Sentences with phrase «with photography and film»

With photography and film, Jimmy DeSana, David Benjamin Sherry, Jack Smith, and John Waters fly in the face of stodgy modernist quests for beauty unadulterated by flamboyant colors or subjects that offend delicate sensibilities.

Sam Taylor - Wood works with photography and film.

Ware's beautifully shot documentation of the event is now going on show at Goldsmiths University in New Cross, near to where the events took place, in an exhibition orchestrated with photography and film charity Autograph ABP, which holds the images in its permanent archive.

Through her work with photography and film, Los Angeles — based artist Sharon Lockhart (b. 1964) captures intimate quotidian moments from a wide range of communities.

German - born Christine Matthäi's fascination with photography and film began during her early teens.

Not exact matches

With Mark Zuckerberg predicting Facebook content will be driven by video in five years, storytelling through film and photography is set to be expected by visitors to your site as a complement to the written word, especially as we're using mobile devices so much to access information and entertainment.

Brian is an Advisor at Oberon with expertise in the content and intellectual property sectors, such as music, film, television, photography, theatrical, licensing, and consumer products.

The creative sisters also work with film, photography, and music.

The birth of baby Luna at Boca Raton Regional Hospital in Boca Raton, FL with midwives Courtney McMillian and Polina Goldenberg of Boca Midwifery, who work with Dr. David Lubetkin, filmed and edited by Paulina Splechta of Paulina Splechta Photography, birth photographer and film maker based out of Boca Raton, FL..

With extra visitors could come the risk of unexpected, unwanted, unflattering and too public photography and filming of baby's first few days.

Our approach combines natural and unobtrusive documentary and fine art digital photography mixed with timeless and unique film photographs.

Took photography in college but it has been many years and that was with SRL and film.

Guru's area of expertise is mainly High Definition Makeup, but he also works with makeup for fashion and photography, brides, parties, TV, films, theater, and hair stylists.

It was here that Weir taught herself photography, experimenting with film and collage.

I am starting off the week with a beautiful Italian destination wedding with the most stunning photography and wedding film.

Gurgaon, India About Blog An amalgamation of TRAVEL insights, an in - depth look at the FOOD industry, PHOTOGRAPHY, FILM and BOOK talk, and a melange of other topics, discussions, and thought pieces with the occasional sarcastic HUMOUR thrown in for good measure.

multi talented aspiring visual effects artist with a background in fine art, graphic design, photography, film and videography.

DISCLAIMER: Members of the press along with the SeekingArrangement film and photography crew will be present at Sugar Baby Summit.

Disclaimer: Members of the press along with the SeekingArrangement film and photography crew will be present at the at the Summit in pre-approved areas of the party.

Jean - Claude Juncker said the UK could use the treaty clause to re-join the bloc Books, film, TV, music, photography and theatre each have their own sections with news, reviews, interviews and features.

A home for film, music, art, theater, games, comics, design, photography, and more.To date, tens of thousands of creative projects — big and small — have come to life with the support of the Kickstarter community.

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.

A ridiculously entertaining B - grade action film with a fun cast, crazy characters, memorable set pieces and beautiful location photography.

However, the surreal, epic - type film counterposes its superlative photography with a slim tale of working class protagonists, told with sparse dialogue and the jarring, quirky, drawling, and dispassionate, colloquial voice - over narration of a streetwise, but unschooled 13 year old girl (Manz).

That said, I must grudgingly give in to Mamma Mia's inescapable charm and high spirits, something this film capitalizes on in spades, with some truly stunning location photography in Greece to spice up the visuals.

Making a film with fine performances, adept direction, first - rate photography and a doltish screenplay is like starting a rock band with no drummer.

Yes perhaps not a film with a particular story that will suit those cinema - goers who like to know what's going on, although there are those of us who just enjoy the medium, stunning sets and magnificent photography, I'd take this over Avitar anyday!

There's a jittery, you - are - there immediacy to Kaminski's rough handheld photography and the textured, gritty film stock, and his frequent play with shutter speed gives the explosions the crystal clarity and detail of slow - motion, but at terrifyingly real speed.

The film's European locations, sets (in Rome's Cinecitta studios) and photography are unusually striking; Rachel Portman contributes an elegant score; and Holm (who played the emperor once before in 1981's «Time Bandits») embodies the character with an effortlessly regal charisma.

With Shield's skilful photography and Nash's competent direction, the film is blessed with a gloriously gritty look, conveying a sense of dread that ensures a viewer will never believe any of the characters will survive unscatWith Shield's skilful photography and Nash's competent direction, the film is blessed with a gloriously gritty look, conveying a sense of dread that ensures a viewer will never believe any of the characters will survive unscatwith a gloriously gritty look, conveying a sense of dread that ensures a viewer will never believe any of the characters will survive unscathed.

In still photography, with some grit and grime photo - shopped in, I could see it, but in the film's trailer, I just kept thinking that he looked like a man / boy contemporary to present day fraternity keggers.

Sandy King Carpenter is an artist, editor, writer, film producer and PRESIDENT OF STORM KING PRODUCTIONS.With a background in art, photography and animation, Sandy King's filmmaking career has included working with John Cassavetes, Francis Ford Coppola, Michael Mann, Walter Hill, John Hughs, and John Carpenter.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

Adam Arkapow, the talented director of photography who has worked with both Kurzel and Fassbender in the past, creates an exceptional pallet of colour for the look of the film, especially for the scenes set in the 15th century — a section where the film is at its absolute best.

The non-animated menus incorporate Diego Velázquez's The Rokeby Venus (which figures in the film), watercolor - ish artwork, and photography from the film, along with excerpts of Corrine Bailey Rae's score.

David Douglas and Drew Fellman, the filmmakers behind Born to be Wild and Island of Lemurs: Madagascar, directed the film, which Fellman wrote and produced, with Douglas as director of photography.

This award - winning film from Iran is a stunning piece of work, beautifully telling a raw human story with expert writing, direction, photography, editing and acting.

Dorothea's 1940s jazz rubs shoulders with Talking Heads and Black Flag; still photography mood boards give way to psyched - out, colour - saturated «film burn» effects, which nod to the California hippie hotbed that spawned the film's other key character, William (Billy Crudup).

On the surface is a film that shimmers in sunshine and fun; the photography draws the spectator into the beauty and holiday tranquillity of Pantelleria, and the energy and quality of the performances, particularly Ralph Fiennes» hurricane of exuberance, provide a crowd to gather around the pool with and to be entertained by; a crowd who can seduce and disgust with equal measure.

[My husband and I] have always been in narrative film, at a time when narrative was implied when paired with still photography.

Though the film has had production problems as its original directors, Phil Lord and Christopher Miller, exited during principal photography due to «creative differences» with Lucasfilm.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

This film may look like one of those annoyingly mannered independent films, with its wacky young cast and arty - farty black and white photography, but it's actually a fresh, smart and very funny comedy.

A Dickensian movie with the most gorgeous photography of any film this year, «The Handmaiden» is an adaptation of the Welsh writer Sarah Waters» novel «Fingersmith» transported all the way to South Korea and Japan by Park Chan - wook.

Formats: Limited edition Blu - ray Disc Extras: Commentary with Lisi Russell and film historian Matthew Melia, isolated score selections and audio interview with composer Thomas Dolby, «The Soul of Shelley» featurette with Sands, «Fear Itself» featurette with screenwriter Stephen Volk, «One Rainy Night» featurette with director of photography Mike Southon, theatrical trailer, TV spot, still gallery.

Instantly recognizable as a Terrence Malick film, Knight of Cups has the same low - and - wide photography, the philosophical voice - overs, the general human malaise peppered with joy, that has been his signature directorial style since his coming out of hiatus with 1999s The Thin Red Line.

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

Extras: Audio Commentary with director Mick Jackson, moderated by film writer Kier - La Janisse and Severin Films» David Gregory; «Audition For the Apocalypse»: Interview with actress Karen Meagher; «Shooting the Annihilation»: Interview with director of photography Andrew Dunn; «Destruction Designer»: Interview with production designer Christopher Robilliard; interview with film writer Stephen Thrower; US trailer.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.