Sentences with phrase «with public exhibition spaces»

Since then, I've had the honor of touring all shapes and sizes of private collections, many with public exhibition spaces.

On the boards of The Vera List Center for Art and Politics at The New School University and the Art Omi International Artist Colony, he has presented lectures at the Whitney Museum of American Art, MoMA in New York, and is on the advisory panels for theChelsea Art Museum in New York, Art and Med in Los Angeles, and the Streaming Museum, a cybersite with public exhibition spaces on all seven continents.

Not exact matches

With 10,000 square feet of exhibition space, the museum will host shows, films, lectures, and more for both students and the public.

With the exception of the Dining Hall, these spaces are not usually open to visitors, but all will be open to the public throughout the run of the exhibition.

With the exception of the Dining Hall, these spaces are usually off - limits to visitors, but all will be open to the public during the exhibition, which runs through April 26, 2015.

As a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.»

From the highest number of visitors to our online space to the 12,500 people visiting our public exhibitions, from the volume of bidders in the sales themselves to the significant number of new artist records set, we are seeing unprecedented momentum in the market as the desire to connect with great art continues to grow.»

We plan to open the new space to the public in 2017 with an exhibition of paintings by Resnick and Passlof.

San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.

We will maintain the building with exhibition spaces and be open to the public.

2012 - 2013 syzygy, project space in a social housing flat in Elephant and Castle, hosting 8 residencies, workshop programs and curated exhibitions with invited UK and international artists, London 2011 - 2016 In The Company of Elders, reflections and performance with a group of Elders, London / Bath AWARDS AND GRANTS 2014 FreeSpace, awarded for impact and participation in The Big Lottery National funding Awards Wenlock Barn TMO, winners of national TMO Awards for involving community through Fourthland projects Awards for All funding, Wenlock Barn Estate, Meeting House 2011 - 2013 Big Lottery Funding, The Back Garden and Public Program, Wenlock Barn Estate 2010 - 2011 Big Lottery Funding, The Growing Kitchen Community, Wenlock Barn Estate 2008 - 2010 Shoreditch Trust Commission, The Growing Kitchen, Wenlock Barn Estate 2009 University of East London, Funding, Making architecture TEACHING 2015 Visiting Artists, Bergen Academy of Art and Design Norway Visiting Artists, CASS School of Art and Design Louise isik Sayarer (1982, British / Turkish) EDUCATION 2007 - 2011 BA Fine Art part time, Sir John Cass school of Art and Design, London 2006 Foundation in Art and Design, Sir John Cass School of Art and Design, London 2002 - 2005 BSc / BA Environmental Science and Development Studies, University of Sussex 2000 BTEC level 3 Tropical Habitat Conservation Madagascar Recent Training 2016 - 2017 Shakti dance 2015 - 2016 Dancing Tao - Movement Medicine circle Previous work 2008 - 2015 Artist associate SASA Works Architecture 2010 - present Bow Arts Trust, Education Artist 2007 - 2008 Education Officer Chelsea Physic Garden 2006 - 2007 Education Officer The Wildlife Trust 2005 Research associate Ethnomedica, Kew Gardens Eva Knutsdotter Vikstrom (1985, Norwegian / Swedish) EDUCATION 2009 - 2011 BA Fine Art, Sir John Cass school of Art and Design, London 2004 - 2005 Foundation in Art and Design, Einar Granum School of Art, Oslo Recent training 2015 - 2016 Kundalini Yoga teacher training Previous work 2014 - 2016 Art director for Ale Tarraf's feature film «Yupanqui» 2009 - 2011 The Readers performance Group LANGUAGES English Norwegian Swedish Spanish

Whereas your previous exhibitions have shown a concern with being openly performative — in the sense of relating to the public domain, and making references to entertainment and comedy figures — your last couple of shows at Rachel Uffner have turned to a more private space.

With more than 1500 square meters of public space, the Gallery organises temporary exhibitions by major international figures and previously unseen projects by up and coming and local artists.

From the Amon Carter website — «In conjunction with the special exhibitions A New American Sculpture, 1914 — 1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, James Surls will provide a public lecture in the Amon Carter's auditorium.

With its eventual sculpture garden, the new building will connect to CHRISpark, the one - acre public green space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the space Pace built in memory of her son in 2005, as well as SPACE, which presents special exhibitions and programming throughout the SPACE, which presents special exhibitions and programming throughout the year.

With the support of Harvard Innovation Learning Technology, ArtPlace America, and NEA Our Town grants, he created an exhibition at the town's public library that housed the EPA's field repository on the site, a streetlighting intervention to illuminate the groundwater contamination below the town today, and a permanent public space, The Ashland Memorial Healing Garden.

Dividing and subdividing the gallery, this installation both tackles and expands upon two central themes: an architectural play with transparency and concealment as well as an encounter between an intimate and private exhibition space and a strikingly public stage, which places «on view» the visitor's every movement.

Its seasonal New Prints exhibition, curated by Nicola López and titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).

Eshun is the curator of exhibitions including Made You Look: dandyism and black masculinity at The Photographer's Gallery; Power & Architecture: public space and the post-Soviet world and Post-Soviet Visions: image and identity in the new Eastern Europe at Calvert 22, and Just Kids: Magnum photographers on youth culture, in association with Magnum.

For 4 - 6 weeks each artist spent time using the gallery as both a studio and exhibition space, whilst giving the public a behind - the - scenes look at the process of creation along with taking an active role in artistic and creative research.

Currently on display at the DESTE Project Space Slaughterhouse in Hydra, Figa is an exhibition of a single work, combining the tradition of monumental public sculpture with the ritualism of visiting a quasi-relic.

For this three - day event, young galleries, not - for - profit projects, artist - run spaces and independent curatorial projects will be open to the public with special events and exhibitions of work.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

The project, a full renovation of a 7,500 - square - foot former Chase Bank branch on St. Marks Place, will feature a library, a bookstore (launched in partnership with Printed Matter) and a rooftop alongside spaces for exhibitions and public programs.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

Public Conversation: March 1, 2012, 6:00 - 7:00 PM: Neysa Page - Lieberman, Exhibition Curator and Director, Department of Exhibition and Performance Spaces and Jane M. Saks, Executive Director, Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media, will be in conversation and conduct an audience Q&A with the Guerrilla Girls.

No Longer Empty activates public engagement with contemporary art through curated, community - responsive exhibitions and education programs in unique spaces.

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Published for this exhibition, Antony Gormley: For the Time Being examines recent works exploring this tension, such as the Construct series, which range from a standing male figure with his hands at his sides and his head turned, to a cluster of vertical blocks that could be described as post-Constructivist, and recent public commissions such as «Exposure» (2010, executed for a site in the Netherlands) and «Habitat» (2010, erected in Anchorage, Alaska), which also demonstrate this tension of mass in space versus constellated nodes in space.

Acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

CUE provides institutional guidance and resources to the curator, who produces a group exhibition in CUE's space with related public programming and an accompanying exhibition catalogue in 2018.

For the third consecutive year, Public will transform Collins Park into an outdoor exhibition space with large - scale sculpture, video, installation and live performance.

For her exhibition at Chisenhale, Pica also focuses on the gallery space as a public site with works situated in areas usually excluded from the arena of exhibition display.

Providing new and expanded exhibition space for the institution, the project will enable the Morgan to share more treasures from its world - renowned permanent collection with the public.

Pratt Manhattan Gallery will present a panel discussion titled «Glass, Light, and Public Space,» in conjunction with the current Pratt Manhattan Gallery exhibition «Bright Future: New Designs in Glass,» on Thursday, April 5 at 6 PM in Lecture Hall 213 on Pratt's Manhattan campus at 144 West 14th Street, second floor.

Over the course of the fall, the museum's courtyard and lobby galleries, as well as other public spaces, will remain open and active with new programming and exhibitions.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the world.

Hiorns has now, for the first time, broken with this tradition and the boundaries of interior exhibition space by reworking his proposal to take it outside, to the streets, and into the public sphere.

In his recent exhibition Blind Spot and Black Paper and the related book, he links images of public and private spaces with insightful prose in a glancing, poetic manner.

With his first artist monograph freshly published by JRP Ringier and two recent solo exhibitions at Tramway Art Space in Glasgow and Firstsite in Colchester, England, Hughes» work is at the center of public attention.

-- a solo exhibition by Bang Geul Han that claims space to represent both highly personal experiences and overtly public manifestations of sexism, misogyny, and violence, as well as setting these accounts face - to - face with anti-feminist statements made by powerful and marginal figures.

Since 1996 he has been the co-owner of Esso Gallery in New York, and has organized more than three hundred exhibitions in private and public spaces worldwide, working with artists of great renown.

Recess's signature program, Session, invites artists to use Recess's public platform to combine productive studio space with dynamic exhibition opportunities.

Housed in a 17th - century building in the city's San Marco district, the new gallery will complement her existing spaces in Mayfair and east London, and will open to the public on 10 May with an exhibition by Chris Ofili.

NURTUREart is grateful to present Ugly Feeling — a solo exhibition by Bang Geul Han that claims space to represent both highly personal experiences and overtly public manifestations of sexism, misogyny, and violence, as well as setting these accounts face - to - face with anti-feminist statements made by powerful and marginal figures.

The new exhibition will showcase extensive press cuttings about Space's first site at St Katharine Docks, as well as public screenings of a rare interview with Bridget Riley talking about the impact more room had on artists» work.

Palazzo Grassi and Punta della Dogana aim to share with the public the knowledge and love for contemporary art through the extraordinary Pinault Collection and to strengthen the priviledged relationship the institution has developed with artists, especially thanks to works specifically conceived for its exhibition spaces.

Art League Houston's (ALH) Exhibitions and Public Arts Programs have a strong reputation for brightening Houston's public spaces, along with presenting exhibitions that feature diverse, innovative, and socially conscioExhibitions and Public Arts Programs have a strong reputation for brightening Houston's public spaces, along with presenting exhibitions that feature diverse, innovative, and socially conscious arPublic Arts Programs have a strong reputation for brightening Houston's public spaces, along with presenting exhibitions that feature diverse, innovative, and socially conscious arpublic spaces, along with presenting exhibitions that feature diverse, innovative, and socially conscioexhibitions that feature diverse, innovative, and socially conscious artists.

Throughout her 20 + year career she has produced seminal exhibitions for non-profits and public spaces throughout North America and internationally - be it in collaboration with an entire town (The Marfa Sessions), an intervention into an office or magazine (Exchange with Sol LeWitt, Cabinet), a radio presentation (Tuning Baghdad, WUNP Berlin), a series of discreet projects in private collectors» homes (Nina Katchadourian at Testsite, Austin), or interventions throughout Bloomberg's Financial Headquarters (Speculative Futures).