Sentences with phrase «with photographic studios»
We learn that Mr. Williams's crispest photographs are made working with photographic studios, which are, of course, listed.
https://www.nytimes.com/ Not exact matches
A 2 day workshop in a photographic art studio aimed at artists and photographers looking to create fine art images with their camera.
But when Sterne walked out of that improvised photographic studio, the only thing she took with her was her shadow on the wall.
Along with George Penrose he ran a photographic studio for a while, called Penrose and Meyer.
The exhibition also features other Rama works from private collections, along with a series of photographic images shot by Bepi Ghiotti inside the artists studio and home.
IN AND OUT OF THE STUDIO: PHOTOGRAPHIC PORTRAITS FROM WEST AFRICA This exhibition offers the long view of African photography, with nearly 80 photographs taken between the 1870s and 1970s in Senegal, Mali and other West African locales.
Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.
Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.
Greg Knott in studio 317 will debut new «0 Editions» of his popular works: photographic prints matted with the one - of - a-kind, hand - drawn conceptual sketch that led to the final work.
Hovsepian's new series of assemblages continues her practice of combining photographic work with varied studio art disciplines.
In my studio, the hanging dried and drying plants mingle with huge tangles of cut and woven photographic pieces that dangle down from the ceiling.
In a small black box theatre, Anri Sala's Intervista (Finding the Words)(1998)-- a tender video portrait of the artist's mother, and her growing pessimism towards the Albanian Communist dictatorship — has been thoughtfully paired with a photographic slideshow of a low - pressure fountain that Belgian studio 51N4E installed in a public square in Tirana.
The works that comprise Production Site include multi-channel video projections, photographic light - boxes and installations, and life - sized fabrications of artists» studios — real and imagined — that either extol the virtues of the studio or problematize the preconceived and often highly romanticized notions associated with it.
At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.
The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.
Molderings contextualised the ready - made as a «means of experimental space perception», through exhibiting life - size photographic enlargements of Duchamp's New York studios, together with the three «Boxes» — fascimiles of handwritten notes published by the artist between 1934 and 1966.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.
Those plans include helping sculptor Jedediah Caesar — known for entombing trash from his studio in gigantic lumps of resin — to create a large abstract sculpture in a yet - to - be-named public place, and helping photographic artist Walead Beshty create a sculptural piece with audio elements inside a local mall.
The studio began as a painting darkroom, crossing photographic fluids with ink, and over the years the range of materials, supports and surfaces has broadened significantly.
We know from a surviving two - page photographic spread that Warhol ripped from a magazine and annotated with instructions to his studio assistants that his source for the series was Moore's photographs from Life (figure 16).
Using the Ross Gallery as a photographic studio for several weeks, Ewing experimented with a range of lighting, framing and staging techniques that drew upon his research on the history of model photography.
★ Museum of Modern Art: «A World of Its Own: Photographic Practices in the Studio» (through Oct. 5) This mostly lively if repetitive overview traces the history of photography as the Modern never has — with images taken in the studio rather than out in the world.
The studio is jammed with assistants color - correcting dyes, poring over photographic images, and managing office business.
The J. Paul Getty Museum is presenting a companion exhibition exploring Mapplethorpe's disciplined studio practice and his fascination with classical form and the fine photographic print.
But their photographic practices thrive on the interplay between a fast - paced downtown subculture with a rigorous studio practice.
In collaboration with photographer Tony Evans, Hamilton then shot photographic studio equipment.
Returning to the studio with the materials he had gathered, Vitturi created teetering totemic assemblages with a Baroque sense of drama, collaging and overpainting his photographs and materials in high - register colours — and often layering physical objects within the photographic assemblages to create new volumetrically disorientating images.
The photographs in Serengeti Green (2015) were produced in a single studio session during which Maisel worked with one set of materials, obsessively repositioning them within the photographic frame.
Further, as an artist bookwork, the project includes photographic portraits by Huerta Marin created with locks of hair collected from each of the artists during their studio visits.
• Digital lab with Epson Stylus Pro 4900s, 7800, 9600, 9800, and 9900 digital inkjet printers, profiling systems and large print viewer • Hasselblad Imacon high resolution negative scanner, scans up to 4 × 5 sheet film • 18 27 ″ iMacs with a full suite of Adobe Creative Cloud software • Black and white darkroom with 18 enlargers (4 × 5, medium and 35 mm formats) • 16 mm Elmo slimline projector with 800 ′ looper, Full HD Cinema Projectors in all studios and classrooms w / Blu - ray player • Photographic and filmmaking peripherals, such as lenses, microphones, tripods and light kits available for checkout
Assist with set - up of photographic studio, calibration and maintenance of equipment and marketing display set - up.
After touring every daggy sailing club and hall in Sydney, we eventually hired a photographic studio — it was this big, blank space with high ceilings, huge windows and white walls; and it was very convenient for the wedding photos.