Durham's incisive, darkly funny style has inspired a number of young artists, including Doreen Garner and Kenya (Robinson), who, in a show at Pioneer Works, addressed one of 2017's hot - button issues: how to deal
with public monuments of problematic white men.
New York street performer Lois Evans asks passersby to nominate women who they think should be memorialized
with a public monument.
Not exact matches
Let's see, hmmm, even if I didn't have to pay for it or the cleaning of it
with my tax dollars, I would object to any
monument to any religion being placed in a
public space that I pay to keep clear for my and others use.
They are boycotting to protest the mayor's 18 - member panel charged
with identifying
monuments on
public grounds deemed «oppressive and inconsistent
with the values of New York City.»
A commission appointed by the mayor is examining whether controversial historical figures honored
with monuments on
public grounds are «oppressive and inconsistent
with the values of New York City» — and subject to possible removal or alteration.
These functions include a variety of activities which assist both governmental agencies and the general
public, such as: (1) Review and approve and sign street acquisition and damage maps for Department of Transportation (DOT) and Department of Environmental Protection (DEP); (2) Review and approve street alteration maps; (3) Review and ensure the maintenance of survey
monument information; (4) Review and ensure maintenance of street grade and elevation data for the Borough; (5) Issuance of street house numbers and the management of the topographical record room; (6) Present new revenue stream ideas and develop the fee structure for topography services and a system to collect, maintain and reconcile said fees; and (7) Work
with the Office of Management and Budget, the Comptroller's Office and other Borough President's Offices to ensure that the fee structure and collection system is compatible and appropriate.
Letter from AAAS CEO Rush Holt to Deputy Attorney General Rod Rosenstein Regarding Fingerprint Reporting Guidelines [March 28, 2018] AAAS Statement on FY 2018 Omnibus Bill Funds for Scientific Research [March 23, 2018] AAAS Statement on FY 2018 Omnibus Funding Bill [March 22, 2018] AAAS CEO Rush Holt Statement on Death of Rep. Louise Slaughter [March 16, 2018] AAAS CEO Urges U.S. President and Congress to Lift Funding Restrictions on Gun Violence Research [March 13, 2018] AAAS Statements on Elections and Paper Ballots [March 9, 2018] AAAS Statement on President's 2019 Budget Plan [February 12, 2018] AAAS Statement on FY 2018 Budget Deal and Continuing Resolution [February 9, 2018] AAAS Statement on President Trump's State of the Union Address [January 30, 2018] AAAS Statement on Continuing Resolution Urges FY 2018 Final Omnibus Bill [January 22, 2018] AAAS Statement on U.S. Government Shutdown [January 20, 2018] Community Statement to OMB on Science and Government [December 19, 2017] AAAS CEO Response to Media Report on Use of «Science - Based» at CDC [December 15, 2017] Letter from AAAS and the American Physical Society to Iranian President Hassan Rouhani Regarding Scientist Ahmadreza Djalali [December 15, 2017] Multisociety Letter Conference Graduate Student Tax Provisions [December 7, 2017] Multisociety Letter Presses Senate to Preserve Higher Education Tax Benefits [November 29, 2017] AAAS Multisociety Letter on Tax Reform [November 15, 2017] AAAS Letter to U.S. House of Representatives Ways and Means Committee on Tax Cuts and Jobs Act (H.R. 1)[November 7, 2017] AAAS Statement on Release of National Climate Assessment Report [November 3, 2017] AAAS Statement on EPA Science Adviser Boards [October 31, 2017] AAAS Statement on EPA Restricting Scientist Communication of Research Results [October 25, 2017] Statement of the Board of Directors of the American Association for the Advancement of Science on Scientific Freedom and Responsibility [October 18, 2017] Scientific Societies» Letter on President Trump's Visa and Immigration Proclamation [October 17, 2017] AAAS Statement on U.S. Withdrawal from UNESCO [October 12, 2017] AAAS Statement on White House Proclamation on Immigration and Visas [September 25, 2017] AAAS Statement from CEO Rush Holt on ARPA - E Reauthorization Act [September 8, 2017] AAAS Speaks Out Against Trump Administration Halt of Young Immigrant Program [September 6, 2017] AAAS Statement on Trump Administration Disbanding National Climate Assessment Advisory Committee [August 22, 2017] AAAS CEO Rush Holt Issues Statement On Death of Former Rep. Vern Ehlers [August 17, 2017] AAAS CEO Rush Holt and 15 Other Science Society Leaders Request Climate Science Meeting
with EPA Administrator Scott Pruitt [July 31, 2017] AAAS Encourages Congressional Appropriators to Invest in Research and Innovation [July 25, 2017] AAAS CEO Urges Secretary of State to Fill Post of Science and Technology Adviser [July 13, 2017] AAAS and ESA Urge Trump Administration to Protect
Monuments [July 7, 2017] AAAS Statement on House Appropriations Bill for the Department of Energy [June 28, 2017] Scientific Organizations Statement on Science and Government [June 27, 2017] AAAS Statement on White House Executive Order on Cuba Relations [June 16, 2017] AAAS Statement on Paris Agreement on Climate Change [June 1, 2017] AAAS Statement from CEO Rush Holt on Fiscal Year 2018 Budget Proposal [May 23, 2017] AAAS thanks the Congress for prioritizing research and development funding in the FY 2017 omnibus appropriations [May 9, 2017] AAAS Statement on Dismissal of Scientists on EPA Scientific Advisory Board [May 8, 2017] AAAS CEO Rush Holt Statement on FY 2017 Appropriations [May 1, 2017] AAAS CEO Statement on Executive Order on Climate Change [March 28, 2017] AAAS leads an intersociety letter on the HONEST Act [March 28, 2017] President's Budget Plan Would Cripple Science and Technology, AAAS Says [March 16, 2017] AAAS Responds to New Immigration Executive Order [March 6, 2017] AAAS CEO Responds to Trump Immigration and Visa Order [January 28, 2017] AAAS CEO Rush Holt Statement on Federal Scientists and
Public Communication [January 24, 2017] AAAS thanks leaders of the American Innovation and Competitiveness Act [December 21, 2016] AAAS CEO Rush Holt raises concern over President - Elect Donald Trump's EPA Director Selection [December 15, 2016] AAAS CEO Rush Holt Statement Following the House Passage of 21st Century Cures Act [December 2, 2016] Letter from U.S. scientific, engineering, and higher education community leaders to President - elect Trump's transition team [November 23, 2016] Letter from AAAS CEO Rush Holt to Senate Leaders and Letter to House Leaders to pass a FY 2017 Omnibus Spending Bill [November 15, 2016] AAAS reaffirms the reality of human - caused climate change [June 28, 2016]
With two Tony ® Award - winning theatres, museums, historic sites and
monuments, music,
public art, dance, film, galleries, missions and a multitude of other cultural offerings, San Diego is truly a world - class international cultural destination.
An open - air museum, the city has an ever - growing list of spectacular (and visitable) archaeological sites and
monuments, gilded churches filled
with paintings by Italy's top master artists, exquisitely sculpted fountains, and beautifully manicured
public parks.
Tourism to the city is increasing given the city's relative proximity to Moscow on the main transport route, coupled
with an attractive city centre, lovely parks and
public squares, and multitude of theatres, cinemas,
monuments and churches.
The U.S. Bureau of Land Management, an agency of the U.S. Department of the Interior that manages the
monument, has developed gateways in cooperation
with other agencies along the California coast to introduce the
monument to the
public.
It is distinguished by its square,
public garden
with a towering Roman column at its centre - the 41 foot tall Melville
monument (built in memory of Henry Dundas, 1st Viscount Melville).
Through these ephemeral interventions
with light calligraphy, Dokins captures the invisible, acting on air and featuring iconic places: historic sites,
public plazas,
monuments, bulwarks — abandoned spaces become re-signification spaces.
Artist Gillian Wearing will be first woman to create a statue for the
public space
with her
monument to Millicent Fawcett
The transition from saturated colour to a subdued, dim haze at night and a cityscape reminiscent of a battlefield during the day, «filled
with monuments to a struggle for
public space», a similar fixation on the presence and not - presence of light and colour is clear.
Though Flack has become an artist
with an impressive career as a representational painter, and later a sculptor of
public monuments, her early experiments in abstract painting — like those of Pat Passlof, shown at Elizabeth Harris last year — mirror and impersonate the classic AbEx look.
He received a Teaching Degree in Visual Arts from the Institute of Art Josefina Contte in Corrientes, Argentina and from 1992 to 1995 worked
with Arte - Ahora to create murals and
monuments in
public spaces across Entre Ríos, Corrientes, and Formosa, Argentina.
Olivier's 11 - month project in Rome, «Histories Converse,» will begin
with a study of statues,
monuments, piazzas and ruins at select
public sites across the city.
You started out
with a series of monochromatic portraits of soldiers, either in red or in black, followed by a series of predominantly black paintings concerned
with public war
monuments and symbols of power, followed by a series of abstract white paintings and finally the gray abstract paintings.
A symposium entitled «Nothing Permanent: Sculptures and Cities (WT)» will be presented in cooperation
with the Henry Moore Institute from 13 to 15/9/17 will address, among other things, the question as to whether sculptures and
monuments lose their validity in the
public space, and if so under what conditions.
The intentions of these performances, along
with the Rhodes Must Fall movement in South Africa, share some similarities
with recent calls in the United States to remove Confederate
monuments and flags from
public places in order to address the legacy of racism and violence in the country's history.
He has created an altogether new piece titled «Scapegoat,» a 40 - foot - long hobby horse
with a giant goat's head, a parody of virility and
monuments to political leaders typically sited in
public spaces.
«The Original Copy: Photography of Sculpture, 1839 to Today,» at the Museum of Modern Art, 11 West 53rd Street, through November 1, moma.org This stunner, organized by MoMA photography curator Roxana Marcoci, may be the surprise star of the summer, assembling dozens of works that document other pieces, from Lee Friedlander's snapshots of
public monuments to Robert Mapplethorpe's iconic portrait of the late Louise Bourgeois
with a large sculptural phallus tucked under her arm.
Often working on a monumental scale,
with light and temporary materials, some of her sculptures seem to represent an ordinary object (a raspberry, a pile of newspapers), whereas some represent «sculpture» itself (
public monuments, an ancient goddess, Neolithic stones), and some represent the act of making (a swoop of the hand, a crush of the fist).
At the same time, this video presents and contrasts the testimony of Mamadou Kerala, a member of the Pan African Federation of Catalonia, who makes a reflection on the slavery - related past of those characters linked to the history of Catalonia,
with some of the participants of the Catalan Way (September 11th 2014), who are being questioned by the artist regarding the possibility of removing the
monument of Christopher Columbus from Barcelona's
public space.
This desire for gatherings, architecture and utopic
monuments that foster dialogue and encounters is something the artist would like to reflect upon throughout his exhibition
with the students of NYU and the support of the
Public Art Fund.
Van Bruggen dealt
with site logistics and solutions to logistical problems related to Oldenburg's sketches, freeing him to focus primarily on the designs for these
public monuments, although these divisions were never clear - cut and Van Bruggen also contributed to creative ideas for the works.
The retrospective features Oldenburg's iconic early installations such as The Street and The Store, in addition to his original designs for colossal
monuments for
public spaces and the Mouse Museum — a miniature, walk - in museum in the form of a Geometric Mouse, filled
with nearly 400 souvenirs, kitsch objects, and studio models.
The joint venture A
monument for the unexpected (it's not down in any map; true places never are) invites visitors to rethink
public space and to deal
with forms of displacement one may encounter in Berlin.
And the tradition of the serious
public monument is lampooned, even as Mr. Sachs seems to play catch - up
with Jeff Koons, Takashi Murakami and Donald Baechler.
In partnering big name artists
with the nearly unknown, Tasset uses this
public monument as an equalizer, artists alphabetically sequenced and hierarchy dispelled.
Saint - Gaudens received many significant commissions through his association
with White, including his first major
public work, a
monument of Civil War hero David Farragut that stands in Madison Square Park, New York.
The trouble
with Moore is that the proliferation of his
public monuments the world over, together
with a critical accolade that put him in a league of untouchables, has caused a lot of people to think they are familiar
with his work when, as a matter of fact, they are not.
In her sculpture Dialogue
with Him (1998), Argentinean born, U.S. - based artist Liliana Porter displays a familiar figurine of Mickey Mouse in a faceoff
with José Gregorio Hernández, the legendary Venezuelan doctor memorialized in
public monuments and mementos for his saintly healing powers.
A group exhibition installed in various locations along the High Line, «Busted» features nine sculptures that engage
with the tradition of
public landmarks and civic
monuments that have defined our
public spaces for centuries.
Consulting in redevelopment projects we register quite often the problems of foreign investors
with the German private construction law on the one hand and the urban planning /
public construction and environmental law which is stamped by the federal legislative competence (f. e. we have 16 different
monuments protection laws).