In Warholian fashion, Johnson often imbues his work
with queer desire and dry melancholy as he mines lowbrow registers of American culture, resituating material drawn from such sources as People magazine, pulp fiction, celebrity auto - biographies, Hollywood histories, and advertisements.
Not exact matches
A New Testament professor at the College of the Holy Cross has suggested Jesus was a «drag king»
with «
queer desires.»
The founders no longer want to see the labor of
queer Black women neglected by mainstream media and those
desiring partnership
with the movement.
Suspenseful and infused
with a sense of longing, the works explore implications of love,
desire and
queer culture through a dreamlike romanticism and wistful nostalgia.
He recently completed a two - week intensive studying artists» publications
with New York - based magazine Triple Canopy, and presented a talk on science fiction, pornography and
queer desire as part of the Bodies on Display festival in September.
Her work is largely concerned
with the politics of space in relation to race, gender, and
queer desire.
Work from 1861 to 1967 by artists
with diverse sexualities and gender identities will be showcased, and will range from covert images of same - sex
desire such as Simeon Solomon's Sappho and Erinna in a Garden at Mytilene 1864 through to the open appreciation of
queer culture in David Hockney's Going to be a Queen for Tonight 1960.
On the third floor of an unassuming Chinatown building, a dark hallway leads to Blessed Avenue, Jacolby Satterwhite's psychedelic quest into
queer desire and memory, a twenty - minute digital animation created
with Maya computer software.
Anger's later films continued to be influenced by his sexuality, the criminalization of
queer desire, and his experience
with mind - altering drugs like cannabis, LSD and peyote.
Garnett's Encounters I May or May Not Have Had
with Peter Berlin presents a glamorous journey that questions the nature of
desire alongside the intergenerational histories that are central to
queer life.