Sentences with phrase «with photographic materials»

The elements that she employs in the process — rain, waves, wind, and sediment — leave physical inscriptions through direct contact with photographic materials.

For this body of work, Nelson selects excerpts from her experiments with photographic materials, then creates hi - res scans to capture the highly toxic and constantly changing state of the material.

Overlaying the anachronistic medium of rice paper with the photographic material, Wu reinvigorates a traditional art form with a contemporary vocabulary.

Her visual work integrates digital drawing practices with photographic material, laser - etching, or specific software.

Not exact matches

Stages Learning Materials, a company that publishes photographic flash cards and posters to teach basic language and communication skills to individuals with autism and related disorders, has one philosophy: «Learning happens in stages — you learn to crawl before you walk, and learn to walk before you run.»

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

In 1966 Gerd Koch, a German anthropologist, carried out research at Graciosa Bay on Nendö Island (Ndende / Ndeni) in the Santa Cruz Islands and on Pileni and Fenualoa in the Reef Islands, and returned with documentary film, photographic and audio material.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

The train is shown alongside Pryde's new photographic series, which features hands touching, and in contact with, various materials: their own chest, a tablet, a phone, a touch - sensitive lamp base.

With Fersini's equal focus on the photographic image and its lustrous surface, the eye flits between recognizing the original photograph's perceptual depth — what it depicts — and the image as a physical / material object.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

Storytelling, or the narrative structure itself, has served as a medium in its own right, providing artists with a new kind of raw material with which to craft their photographic and filmic imagery.

In her work, Stenram interacts with and re-interprets imagery, meticulously using fragments of found materials and finding similarities in photographic styles.

By merging the photographic image with monumental and synthetic materials, she expands the boundaries of how a photograph can be physically engaged.

He uses unconventional materials in traditional photographic techniques to produce unique photographic prints with a conceptual twist; for example his «dust» series, which uses collected dust and adhesive in place of the usual photographic chemicals to print delicate, gossamer images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.

Perceptually deceitful, or even illusionistic, solid material travels back and forth between sheer obscurity and physical presence: as with Kasten's photographic work, the scale and materiality are interchangeable and thus become co-dependent.

Multiple canvases with in - progress works line his walls, all of them surrounded by litanies of photographic source material.

Bonilla's process begins with a heightened awareness of Nuyorican portrayals through photographic images and object - based materials.

Idris Khan's second solo show with the gallery, will consist of two major sculptural installations and a number of new photographic works that interlink seemingly disparate ideas of religion, Minimalism, music and poetry Khan's new body of work has a more formal engagement with the material he appropriates, in order to elicit a kind of lyricism and spirituality using a Minimal aesthetic.

It's a print made with one obsolete photographic process on which the image is of the material of the now also - obsolete photographic process that replaced it.

The exhibition contains original evidence, archival material, photographic documentation, film footage, forensic instruments and specimens, and is rich with artworks offering both unsettling and intimate responses to traumatic events.

Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.

Over the ensuing decades — and particularly with his Sunburn project — McCaw has used photographic materials, especially expired gelatin silver paper, in groundbreaking ways.

Doty Glasco's photographic silk prints depict the landscape as a symbol of geologic time embedded into an ethereal material that ripples with the viewer's movements.

At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.

Edited by Skira and curated by Bruno Corà, the monograph will contain colour images of all the works on display, together with an extensive selection of photographic documents, critical commentary and source material, all of which illustrate Gianfranco Pardi's long and fertile creative career.

The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.

Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».

This exhibition is a survey of the artist's oeuvre — from images that are the product of experimentation with various materials and photographic processes, to portraits of friends and strangers and still lives of his environment, to book page collages, to more recent hyperreal digital works.

Inspired equally by children's couch forts and makeshift emergency shelters, the artist used scavenged and natural materials to construct a small, inhabitable hut in the gallery space, presenting it together with a photographic slideshow documenting her initial experiments with similar miniature shelters.

Carving into a painted MDF surface with a router, Aaron Williams recreates graffiti imagery in photographic sources, expanding the idea of mark marking and materials.

The exhibition can be combined with the ephemera supplement, which features archival materials, including photographic contact sheets, scrapbooks, diaries, Soviet publications, and the photographers» personal book maquettes, which reveal the photographic process side by side with the finished versions.

Mike teaches graduate and undergraduate courses in 19th Century Photographic Processes at Ryerson University in Toronto and a Phd candidate with DeMontfort University in Leicester, UK, and his dissertation is titled, The Techniques and Material Aesthetics of the Daguerreotype.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

One of the most innovative artists working today, Vik Muniz uses unconventional materials and photographic images that play with our process of perception.

With incisiveness, ingenuity, and humor, Rauschenberg changed the course of art history by establishing new genres of sculpture — found object, environmental, theatrical, photographic, and filmic — by including a wide range of contemporary subjects, and by using non-fine art materials along with conventional oWith incisiveness, ingenuity, and humor, Rauschenberg changed the course of art history by establishing new genres of sculpture — found object, environmental, theatrical, photographic, and filmic — by including a wide range of contemporary subjects, and by using non-fine art materials along with conventional owith conventional ones.

Worked with artist, Carl Ostendarp, to produce photographic documentation of paintings that convey material specificity, qualities of surface and accuracy of color.

With photographic and video documentation in the majority, the toughness and scope of the material, aided by a thoughtful installation, create their own fascination.

Seung - Hwan Ohs» photographic portraits are distorted by their meeting with bacteria; the material worlds of the photographs are eroded.

The studio began as a painting darkroom, crossing photographic fluids with ink, and over the years the range of materials, supports and surfaces has broadened significantly.

This means that the ones that are sold more recently are made with materials that are contemporary to that time, reflecting developments in the photographic industry.

Alice Quaresma is a Brazilian - born artist who experiments with multiple materials, interrupting and altering her photographs with acrylic paint, paper, tape, and pencil over photographic prints.

Nearly half are photographs or photograph - derived — with most distinguishing themselves further through unconventional materials or approaches to the standard photographic process.

Since the early 1970s Billy Sullivan has accompanied New York's underground, art and fashion scenes with his camera, using the resultant photographic material as templates for oil paintings, pastel drawings and elaborate multi-part slideshow installations, according to Edition Patrick Frey.

This restructuring creates and engenders the conditions for a sustained, intensified way of photographic seeing, a way of engaging with pictorial materials that is intensified by an awareness of the different modes of presentation.

With these elements, artists like Hiroshi Sugimoto, Luisa Lambri, Melanie Schiff, Walead Beshty, and Adam Ekberg create ephemeral works that explore the foundation of the photographic image: the play of light through half opened shutters; haunting seascapes reduced to a gradation of elemental material; and luminous circles of light formed by the interplay of sunlight and the camera's lens.

She often used materials associated with gathering information for empirical research, such as graph paper, photographic film and audio tapes, chosen for their utilitarian qualities.

Christine Kozlov: Information endeavours to create a rapport between her sculptures, their exhibition copies, archival material, photographic documentation and contextual documents to addresses sculpture's concern with objecthood, space, encounter, time, duration, and our experience of an object and its imagined conceptual content.

Feintuch's process of preparing for a painting has often combined hand drawing from life with drawing using photographic material on a computer.

Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.