But that can't make up for deeply flawed storytelling filled
with plotholes, poorly thought - out characters, and lackluster direction.
Piling on the offenses, Showtime suffers from a few distracting
plotholes, an obviously tacked - on prologue meant to elicit a Kindergarten Cop-esque brand of «isn't it funny to scare children
with a terrifying actor,» and a score by Alan Silvestri that actually approximates the feel of hammers to the brainpan.