printed
material in relation to local and international photography.
Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based
photographic works based on printed
materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women
With Cameras (Self Portrait)».
This exhibition is a survey of the artist's oeuvre — from images that are the product of experimentation
with various
materials and
photographic processes, to portraits of friends and strangers and still lives of his environment, to book page collages, to more recent hyperreal digital works.
Inspired equally by children's couch forts and makeshift emergency shelters, the artist used scavenged and natural
materials to construct a small, inhabitable hut in the gallery space, presenting it together
with a
photographic slideshow documenting her initial experiments
with similar miniature shelters.
Carving into a painted MDF surface
with a router, Aaron Williams recreates graffiti imagery in
photographic sources, expanding the idea of mark marking and
materials.
The exhibition can be combined
with the ephemera supplement, which features archival
materials, including
photographic contact sheets, scrapbooks, diaries, Soviet publications, and the photographers» personal book maquettes, which reveal the
photographic process side by side
with the finished versions.
Mike teaches graduate and undergraduate courses in 19th Century
Photographic Processes at Ryerson University in Toronto and a Phd candidate
with DeMontfort University in Leicester, UK, and his dissertation is titled, The Techniques and
Material Aesthetics of the Daguerreotype.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers»
Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the
material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters
with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
One of the most innovative artists working today, Vik Muniz uses unconventional
materials and
photographic images that play
with our process of perception.
With incisiveness, ingenuity, and humor, Rauschenberg changed the course of art history by establishing new genres of sculpture — found object, environmental, theatrical, photographic, and filmic — by including a wide range of contemporary subjects, and by using non-fine art materials along with conventional o
With incisiveness, ingenuity, and humor, Rauschenberg changed the course of art history by establishing new genres of sculpture — found object, environmental, theatrical,
photographic, and filmic — by including a wide range of contemporary subjects, and by using non-fine art
materials along
with conventional o
with conventional ones.
Worked
with artist, Carl Ostendarp, to produce
photographic documentation of paintings that convey
material specificity, qualities of surface and accuracy of color.
With photographic and video documentation in the majority, the toughness and scope of the
material, aided by a thoughtful installation, create their own fascination.
Seung - Hwan Ohs»
photographic portraits are distorted by their meeting
with bacteria; the
material worlds of the photographs are eroded.
The studio began as a painting darkroom, crossing
photographic fluids
with ink, and over the years the range of
materials, supports and surfaces has broadened significantly.
This means that the ones that are sold more recently are made
with materials that are contemporary to that time, reflecting developments in the
photographic industry.
Alice Quaresma is a Brazilian - born artist who experiments
with multiple
materials, interrupting and altering her photographs
with acrylic paint, paper, tape, and pencil over
photographic prints.
Nearly half are photographs or photograph - derived —
with most distinguishing themselves further through unconventional
materials or approaches to the standard
photographic process.
Since the early 1970s Billy Sullivan has accompanied New York's underground, art and fashion scenes
with his camera, using the resultant
photographic material as templates for oil paintings, pastel drawings and elaborate multi-part slideshow installations, according to Edition Patrick Frey.
This restructuring creates and engenders the conditions for a sustained, intensified way of
photographic seeing, a way of engaging
with pictorial
materials that is intensified by an awareness of the different modes of presentation.
With these elements, artists like Hiroshi Sugimoto, Luisa Lambri, Melanie Schiff, Walead Beshty, and Adam Ekberg create ephemeral works that explore the foundation of the
photographic image: the play of light through half opened shutters; haunting seascapes reduced to a gradation of elemental
material; and luminous circles of light formed by the interplay of sunlight and the camera's lens.
She often used
materials associated
with gathering information for empirical research, such as graph paper,
photographic film and audio tapes, chosen for their utilitarian qualities.
Christine Kozlov: Information endeavours to create a rapport between her sculptures, their exhibition copies, archival
material,
photographic documentation and contextual documents to addresses sculpture's concern
with objecthood, space, encounter, time, duration, and our experience of an object and its imagined conceptual content.
Feintuch's process of preparing for a painting has often combined hand drawing from life
with drawing using
photographic material on a computer.
Inspired by midcentury photobooks and magazines, as well as the
materials in the artist's own archive, 50 Photographs features a tipped - in sleeve
with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on
photographic prints and archives, in which he recounts the story behind this publication.