Sentences with phrase «with radical movements»

Artists throughout Europe responded with radical movements — Fauvism, Cubism, Futurism, Orphism, and Dada — that increasingly threatened Academic -LSB-...]

Not exact matches

But what does the Religion of People that invented stuff and started radical new» movements «have to do with what Were supposed to be discussing here?

Homebrewed Christianity — a male - led podcast in direct partnership with the Emergent movement — recently had a podcast conversation with Peter Rollins, one of the «edgy» emergent stars pushing Radical Theology.

The other British movement (with American offshoots) is Radical Orthodoxy, which gathers around John Milbank (in Lancaster for many years, followed by Cambridge, and now at the University of Virginia).

This is, of course, to take the mundane story of Jesus with radical seriousness as the metaphor of all human movement.

If we allow Blake's apocalyptic vision to stand witness to a radical Christian faith, there are at least seven points from within this perspective at which we can discern the uniqueness of Christianity: (1) a realization of the centrality of the fall and of the totality of fallenness throughout the cosmos; (2) the fall in this sense can not be known as a negative or finally illusory reality, for it is a process or movement that is absolutely real while yet being paradoxically identical with the process of redemption; and this because (3) faith, in its Christian expression, must finally know the cosmos as a kenotic and historical process of the Godhead's becoming incarnate in the concrete contingency of time and space; (4) insofar as this kenotic process becomes consummated in death, Christianity must celebrate death as the path to regeneration; (5) so likewise the ultimate salvation that will be effected by the triumph of the Kingdom of God can take place only through a final cosmic reversal; (6) nevertheless, the future Eschaton that is promised by Christianity is not a repetition of the primordial beginning, but is a new and final paradise in which God will have become all in all; and (7) faith, in this apocalyptic sense, knows that God's Kingdom is already dawning, that it is present in the words and person of Jesus, and that only Jesus is the «Universal Humanity,» the final coming together of God and man.

On a deeper level, the sudden and dizzying changes taking place in the American economy, combined with the even more bewildering changes brought by the end of the cold war, foster radical social movements of every description.

Alarmed by the radical revisionism of the homosexual movement, it is suggested, the churches may be moved to reappropriate with vigor a traditional sexual ethic.

This led some to identification with radical campus movements (which ultimately risked profound alienation from judicatories) or to identification with the central administration (which obviously translated the campus minister into a member of the university administration).

Unfortunately, the Vatican is opposed to the more radical implications of liberation theology, and it is trying with some success to force the movement back into line.

The neocons were for the most part disillusioned liberals (or radicals) who broke with their former allies over what they considered the febrile, guilt» ridden anti-Americanism embraced by much of the left in the wake of the anti-Vietnam War movement.

The Social Gospel movement with its happy worldliness had lost its capacity for genuinely radical criticism.

In the mid-sixties, most of the proponents of the civil rights movement segued into the anti-Vietnam war movement, then into the more generalized counterculture, with all of its continuing sideshows of radical feminism, gay advocacy, and so forth.

Crawford situates Wahhabism in the second part of the twentieth century within what he terms the formation of «hybrid» radical groups — Al - Qa «ida and ISIS, but also earlier groups such as the Awakening movement that took shape in the early 1990's that «infused [Wahhabism] with new ideas» and «drew the line between belief and unbelief at new points on the religio - political spectrum.»

This essay does not purport to be a fully adequate encounter with Altizer's radical theology; but however small, I hope it will be a genuine contribution to the ongoing task of responsible theological reaction to the earnest questions and challenges put to the Catholic faith by members of the death - of - God movement.

It's actually one small dimension of a much wider, though less well publicized, set of movements in theology, associated with places like Yale and Duke, and the universities of Virginia and Cambridge, which are orthodox and radical but not necessarily Radical Orradical but not necessarily Radical OrRadical Orthodox.

Polarization took over, and by the time the Democratic Party (with the almost unanimous support of mainline liberal churchpeople) had reformed itself enough to take the presidential nomination from traditional liberals and bestow it on a more radical candidate, the crusade's tactics had doomed the movement to minority status.

In all these respects the values, attitudes and beliefs of the oriental religious groups, the human potential movement and even a group like the Christian World Liberation Front, as well as the more flexible of the radical political groups, would be consonant with the new regime and its needs.

In the earlier phases of the movement the attack was still disguised as Christian «spiritualization» or «reform»; in the later phases, with the more radical immanentization of the eschaton, it became openly anti-Christian.

In contrast with the Lutheran and Reformed, few of the many movements embraced in radical Protestantism aspired to include in their membership all the inhabitants of a political unit.

Fox tells the story from beginning to end: childhood in the German - American parsonage; nine grades of school followed by three years in a denominational «college» that was not yet a college and three year's in Eden Seminary, with graduation at 21; a five - month pastorate due to his father's death; Yale Divinity School, where despite academic probation because he had no accredited degree, he earned the B.D. and M.A.; the Detroit pastorate (1915 - 1918) in which he encountered industrial America and the race problem; his growing reputation as lecturer and writer (especially for The Christian Century); the teaching career at Union Theological Seminary (1928 - 1960); marriage and family; the landmark books Moral Man and Immoral Society and The Nature and Destiny of Man; the founding of the Fellowship of Socialist Christians and its journal Radical Religion; the gradual move from Socialist to liberal Democratic politics, and from leader of the Fellowship of Reconciliation to critic of pacifism; the break with Charles Clayton Morrison's Christian Century and the inauguration of Christianity and Crisis; the founding of the Union for Democratic Action, then later of Americans for Democratic Action; participation in the ecumenical movement, especially the Oxford Conference and the Amsterdam Assembly; increasing friendship with government officials and service with George Kennan's policy - planning group in the State Department; the first stroke in 1952 and the subsequent struggles with ill health; retirement from Union in 1960, followed by short appointments at Harvard, at the Center for the Study of Democratic Institutions, and at Columbia's Institute of War and Peace Studies; intense suffering from ill health; and death in Stockbridge, Massachusetts, in 1971.

The new women's movement of the 1960s also arose out of an alliance with and, then, a traumatic experience of rejection by the black civil rights and white male radical movements.

When the FIS won a landslide victory in the 1991 parliamentary elections, all its top leadership was in jail; it was also its salafi rivals who unleashed the violence that followed annulment of the results, sucking the radical fringe of the movement in with them.

Therefore, the impression that life - extensionism represents a form of utopianism, a fringe or revolutionary movement, or an advocacy of a radical change of the human nature — should be rejected or accepted only with profound reservations.

For a lot of people this won't have been remotely controversial - but Corbyn's most enthusiastic supporters have been young, radical left - wingers, often with backgrounds in or near the anarchist movements that sprung up around the anti-fees and anti-cuts campaigns of the early 2010s.

Now his Florida - based Keybowl corporation has released the orbiTouch, a radical reinvention of the keyboard that dispenses with the keys and relies on subtle arm movements for data entry.

, Tantra Yoga, Meditation (all different techniques of meditation with their different impact and purpose), tantra yoga practices, chanting, yogic sacred rituals, freedom movement and radical wisdom.

The notorious Yellow Book with Aubrey Beardsley's then - radical illustrations, the movement's fondness for sunflowers, and the yellow - backed trashy novels of the period linked the colors yellow and greenish - yellow to raffishness and intellectual pretension.

Woods says money and security will be big theme this year, partly because of major movement among three planets this year: Jupiter, which is associated with abundance, is moving into Scorpio; Uranus, which governs sudden change and radical, unconventional thinking, is entering Taurus; and Saturn, the planet of responsibility and hard work, is currently in Capricorn.

Wilkerson sees his film, no less than his family, as caught up with these cultural artifacts in the continuing movement of history — a history in which you might decide to be a liberal (if you're content to congratulate yourself) or, as a better choice, a radical.

Framing the unfinished work as a radical narration about race in America, Peck matches Baldwin's lyrical rhetoric with rich archival footage of the Civil Rights and Black Power movements, and connects these historical struggles for justice and equality to the present - day movements that have taken shape in response to the killings of young African - American men including Trayvon Martin, Tamir Rice, Mike Brown, and Amir Brooks.

Brazilian writer - director João Moreira Salles intercuts his mother's movies of a 1966 group tour in China during the inception of the most radical phase of the Cultural Revolution with archival footage from three other radical movements, all from 1968: The May uprisings in France; the brutal ending of the Prague Spring; and the brief rebellion in Brazil against the reigning military dictatorship.

While the recent upsurge of feminist activity in this country has indeed been a liberating one, its force has been chiefly emotional — personal, psychological and subjective — centered, like the other radical movements to which it is related, on the present and its immediate needs, rather than on historical analysis of the basic intellectual issues which the feminist attack on the status quo automatically raises.1 Like any revolution, however, the feminist one ultimately must come to grips with the intellectual and ideological basis of the various intellectual or scholarly disciplines — history, philosophy, sociology, psychology, etc. — in the same way that it questions the ideologies of present social institutions.

Spearheading this movement, Robert Irwin began to take ideas from philosophical inquiries into the nature of human experience and radical advances in perceptual psychology and combine them with the immersive abstraction that had been pioneered by artists such as Jackson Pollock, Mark Rothko, and Barnett Newman.

French art critic Michel Tapié even declared the existence of «un art autre» (art of another kind)-- an art that entailed a radical break with all traditional notions of order and composition, in a movement toward something wholly «other.»

This 456 - page volume, published in conjunction with the Walker Art Center and MCA Chicago's exhibition, reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site - specific dance, the use of technology as a choreographic tool and the radical separation of sound and movement in dance.

Sitting on a gridded bench by Superstudio, the radical Italian architecture firm, is an iPad looping a video by the Venezuelan painter Eugenio Espinosa, performing with a gridded fabric; a painting of repeated amoeboid forms by Claude Viallat, the grand man of the French movement Supports / Surfaces, continues the play between repetition and creation.

«Both a celebration of womanhood and a brash political statement, the work plays with the language of radical feminist movements to address issues of gender, identity and sexuality.»

The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.

There are aspects of the radical art movement that could be associated with the Action Painting of 1950s New York; however, the aesthetics of Gutai evolved independently as an outcome of postwar Japan.

With a diverse assembly of historical and contemporary art, including several site - specific performances commissioned exclusively for SFAI, Experimental Exhibition of Modern Art to Challenge the Mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response creates a dialogue with classic Gutai works while demonstrating the lasting significance and radical energy of this movemWith a diverse assembly of historical and contemporary art, including several site - specific performances commissioned exclusively for SFAI, Experimental Exhibition of Modern Art to Challenge the Mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response creates a dialogue with classic Gutai works while demonstrating the lasting significance and radical energy of this movemwith classic Gutai works while demonstrating the lasting significance and radical energy of this movement.

Her current tour de force is «Radical Seafaring,» a survey that spots a new art movement of artist interfacing with water that draws a parallel with the Land Art Movement.

In a way, Grover has combined both these interests in her curation of «Radical Seafaring,» which points to a new art movement through its seamless entwining of conceptual art, sculpture, and artist participatory adventures with insights into the creative process that are essential for the fullest appreciation of art.

This 22 - year period spans his interactive sculptures, including his celebrated Nature Carpets, and his subsequent creative work with many radical social and political movements in Italy and around the world.

Clyfford Still fused the two predominant painting styles of the radical postwar movement, combining the gestural method with the famed color fields technique.

Robert Rauschenberg (born 1925) was instrumental in kick - starting the Pop Art movement and changing the direction of American art with his radical merging of materials and techniques.

Robert Motherwell was one of the radical maestros of the «New York School» — a term he himself coined — who, along with Jackson Pollock, Willem de Kooning and Mark Rothko, turned Abstract Expressionism into the reigning movement in art in the United States... Continued

In keeping with the theme of the radical art practice of the 1970s and 80s, Two steps to the Left... takes US artist Adrian Piper's groundbreaking interactive performance Funk Lessons (1982 - 85) as a point of departure, to explore dance and movement as a political act; asking what role does dance and music play in the creation of momentary communities, of dissent and assent.

In keeping with the theme of the radical art practice of the 1970s and 80s, Two steps to the Left... takes US artist Adrian Piper's groundbreaking interactive performanceFunk Lessons (1982 - 85) as a point of departure, to explore dance and movement as a political act; asking what role does dance and music play in the creation of momentary communities, of dissent and assent.

Trained as a classical pianist, his early interests in composition and performance combined with his radical aesthetic tendencies brought him into contact with protagonists of the counter-culture and avant - garde movements of the 1960s, including Fluxus.