Sentences with phrase «with radical performance»

Dower was active in the UK industrial music scene of the early 1980s and worked with the radical performance art group Bow Gamelan Ensemble.

The RS 7 is the ultimate statement in the A7 line, combining stunning looks inside and out with radical performance.

Back to top RS 7 The RS 7 is the ultimate statement in the A7 line, combining stunning looks inside and out with radical performance.

Not exact matches

The transition from a radical regime guided by a utopian ideology to a pragmatic one with a laser - like focus on maintaining power by delivering superior economic performance is one of the main drivers for how China has managed to engineer an economic revolution since the late 1970s.

The complexity and diversity of interests and values represented in universal history, coupled with the radical uncertainty about any connection between performance and deserts, make it impossible today to discern God's providential hand in it with the confidence of Israel's prophets.

It means that the author acknowledges that the region with the worst economic performance in recent years, the largest military buildup, the most radical....

The Renault RS2027 Vision takes us 10 years into the future of F1, with a radical design focusing more on the drivers, electric technology, performance and improved safety.

Mr Corbyn said he was positive about improving his party's poll ratings and its performance at the ballot box, but also risked disappointing some senior Labour MPs by dismissing the radical idea of a «progressive alliance» with the Liberal Democrats.

All I'm saying is that the majority of the effects you feel 30 - 45 minutes after sipping on that Radical Rockin» Raspberry Rush (or, whatever) pre-workout drink is simply a combination of the study - dose of caffeine anhydrous (here is a good summary of the research on caffeine's positive, measurable effects on strength and performance) and the basic placebo effect you experience when you consume a product with the positive expectation that it's going to work.

Gravity becomes a character study driven by a riveting central performance and a radical thrill ride delivered with near real - time urgency which thrusts you through its implausibilities.

The Then New 996 Turbo Offered Genuine Supercar Performance In A Compact, But Surprisingly Practical Package And Unlike The Early Infamous Turbo 911 «s, The 996 Version Became A Different Sort Of Animal, With Four Wheel Drive, A Smooth New Body Shell And A Radical Updated Cabin.

We've taken a radical route with the set - up of the BMW M4 GTS to create a sports machine for the race track that delivers top - end dynamics and inspirational performance.

Next year, we'll be rounding out the lineup with the launch of high - performance Si variants and some more goodness from across the pond a radical new Civic Type - R based on this hatch body style.

The radical new Civic Type R, with its sporty and sleek hatchback design and track - ready performance, will make its North American debut at the 2016 SEMA Show in Las Vegas, November 1 - 4, 2016, marking the arrival of the first - ever Honda - badged Type R in the U.S.

Her early performances of John Cage scores were so radical, with so many Dadaesque spur - of - the - moment acts, even Cage himself wasn't sure about Moorman's choices.

Offered in conjunction with Radical Presence: Black Performance in Contemporary Art, an exhibition in two parts.

This 456 - page volume, published in conjunction with the Walker Art Center and MCA Chicago's exhibition, reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site - specific dance, the use of technology as a choreographic tool and the radical separation of sound and movement in dance.

Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.

There, he revealed his deep passion for performative practices and so - called «outsider» artists with two trailblazing shows: «Radical Presence: Black Performance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated blaPerformance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated blaperformance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated black artists.

2012 Radical Presence: Black Performance in Contemporary Art curated by Valerie Cassel Oliver, Houston, TX Regarding Warhol, curated by Mark Rosenthal with Maria Prather, Ian Alteveer, and Rebecca Lowery, New York, NY

The world's authority on performance art, RoseLee Goldberg, tells Artsy, «Tania Bruguera's work remains as radical today as it was when I first encountered it in the mid -»90s, with a work entitled What Belongs to Me, a two - hour silent piece on censorship.»

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.

It has received widespread critical acclaim; Holland Cotter of the New York Times writes ``... it was worth the wait...» and «demonstrate [s] how radical this artist's early experiments with language and performance [are].»

With a diverse assembly of historical and contemporary art, including several site - specific performances commissioned exclusively for SFAI, Experimental Exhibition of Modern Art to Challenge the Mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response creates a dialogue with classic Gutai works while demonstrating the lasting significance and radical energy of this movemWith a diverse assembly of historical and contemporary art, including several site - specific performances commissioned exclusively for SFAI, Experimental Exhibition of Modern Art to Challenge the Mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response creates a dialogue with classic Gutai works while demonstrating the lasting significance and radical energy of this movemwith classic Gutai works while demonstrating the lasting significance and radical energy of this movement.

A+C Houston: Reading about Radical Presence, it sounds like the show addresses a misconception — that people associate black performance entirely with theater.

Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the «happenings» of the early 1960s, throughout the 1980s, and into the contemporary practices of a new generation of artists.

Since the late 60s, Bruscky has committed to an experimental approach which has combined his own performance and radical public interventions, with conceptual strategies of documentation and communication through collage, sculpture, artist books, «poetic objects», classified and mail artworks, visual music and poetry.

As part of their Flux series, the Hammer Museum hosts video greats Michel Gondry, Keith Schofield, Radical Friend and Stefan Nadelman with MMG's Allison Schulnik — who will screen «Forest,» in addition to a performance by Mia Doi Todd, Michel Gondry and friends.

Although Nam June Paik trained as a classical pianist, his radical aesthetic tendencies soon led him to start experimenting with performance and installation art, which often incorporated new technologies such as lasers, robots, and satellite transmissions.

Tang's performance works sometimes show radical aspects while also pursuing relations with others.

Providing a critical history beginning with Fluxus and Conceptual art in the early 1960s through present - day practices, Radical Presence chronicles the emergence and development of black performance art over three generations, presenting a rich and complex look at this important facet of contemporary art.

YBCA presents a conversation with artist Lynn Hershman Leeson and filmmaker, artist, and writer Eleanor Coppola, moderated by art historian, critic, and curator Amelia Jones, that brings focus to Hershman Leeson's early pioneering works of radical social performances and activism of the 1960s — 1980s.

In keeping with the theme of the radical art practice of the 1970s and 80s, Two steps to the Left... takes US artist Adrian Piper's groundbreaking interactive performance Funk Lessons (1982 - 85) as a point of departure, to explore dance and movement as a political act; asking what role does dance and music play in the creation of momentary communities, of dissent and assent.

Whitney Kimball, our 3rd AUX Fellow, will present programming celebrating and examining the rough and incandescent world of radical collective making with a survey of collaborative performance art events in -LSB-...]

In Chicago, he co-founded and curates events for Mocrep, a Chicago - based ensemble dedicated to the performance of radical, 21st century music that engages with contemporary culture — aesthetically, socially, and politically.

«With its distinctive exchange of radical forms and ideas situated at the intersection of performance, music and the visual arts, UC Davis was the intellectual progenitor and experimental catalyst of some of the most important art and artists to emerge from the West Coast,» Teagle says.

The event is organized by Grey Art Gallery, New York University and NYU's Department of Museum Studies, in conjunction with Radical Presence: Black Performance in Contemporary Art, on view at Grey Art Gallery through December 7, 2013.

«Danger to The System» focuses on events highlighting artists of color, queer, and other marginalized intersections of artists whose work deals with time, space, histories, new media, cultural diaspora, erasure, patriarchy, white supremacy, the internet, recorded and performed sound works, live performance, and the intersectionality of histories, cultural trauma, healing strategies and the ever changing radical climate in America, 2016, as well as specifically Oakland, CA.

Robert Adanto's film explores radical «4th wave» feminist performance through interviews with a new generation of artists who use their bodies as subject matter.

Moving fluidly between painting, publishing, photographic collage, video, and performance, Pendleton creates structures that engage with language on a literal and figurative level to yield new, radical meanings.

Radical, controversial and admired at the same time: Marina Abramovic is one of the most talked about international artists - above all in the area of her groundbreaking performances, with which she repeatedly explores her own physical and psychological limits.

Now, if that doesn't get you excited, you should know that we are hoping to collaborate with the CAMH to have Kalup Linzy give a performance at HMAAC as part of CAMH's Radical Presence exhibition.

Trained as a classical pianist, his early interests in composition and performance combined with his radical aesthetic tendencies brought him into contact with protagonists of the counter-culture and avant - garde movements of the 1960s, including Fluxus.

Bringing together rarely seen early abstract works, a vast and stunning display of the artist's performance - inducing «Bichos» (Beasts) 1960 — 66, and a space given over to demonstrations of Clark's therapeutic activities, this show grappled with the paradox of featuring the artist's radical production while honoring her willed «abandonment» of the idea of art altogether.

Click here to view Documenting Black Performance Art, an online display featuring documents from New York University's Fales Library and Special Collections, in conjunction with Radical Presence.

In the article «First Lady of Performance Art», Wilson talks with writer Jarrett Earnest about the current state of performance art, the role of women in society, and the future of the radical performance art organization she founded, FranklPerformance Art», Wilson talks with writer Jarrett Earnest about the current state of performance art, the role of women in society, and the future of the radical performance art organization she founded, Franklperformance art, the role of women in society, and the future of the radical performance art organization she founded, Franklperformance art organization she founded, Franklin Furnace.

Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk, whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and Radical Presence: Black Performance in Contemporary Art.

To celebrate the radical performance element of the works, which were painted with the artist's bare hands and feet and studded with razors and nails, circus performers including a sword swallower, a human cannon and two burlesque acrobats entertained diners.

She also experimented with happenings and performances, sometimes appearing as an element in her own installations, other times involving members of the public and entering public spaces in a more radical way.

5 «DANCING AROUND THE BRIDE: CAGE, CUNNINGHAM, JOHNS, RAUSCHENBERG, AND DUCHAMP» (PHILADELPHIA MUSEUM OF ART; CURATED BY CARLOS BASUALDO WITH ERICA F. BATTLE) This magisterial and thrilling show stood out among the growing genre of performance - based exhibitions, bringing the works of Duchamp, Cage, Cunningham, Johns, and Rauschenberg into a theatrical setting masterminded by artist Philippe Parreno, who carefully choreographed the interaction of radical paintings, sculptural installation, dance, music, and set design, complete with entrance marqWITH ERICA F. BATTLE) This magisterial and thrilling show stood out among the growing genre of performance - based exhibitions, bringing the works of Duchamp, Cage, Cunningham, Johns, and Rauschenberg into a theatrical setting masterminded by artist Philippe Parreno, who carefully choreographed the interaction of radical paintings, sculptural installation, dance, music, and set design, complete with entrance marqwith entrance marquee.