Sentences with phrase «with real footage»

Scattered throughout Jackie are reenactments, blended with real footage, of the television special A Tour of the White House with Mrs. John F. Kennedy where Jackie takes Charles Collingwood on a tour of the recently renovated White House.

The movie was laced with real footage from the civil rights movement.

Not exact matches

Images of violence against «real people or animals» with comments or captions that contain enjoyment of suffering, humiliation and remarks that speak positively of the violence or «indicating the poster is sharing footage for sensational viewing pleasure» are prohibited.

The aim was not to simply produce a beautiful exhibition and magazine feature but, by meeting some of the individuals beyond the headlines and newsreel footage, to connect hardened hearts in the with real people who are part of the crisis.

Complete with fake «first hand accounts», news footage and video footage, it spread pretty far before it died out, and during a time when anti-police sentiment was fuelling real violence on the streets.

According to whistle - blower Chris Wylie, Cambridge Analytica's work in Nigeria included an ad with a montage of violence, including real footage of people being dismembered and burned, from recent history, seeking to create fear of Muslims and intimidate voters.

The Persian carpet flatworm, the cuttlefish and the black ghost knifefish look nothing like each other — their last common ancestor lived 550 million years ago, before the Cambrian period — but a new study uses a combination of computer simulations, a robotic fish and video footage of real fish to show that all three aquatic creatures have evolved to swim with elongated fins using the same mechanical motion that optimizes their speed, helping to ensure their survival.

Seduction MindHacks Live: Real Life Seduction Infield is a new PUA video training program with hundreds of hours of footage.

The eventual showdown between the police and the now - notorious Tsarnaev siblings is visceral and exciting, to be sure, but Berg diminishes the impact of this stretch by following it with an astonishingly anti-climactic finale (which is capped off with interminable interview footage with real - life participants in the attack)- with the end result a passable endeavor that probably would've fared better had it been helmed by almost anyone else (ie the movie is decent in spite of Berg's involvement rather than because of it).

Ironically, it comes with a few moments of documentary footage of the real - life hostages returning home — the most human and touching point in the film.

Eric Olsen seeks to find the truth behind his father death and its connection to the CIA in this six - part series with real interviews, archival footage and reenactments featuring Peter Sarsgaard, Molly Parker, Christian Camargo, Tim Blake Nelson, Bob Balaban, Jimmi Simpson and Michael Chernus.

Even when the actors» sequences are intercut with footage of Dunbar's real - life children and parents, you don't find yourselves struggling to identify with whatever or whoever is on screen.

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

The Real James Dean: From Indiana Farmboy to Hollywood Legend is a documentary which explores both the public and private lives of this great star, including readings from his journals, rare footage from screen tests and wardrobe tests for his pictures, behind - the - scenes home movies from the making of East of Eden, and interviews with fans, friends, and co-workers.

The end credits begin with black and white footage of the real survivors all smiles, despite a lawsuit that arose right before the film opened accusing their lawyers of fraud that cheated them out of royalties.

The movie is a triumph of visual imagination, too, finding all of its exotic locales in ingeniously repurposed parts of Kaufman's beloved San Francisco, and with marvelous visual effects that seamlessly insert the actors into real historical footage.

While this sequence is nothing we haven't seen before, the use of real footage from the day of the assassination is inspired and also beautifully inserted into the film with almost seamless transitions.

The only emotional resonance comes with the closing credits, as photos and archival footage of the real - life Line Found are presented and we are reminded of the tragedy that should have permeated Sean McNamara's cheesy narrative.

Formally also, the blurring of real footage with the artificial retelling, though impressively done, seems meagre in its scope.

As you can see in the first real footage of this PlayStation Network and Xbox Live Arcade game, Galaga Legions DX aims to fill our screens with thousands of Galaga armada ships, turning this series into more of a space - bug hell shooter than before.

EXTRAS: There's a featurette on filming the mine collapse sequence, as well as a retrospective on the real - life events with news footage, interviews and more.

Found footage movies are supposed to look real, not great and Deborah Logan aspires to that with its jerky video that is capably but unremarkably presented in the DVD's 1.78:1 anamorphic widescreen transfer.

It may seem foolish to take issue with such minutiae in what no one of sane mind and body could mistake for real found footage.

Pablo Larrain impressed me with No, a political satire that blended satire with real events and actual footage from Chile's 1988 referendum.

«War Dogs: Access Granted» (10:08) reflects on the improbable true story, with the real David Packouz sharing his perspective, which is complemented by some relevant archival footage and the cast and crew's comments.

This is a fierce, funny and unapologetic supporting turn that is second to no one, and all she had to go on was some brief interview footage of LaVona with that parakeet — the real LaVona is AWOL.

This was apparent when the film ended with real stock film footage of both racers.

How does the use of actual archival footage with the actors portraying real political leaders help to make this film appear more «real?»

Kormákur is accustomed to weathering harsh conditions and directed the 2012 survival film «The Deep,» uses many tricks in his filmmaking arsenal — subzero soundstage with vertiginous ladder, real snow, location footage in the Dolomites, plus CGI «extensions.»

Think «Blue Crush» without water — or awesome surfing footage, likable characters with real personalities, beautiful girls in bikinis or anything else worth watching — and I guarantee whatever you have in mind is still better than «Grind.»

How much of what is shared is real is left in question, but there is no doubt that the nature footage is authentic and the lifelines documented align with what research has established as typical family dynamics of wildcats.

First up is a commentary with writer / director, who provides a solid track, talking about how he was initially uninterested in making it a «found footage» movie until he was brought the real deal.

Think «Blue Crush» without water — or awesome surfing footage, likable characters with real personalities,...

An intriguing documentary combining interviews and footage interwoven with clips from the major motion picture, Saving Mr Banks (starring Emma Thompson and Tom Hanks) plus new interviews with the cast, The Real Mary Poppins finally reveals the enigma that was Pamela Travers and the origin of one of the most popular characters in fiction.

Clearly shot - later footage is shoehorned into scenes so ungracefully that poor Kate Mara's real hair / fake hair / real hair edits become actively distracting, characters make abrupt U-turns with no explanation, any sense of causal logic goes out the window, and the film does not so much end as just stop practically mid-sentence.

When it does, we're at least rewarded with something we should have seen all along — real footage of Sam Childers.

«Fruitvale Station,» though it begins with real - life footage, is not a documentary; instead, it's a fact - based portrait of Grant's last day, and a moving reminder that he wasn't a statistic but somebody's father, somebody's friend, somebody's son.

In Abbas Kiarostami's arresting 1990 drama Close - Up, the director created a half - documentary, half - dramatized account of Hossein Sabzian's attempted impersonation of Iranian director Mohsen Makhmalbaf, combining real footage of Sabzian's trial with reenactments of true - life events starring the people who were really involved.

That dedication pays off tremendously, as Everest seamlessly combines the on - location footage with scenes shot in studio, and embellished with CGI, for an experience that is frighteningly in your face, never showing any cracks in where the real environments end and the generated ones begin.

Blu - ray owners also get exclusive extras like «Discovering Secrets,» a short featurette about the real - life people and locations involved in the film, and a picture - in - picture video track with even more cast and crew interviews and archive footage from Nixon's time in office.

The film opens with interview footage from real survivors of the Dust Bowl, passing them off as survivors of the film's depiction of Earth as a dusty, food - starved nightmare — a ballsy move to be sure, but I really dug it.

Most notably, the team has been putting together footage from the game that shows a driver in a cockpit, versus a real - life driver with a GoPro camera in the cockpit.

I was especially unnerved with the Nick Berg like scenes (even though I've actually seen the real footage)-- watching the entire moment evolve before your eyes is quite the adrenaline booster.

They also illustrate current events with real news footage (sometimes featuring disturbing images) and the occasional dramatic re-enactment.

The opening sequence features contrived footage of T4 with the real presenters introducing Kim, as a champion skateboarder.

Features interviews with director Nicolas Winding Refn and actors Tom Hardy and Matt King, featurettes, behind - the - scenes footage and monologues by the real Charlie Bronson (lo - fi audio only, accompanied by stills from the film and the production).

Special Features The Fury of the Rig: Bringing the Incredible Rig and Explorer Stunts to Life Deepwater Surveillance: Access the Set Up Close with Raw Footage Work Like and American: 8 Stories of Real American Workers Beyond the Horizon: An Hour - long 5 Part Series Captain of the Rig

In the exclusive footage shown at CalTech, we witnessed the Real Estate Agent Serkis in his performance capture suit, helmet rigged with a camera, performing his scenes alongside James Franco, John Lithgow and Freida Pinto.

«LoveTrue,» which also premiered on Friday, is a documentary that feels like a troubled but lovely fever dream, a look at three different subjects that mixes verite footage with re-enactments, and then deconstructs those sequences by having the actors talk to the real subjects.

Often entirely wordless, this section stands out in sharp contrast with the rest of the film for its total lack of sarcasm and strong sense of the real, emphasised by regular Herzog collaborator Peter Zeitlinger's striking real - time footage.