Sentences with phrase «with pochoir»

Helen Frankenthaler, Tales of Genji VI Woodcut printed in colors, with pochoir, 1998, signed in pencil and inscribed «AP 7/14», an artist's proof, aside from the numbered edition of 35, on tan TGL handmade paper, framed Sheet 1194 by 1067 mm 47 by 42 in

Helen Frankenthaler Free Wheeling (H. 31) etching with pochoir in colors, 1971, on German Copperplate, signed and dated in pencil, numbered 14/21 (there were also 2 artist's proofs), with the ULAE blindstamp, with full margins, a few soft creases in the margins, otherwise apparently in good condition, not examined out of the frame, framed I. 32 x 23 in.

Helen Frankenthaler Tales of Genji V, from Tales of Genji 1998 Ukiyo - e woodcut in 49 colors from 21 woodblocks, with pochoir, on TGL handmade paper, the full sheet, S. 42 1/4 x 47 in.

Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981.

Not exact matches

Exclusive works from this collection include his pieces in pochoir which were created by hand coloring stencils with watercolor and gauche paint.

• Two Art Deco Fans Designed for House of Paquin (Paris, 1891 - 1956), 1911 — Paul Iribe (French, 1883 - 1935), Fan L'Orientale, silk, pochoir (stenciled) image, metal - foil paper, galalite (synthetic plastic), ebony, gilded brass, with original box, 9 x 9 x 1/2».

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Helen Frankenthaler Four Pochoirs portfolio 1970 The complete set of four pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and numbered 50/50 in pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered Pochoirs portfolio 1970 The complete set of four pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and numbered 50/50 in pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and numbered 50/50 in pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered foxing).

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

Lot 163 Richard Hamilton Fashion - plate (L. 76) offset lithograph, screenprint and pochoir in colours with collage, retouched with cosmetics by the artist, 1969 - 70, on Fabriano wove paper, dedicated Ernie's proof from Richard, one of seven artist's proofs aside from the edition of 70, published by Professional Prints A.G., Zug (Petersburg Press S.A.), the full sheet, occasional pale foxing mainly in the lower and upper margins, otherwise in very good conditionI.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji III, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 33/36 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/8 in.

HELEN FRANKENTHALER A Page from a Book: Plate III etching with aquatint and pochoir in colors, 1997, on TGL handmade, signed in pencil, numbered «AP 13/16» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, small rubbed areas on and below the signature, hinged to the support in places at the reverse of the margin edges, otherwise in very good condition, framed P. 4 13/16 x 21 1/2 in.

HELEN FRANKENTHALER Green Likes Mauve, from Four Pochoirs (H. 30) pochoir printed with color acrylic, 1970, on Arches Imperial Rough, signed in pencil and dated» 11/16/70», numbered 3/50 (there were also 7 artist's proofs), published by Abrams Original Editions, the full sheet, apparently in excellent condition, not examined out of the frame, framed S. 22 x 30 1/4 in.

Pochoir was frequently used to create prints of intense color, and is most often associated with Art Nouveau and Art Deco design.

In the pochoir process, a print with the outlines of the design was produced, and a series of stencils were used through which areas of color were applied by hand to the page.