Portfolio of sixty etchings
with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine, 13 × 10 1/2 in.
© Nancy Graves Foundation, Inc. / Licensed by VAGA, New York, NY Direct gravure etching with aquatint, drypoint and burnishing on Arches Cover white paper
with photogravure on Arches Text Wove paper
ELLEN GALLAGHER, «DeLuxe,» 2004 - 05 (portfolio of sixty etchings
with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand - painting and Plasticine).
Installation view, from left JEREMY OKAI DAVIS, «Makes the Man,» 2012 (acrylic on canvas); NOEL ANDERSON, «Black Past - iche (to be looked at farandaway),» 2014 (fabric dye, collage and digital transfers in custom doubled - sded frame; collage, silkscreen, acrylic and digital transfers on rug); and ELLEN GALLAGHER, «DeLuxe,» 2004 — 5 (portfolio of sixty etchings
with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine).
Not exact matches
It is, instead, a quiet show of representational drawings — 47 in total,
with an additional triptych and book of prints made from the drawings via
photogravure — all based on sculptures from an eponymous museum of ancient Greek and Roman sculpture in Munich.
Ellen Gallagher, Duke (2004),
photogravure with laser - incised peeled paper, collage, and hair pomade, 35.6 × 26.7 cm.
Last Bird, 2017 is created as a
photogravure etching
with chine - collé; a collage technique used to press one delicate paper onto another.
The exhibition features new paintings and drawings by JULIE MEHRETU, along
with «Epigraph, Damascus,» 2016, a six - part
photogravure and etching (left).
Layering the rich dark tones of the
photogravure and emerald green of the spit bit e etching to produce a vibrant enchanting effect, this print undermines the documentary tradition
with a darker, personal and fantastical dimension.
This exhibition brings together 60 works in a variety of mediums, from printmaking (such as lithograph, etching
with aquatint,
photogravure, linocut, and screen - print), to wall murals, metal sculpture and shadow puppetry.
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects
with aquatint, dry - point,
photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).
An accomplished print making for more than fifty years, Celmins» Night Sky 3 and Untitled (Web 4) demonstrate the artist's expertise
with drypoint and
photogravure.
Including RC prints on panel, hand painted and layered
with encaustic,
photogravures and sculptures, The Architect's Brother is the first exhibition in depth in New York of their works, at the Jack Shainman Gallery.
Goodman came to
photogravure as a photographer and continues to make his own creative pictures
with the camera.
The «X Portfolio» has been influential, and in at least one case that influence was direct: in 1999 Catherine Opie, then immersed in San Francisco's bondage community, made a series of
photogravures in response to the «X» pictures, which she has credited
with having a liberating effect on her.
Two paintings and three hand - lettered drawings by Martin Wong A slide show by Matt Wolf Three photographs by David Wojnarowicz Three
photogravures by Danh Vo An interview
with Marvin Taylor An apparition concerning Liberace A sculpture by Robert Kinmont A stereoscopic photograph by Alfred A. Hart Two paintings and a multiform work by James Benning A photograph and a publication (and errata) by Martin Beck A composite essay by Julie Ault Artifacts and documents from The Downtown Collection An anonymous ledger drawing A crate of personal effects
He is most well known for his body of work taken in the 1980s that experimented
with a wide variety of photographic formats including gelatin silver prints, large size polaroids, and
photogravures (such as Irises, 1987).
Edited by William Frederic Badè and illustrated
with numerous
photogravure and halftone plates, the set is bound in the special deluxe half black morocco
with leather edges ruled in gilt, spines lettered in gilt and
with beautiful gilt - stamped floral vignettes, raised bands and matching endpapers.
Continuing in her use of
photogravures and her play
with perception, Saxon - Hill now introduces a painterly and sculptural hand in a new series of works.
Louise Bourgeois 路易丝 • 布尔乔亚 Louise Bourgeois 路易丝 • 布尔乔亚, 2008
Photogravure with chine collé 中国画仙纸上照相凹版印刷 Paper size 纸版尺寸: 15 1⁄4 x 16 1⁄2 inches; 38.7 x 41.9 cm Edition of 65 Courtesy Harlan & Weaver, New York © Louise Bourgeois Trust
Khánh H. Lê's polymer
photogravure etchings combine family photos
with iconic images as well as clippings from fashion magazines to create new per - sonal historical narratives.
One of the first shows I worked on was
with Unai San Martin, who is a master
photogravure printer.
ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects
with aquatint, dry - point,
photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; Number 12 from an edition of 20 unique variations, plus five artist's proofs and four printer's proofs.).
Photogravure images by Alex Katz;
with text by John Ashbery.
We combine stone lithography, woodcut,
photogravure, etching, monotype and linocut
with unorthodox processes, basically anything that can be imagined using pressure.
Portfolio of sixty
photogravure, etching, aquatint, and drypoints
with lithography, screenprint, embossing, tattoo - machine engraving, laser cutting, and chine colle; Some
with additions of Plasticine, paper collage, enamel, varnish, gouache, pencil, oil, polymer, watercolor, pomade, velvet, glitter, crystals, foil paper, gold leaf, toy eyeballs, and imitation ice cubes
Keeping the persistent place of landscape tradition in mind, Dean created works for the RA's new spaces,
with the brand new large - scale
photogravure, Forty Days, really standing out.
Photogravure with aquatint in colors
with hand - shaped plasticine elements, on multilayered paper
First American edition, folio, illustrated
with 120
photogravure plates, text is minimal,
with a title More...
Ellen Gallagher (b. 1965) Deluxe A portfolio of 60 printed objects
with aquatint, dry - point,
photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper each: 13 x 10 1/2 in.
In this three - color
photogravure, Mirrorstage for Merce, innovative installation artist Olafur Eliasson addresses our interactions
with the spectacular: how we see it, and how our bodies interact
with visual phenomena.
A 1905 copy of Alfred Stieglitz's magazine Camera Work
with ten
photogravures, sold for $ 5,938, compared
with an estimate of $ 2,000 / 4,000, while a Swiss landscape, ca. 1845, attributed to either Joseph - Philibert Girault de Prangey or John Ruskin, sold for $ 5,440 on an estimate of $ 5,000 / 7,000.