Sentences with phrase «with publishing houses like»

For books Apple has co-opted with publishing houses like Penguin, HarperCollins, Simon & Schuster, Macmillan, and Hachette which are all big time book publishers.

EC Media has also tied up with publishing houses like Penguin, Roli, Oxford University, Harper Collins, etc. to make available their books on the Wink.

Not exact matches

Last month, conservative news outlet Daily Caller published a story with a headline that read, «It's High Time Barron Trump Starts Dressing Like He's In the White House.»

So far as book publishing is concerned there were practically no Jews in the business prior to 1915 and today Viking, Simon & Schuster, Knopf, Covici, Friede, and Random House do not rank in size of annual list with such non-Jewish houses as Macmillan, Scribner's, Harpers, Houghton Mifflin, Appleton - Century, Doubleday, Doran, and the like.

It also would have been useful for these writers to consider C — Pop within the broader context of niche — driven evangelicalism, exemplified by congregations such as Willow Creek and Grace Chapel, publishing houses that market things like «the women's Bible,» and even those evangelist muscle men who thrill pre — teens by shattering bricks with their heads — all for Jesus of course.

Whether you're unpublished, self - published, or working with a traditional publisher (like Random House), it's important to know that book royalties should only be one of your many streams of income.

His authors have been published with major publishing houses around the world like Harper Collins, Thomas Nelson, and Penguin Books, resulting in millions of books sold.

In a recent WBJB Publishing Basics Radio interview with Jan Nathan, the Executive Director of PMA, Jan was asked the question, «What type of publishing (vanity, subsidy, traditional, small press, independent) best describe places like Author House, Xlibris and Publishing Basics Radio interview with Jan Nathan, the Executive Director of PMA, Jan was asked the question, «What type of publishing (vanity, subsidy, traditional, small press, independent) best describe places like Author House, Xlibris and publishing (vanity, subsidy, traditional, small press, independent) best describe places like Author House, Xlibris and IUniverse?

Just like I would never trust myself to diagnose my cat's health issues, I would never allow myself to declare victory with a completed manuscript until it has been edited by a professional editor (yes, PAYING someone makes a difference), printed by a publishing house, and marketed either by myself or by a marketing agency.

Should you try to get a traditional publisher like Random House, self - publish, or work with a vanity press?

Other publishing houses that Mark Malatesta has secured contracts with include Simon & Schuster, St. Martin's, Hyperion, Prentice - Hall, Workman, Andrews - McMeel, Entrepreneur, Barron's, Amacom, and many more... resulting in millions of books being sold, as well as works being picked up for TV, stage, and feature film (with companies like Paramount Pictures and DreamWorks).

«Not every author can make the NY Times bestseller list» says Mark, «but every talented author deserves to reach as many people as possible... whether it's with a traditional publisher like Random House or through self - publishing supported by smart book marketing.

This part of our author blog features interviews with bestselling authors who've been published successfully with traditional publishers like Random House or through self - publishing.

You can also self - publish with either the hope of making a success outright or, like a startup venture, the hope of doing well enough to be noticed by a big house and picked up.

But I'd so much like to catch authors before it's too late to get a book publicist really excited about a project: before a major book publishing house has given up on promoting the book (or lost interest in selling the book) or before an author has committed to working with a print - on - demand company whose imprint would make a book about 95 % more difficult to properly promote than it has to be.

Still others join a publishing house with some evidence of aptitude and work their way up the tree, starting off as proofreaders, or such like.

Authors have divided themselves into two camps, the making a living wage by self publishing crowd of which I belong, and the gatekeepers like James Patterson and Scott Turow who have made a shitload of money with traditional publishers who have eleveated them to a position of being «overlords» of the literary world and encouraging greedy publishing houses to bar the door to new aspiring writers who are not represented by agents.

I know they usually either re-do old manuscripts or work with publishing houses, but if you catch the professor early enough (like the semester BEFORE...) you might a foot in door for it.

A cover I like, that's on a major publishing house book and selling well (can't remember which one), is a blurry picture of some wet leaves, with a girl's hand / arm running through it.

Apple now has a mechanism to self - publish through them without the need for even a middleman like Lulu, much less an agent or a book deal with a real publishing house.

We are registered as a publishing house and therefore when you are with Kwill you have «published» status rather than having an ISBN you acquire through a service like Ingram, Createspace, BookBaby, or Authorhouse.

First, I'd like to broaden my network, not only with German publishing houses, but also with young publishing professionals from all over the world.

Literary agents (also known as book agents or publishing agents) act primarily as authors» representatives for the sale and / or licensing of their books with large domestic publishers like Random House and Simon & Schuster, and sometimes small - or medium - sized domestic publishers like Peachtree Ppublishing agents) act primarily as authors» representatives for the sale and / or licensing of their books with large domestic publishers like Random House and Simon & Schuster, and sometimes small - or medium - sized domestic publishers like Peachtree PublishingPublishing.

If you sign with an agent or a publishing house, and they don't like what the freelance editor has suggested, the writer then has to rework the manuscript, sort of like taking it back to where it was pre-money.

Think of the potential for publishing houses or Hollywood with something like Editorially.

As part of the Infinity Publishing / Combined Book Exhibit partnership, you save all the money associated with attending yourself, while being a part of a collective located in a prime location and alongside other small independent presses, and in many cases larger reputable publishers like Random House Harper Collins and others.

LP: You are published with a small boutique house — Gemma Halliday Publishing and Gemma Halliday is also a bestselling author — tell us how that came about and what is it like working for a boutique house?

Wonder what it feels like to work with a book editor in a traditional book publishing house?

In my own case, having fallen at the last hurdle with a couple of publishing houses, I set about the process of self - publishing ALBERTA CLIPPER 18 months after I had first thought about what it might be like to be a female meteorologist with a dark secret, working in an investment bank in Dublin.

But like the much heralded success of authors Amanda Hocking and John Locke, both of whom have each sold more than one million copies of their self - published ebooks before going on to sign contracts with major publishing houses, Wilkinson is open to the idea of traditional publishing and has already heard from some print publishers, although he admits he didn't set out to be an author.

We receive submissions from independent authors, small publishers, and publishing giants such as Random House, HarperCollins and Simon & Schuster, with contestants that range from the first - time, self - published author to New York Times bestsellers like J.A. Jance, James Rollins, and # 1 best - selling author Daniel Silva, as well as celebrity authors like Jim Carrey (Bruce Almighty), Jonathan Frakes (Star Trek) and Henry Winkler (Happy Days).

Watching contract clauses like hawks and refusing to sign unfair contracts, be they with publishing houses, cover designers, e-tailers, and so on.

This model seems to make the most sense as I agree with you: some work is more from the heart and is almost like a purging and may not fit in a traditional model / route while others are more suited to traditional publishing houses.

The problem with general statements like Grodin's is that people will look at it and echo the sentiment, never realizing that his criticism was actually pointed towards the NY publishing houses who still charge up to $ 15 for an eBook — the same as they do for a mass market paperback.

It's like being in a publishing house where I get say over all aspects of my career, but with help from others with the same individual interest, willing to share their knowledge.»

Smaller companies like Angry Robot Books, Baker Publishing, Barrett - Koehler, Chicago Review Press, Coach House Books, Echo, Greystone, Kids Can Press, Morgan James Publishing, Nimbus Publications, O'Reilly Media, Orca, Other Press, Poisoned Pen Press, Roaring Forties Press and TouchWood Editions all do business with BitLit.

I am sure since you have contact with the publishing industries, most of the publishing house (like Penguin) she (Urmila) has worked with?

Never, ever sign with a publishing house unless you've researched both the house and the publisher / editor with industry watchdogs like Publisher's Marketplace, Writer's Digest, Writer Beware, and Preditors and Editors.

In an effort to restore price competition for ebooks in Canada, the Canadian Competition Bureau has announced a consent agreement with Apple and three major publishing houses — Hachette, Macmillan and Simon & Schuster — that requires them to allow Canadian retailers like Amazon and Kobo to offer discounts on their ebooks.

Like the fear of theft, the notion that the main function of publishing house editors is to turn books into clones, and that authors who publish with larger houses can expect to have their manuscripts slashed and burned with callous disregard of their original voices and intents, is largely unfounded.

Many big publishers like Random House have what are called «imprints,» or divisions in the publishing house with their own brand and specializaHouse have what are called «imprints,» or divisions in the publishing house with their own brand and specializahouse with their own brand and specialization.

Never, ever sign with a publishing house unless you've researched both the house and the publisher / editor with industry watchdogs like Publisher's Marketplace, Writer Beware, and Preditors and Editors.

At that juncture, someone like Amy Hocking is almost on an equal footing with a publishing house in that she can address a specific audience over the internet with almost no budget.

When I ask them why, after years of no success with agents and publishers, they don't just decide to independently publish their books themselves, they mostly give me answers like, «I've always dreamed of publishing my book traditionally,» or, «A deal with a publishing house would make me feel like I made it.»

Crowdfunding, like crowdsourcing, is a game changer, making it possible for anyone with a good idea to get funding, even if they can not get the attention of the big publishing houses.

And we will see great wailing and gnashing of teeth from the traditional institutions much like what is happening today with the major publishing houses.

I have to disagree with you on one point: I think self - publishing is like owning your own house, while traditional publishing is like owning your house and then renting it out to someone who might pay their rent every month and treat your investment property with respect... or they might just trash the place and then skip out on you.

If you are published by an independent publisher that has an agreement with one of the big houses to distribute the books or a deal with a company like IPG or NBN, there will be salespeople representing your book in the field.

Other publishing houses that Mark has secured contracts with include Simon & Schuster, St. Martin's, Hyperion, Prentice - Hall, Workman, Andrews - McMeel, Entrepreneur, Barron's, Amacom, and many more... resulting in millions of books being sold, as well as works being picked up for TV, stage, and feature film (with companies like Paramount Pictures and DreamWorks).

At a stroke, it democratised publishing and allowed any writer, anywhere in the world, to compete on equal terms with the corporate media giants like the Big Five: that's the Hachette Book Group (a subsidiary of Time Warner), HarperCollins (a subsidiary of NewsCorp), Macmillan Publishers (a subsidiary of Holtzbrinck Publishing Group), Penguin Random House (a subsidiary of Pearson and Bertelsmann), and Simon & Schuster (a subsidiary of CBS Corpublishing and allowed any writer, anywhere in the world, to compete on equal terms with the corporate media giants like the Big Five: that's the Hachette Book Group (a subsidiary of Time Warner), HarperCollins (a subsidiary of NewsCorp), Macmillan Publishers (a subsidiary of Holtzbrinck Publishing Group), Penguin Random House (a subsidiary of Pearson and Bertelsmann), and Simon & Schuster (a subsidiary of CBS CorPublishing Group), Penguin Random House (a subsidiary of Pearson and Bertelsmann), and Simon & Schuster (a subsidiary of CBS Corporation).