Sentences with phrase «with pictorial forms»

You know, one of the more pronounced aspects of your work, in addition to what we just discussed, is the way you find a balance between the accident and the control, the formal and the content of images, which concerns the distribution of negative and positive shapes in their spatial organization, as well as how you integrate graphic elements with pictorial forms all at once.

Not exact matches

It would then be an attempt to convey in a vivid pictorial form the truth, or the belief, that self - sacrificing love is so supremely valuable that in comparison with it even death is of small significance; that although the enemies of Jesus won their victory over him, yet in retrospect his life has become a more potent influence than theirs, for his memory has survived as an inspiration and example for all men.

Version 1: is animal themed with just the digit in the middle Version 2: is fantasy / people themed with number in digits as well pictorial form for support Version 3: maths manipulatives themed (Numicon and Base 10) with the number in words

There are endless ways of appreciating John Newman's incomparable singularity -LSB-...] By revealing a willfulness to persist in pursuit of a vision that emphatically demands a precise pictorial language — one that correlates with its differences, materially and formally — Newman has created another kind of sculpture in which different forms sing independent melodies that harmonize with the orchestration of his unending interest in all things.

This does not mean that my work is tied only to the tangible world, on the contrary, I am also very much connected with supercharged imagery that I create, extremely expressive pictorial forms, experimentation, history and the present.

Over the course of nearly six decades, William Eggleston — often referred to as the «father of color photography» — has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition.

Many of the artists represented in the collection have explored drawn formats extensively, questioning its status and conceiving new forms of the dessin: e.g. Trisha Donnelly, who fuses drawing and video; Urs Fischer, who creates drawings in three - dimensional space; or artists like Raymond Pettibon, Larry Johnson and Mike Kelley, who work with the pictorial idiom of comics.

These nine prints in themselves offer a mini-retrospective of the main motifs used throughout her career, from the early orthogonal patterns of her Bauhaus period, through her lyrical knots and threads and fibres of her Black Mountain pictorial weavings, to her more geometric and graphic works with their repetitions of triangular and rhomboidal forms of her later years.

With such works as «Path II» (1960) and «Alchemist» (1960), dense pictorial dramas are unleashed, with colors and forms competing against one another in a storm of darkened stroWith such works as «Path II» (1960) and «Alchemist» (1960), dense pictorial dramas are unleashed, with colors and forms competing against one another in a storm of darkened strowith colors and forms competing against one another in a storm of darkened strokes.

[34] Lyrical Abstraction is a type of freewheeling abstract painting that emerged in the mid-1960s when abstract painters returned to various forms of painterly, pictorial, expressionism with a predominate focus on process, gestalt and repetitive compositional strategies in general.

Of her work, Taylor says, «Through mixed media painting and drawing, I experiment with the pictorial function of words by deconstructing textual elements alongside organic forms found in nature.

(1910 - 1962) American, yet imbued with visual culture of Europe, Franz Kline exemplifies the development of pictorial language from a figurative form that derives from Rembrandt and the other great masters whose work he knew well from visiting European museums, to abstraction.

A majority of the works in the show are hard - edge geometric abstractions, many of their forms and their relation to pictorial space arrived at with the help of early computer programming and projection techniques.

By his mid-twenties, where this exhibition begins, a dual sense for narrative mood and pictorial space already infused his work, with geometry often concealing and imprisoning the forms underneath.

This understanding of sculptural language and a preoccupation with forms in space, translated into two - dimensional images, underpins her pictorial practice.

His pictorial narratives challenge us: garish, bright colors, wild forms coupled with stylistic originality, and always with a tendency toward exaggeration.

As with some of her paintings, McIntosh worked in a shallow pictorial space, decisively arranging and re-arranging forms over the colored sheets.

What sets Voigt apart from the legacy left by this generation of artists is her ability to present moments during which her inner world (experiences, emotions, memories) engages with the outside world, rendered as complex pictorial spaces that come together in a marvelous symphony of forms and ideas.

A desire to dig deeper into pictorial space, coupled with her careful study of Cézanne, especially his practice of drawing with colour, led to a new structure — the introduction of planes formed by the junction of intersecting verticals and diagonals — and of colours and contrasts.

Mondrian captures the flickering light and movement on water as he reduces the motion of the waves and the contact with breakwaters to their most essential pictorial form.

Another important source of Poliakoff's pictorial language was the sculptor Otto Freundlich, with his curved colour - form compositions.

By this time, Vigas had created such signature early pictures as Composición IV (Composition IV, oil on cardboard, 1944), with its melding of abstract forms, layered Cubist pictorial space and a palette recalling that of Old Master canvases.

With historical ties to Impressionism and Fauvism to its credit, Maison Levanneur is hosting five artists who represent a form of contemporary continuation with their examination of pictorial and photographic subjectivity and the use of landscapes and cities as full fledged subjeWith historical ties to Impressionism and Fauvism to its credit, Maison Levanneur is hosting five artists who represent a form of contemporary continuation with their examination of pictorial and photographic subjectivity and the use of landscapes and cities as full fledged subjewith their examination of pictorial and photographic subjectivity and the use of landscapes and cities as full fledged subjects.

Color now carried independent content, along with basic geometric forms, which became free from all iconographic reference and are meaningfully valid as elements of the pictorial composition.

Though intertwined in practice, the pictorial and the presentational represent two different worldviews, one identified with art as form, as something made, or something its maker arrives at, while the other regards art primarily as a set of cultural signs, or a strategy that produces an artifact, something meant to be read.

The pictorial space in these mesmerizing assemblages is comprised of clean geometric forms reminiscent of Constructivist experiments where light with its reflections and distortions acts as a foundation for the structure of the composition.

Over the course of nearly six decades, American artist William Eggleston has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition.

Inspired by the mathematical equations, diagrams, maps, and models used by engineers and inventors that attempt to give visual form to complex thought and problem - solving endeavors, the artists in this exhibition employ similar analytical and pictorial strategies, creating works of art that question or subvert notions of stability and utility long associated with technology.

Regardless of the geometric form, he wrote, «Mr. Noland has been consistent and unvarying — not to say single - minded — in his artistic purpose, which has been to fill the canvas surface with a pictorial experience of pure color.»

Presenting approximately 30 large - size paintings and 86 works on paper, the exhibition in the Schirn will focus on this late work for the first time, introducing an artist who, with his dynamically two - dimensional forms and clear colors transcending the pictorial space, makes an impression that is not historical at all but surprisingly up - to - date.

Lozenges, zigzagging lines and circles meet up with amorphous forms, gestural sections as well as with liberally applied lines that suggest silhouettes; powerful colors or reduced black - and - whites constitute some of the elements of a highly personal pictorial realm.

To draw the viewer into a direct relationship with the artwork they created their own pictorial language, often based on the use of simple geometric forms and employed industrial materials.

Connections have been drawn with the work of Mimmo Rotella, Jackson Pollock, and Richard Diebenkorn, and one may speak of Neoplasticism and Analytical Cubism, but the true reference here is Hélio Oiticica, who brought street life and the favela to his pictorial works, pushing us to experience color and form through the body and life itself.

Occasionally incorporating fragments of plastic or wood, Thornton populates his paintings on panel with a mix of ambiguous forms, frenetic drawing, and cartoonish objects, all suspended within a purposefully indeterminate pictorial space.

Yet another way to get up - to - the - minute reports on what's happening: the New York Times now offers its content in the form of Times Wire, a kind of «river of news» web - based flow that gives you headlines, the first line or two of the story, and a block of photos with popup text for those who like things pictorial.