Cross-platform play will be possible between mobile and desktop players as well, so whether you're out and about with your phone or sitting at home on your computer, you'll be playing in the same world
with the same characters.
But what about movies, based on alternative stories in the same universe
with the same characters?
«This is something we can do completely independently while still in the same universe
with the same characters, and exploring new relationships with them.»
One issue I have with the game is the loading screens and time taken (on a SSD of all things) when I load the last save after Geralt dies where it takes at least 10 - 15 seconds to load the same location
with the same characters.
This is my first foray into the series, but instead of starting with the main RPG titles, I got to play Hyperdevotion, which is a turn - based strategy game
with the same characters in a similar universe.
It would be awesome if I could play
with my same characters on my gaming pc, x1 and PS4.
There might be more videos
with the same characters in the future.
You should also look at the do not compete clause, because this may stop you publishing during the term of the contract under the same name, in the same world or
with the same characters.
He said he wanted another book
with the same characters.
I began the novel (
with the same characters but in a different form) in early 2001, a long time ago; and later that year abandoned it, because it seemed impossible to continue.
I really liked this world and I'd love for Holly Black to eventually write another, even if not
with the same characters.
When I sat down to write the first book, Privileged Information, I didn't set out to write a series, certainly not one that would have me still dealing
with the same characters eight books later.
It's is difficult to be fresh and original
with the same characters.
But it was published, and the book sold well and won an award, and then my publisher came to me and asked me to write another book
with the same characters and four more after that.
Soderbergh frequently makes his presence felt as a formal annotator — periodically halting the action with freeze - frames, using elaborate color - coding schemes (as if to remind us of The Underneath, much as Keaton reminds us of Jackie Brown), and crosscutting between successive scenes
with the same characters (the dialogue in the first becoming offscreen narration in the second), recalling Nicolas Roeg's Don't Look Now (as well as Roeg's mentor Alain Resnais).
A little disappointing really, visuals look exactly the same (not improved), and it looks to be set in exactly the same location, and it's obviously
with the same characters apart from one new one.
-- An animated television series followed from 1996 - 1999,
with the same characters, but not exactly faithful to the movie.
All the more impressive is that Tarantino accomplishes this with one hand tied behind his back, as it were: At least 90 minutes of the film takes place in real time,
with the same characters in one large room, a cabin where they are sitting out a snowstorm.
I wouldn't call this a reboot or remake as we are picking up
with the same characters and actors that have come before.
Unfortunately, the lackluster gameplay keeps that depth from shining through and, as a result, you have a campaign that feels like the same one you ran through 10 years ago
with the same characters and the same style of combat and feeling of glory — all with a new $ 39.99 price tag.
For all of its attempts at gut - wrenching conflicts, at the end, we are left
with the same characters in the same situations as when we started.
Frank seamlessly replaces Chuck in Dead Rising 2's conspiratorial events, appearing in mostly the same cutscenes and conversing
with the same characters from the previous game.
I can't believe how well they managed to pick up the story after the end of the first series — which I loved but which I had no idea how they could follow up
with the same characters at the center of the story.
I'm Antonio, italian from milan, I'm a consulent fiscal accountant, charactr simple, liable, serious, protective, sincere, I'm look for a whoman
with same characters and with desire to make a family...
This is widely used in EliteSingles.com as a form of instrument to understand the person's needs in love, or finding the right match
with the same character or behavior.
Then, you can transfer your character back to the wii u and play online
with the same character.
The stories frequently intersect,
with the same character showing on more than one screen.
As for speed demon Quicksilver, he has his moments, but none as remotely fun as what Bryan Singer did
with the same character in X-Men: Days Of Future Past.
Once your learners have seen several slides
with the same character, the same pose, and the same expression, they'll quickly disengage with the character altogether.
(I'm still stuck in Middle Grade Fiction
with the same character!!)
Most people tend to stick
with the same character, even though you can change after each death.
What do you do when you've already released 2 games
with the same character and similar mechanics?
What I will hate will be all those idiots who buyed the game only for Kratos, playing always
with the same character in the online... But I guess we will all be that idiot at first hehehe.
With the same character designer, the cast fit right into the game, and work well with the version of Traverse Town introduced in the game.
The Pokemon Company most likely told Sakurai that Pikachu must be yellow, and Jigglypuff must be pink, but Sakurai probably explained that there had to be a way to differentiate different teams
with the same character.
- Wii owners will be able to get the Switch version for free - with the Registration Code, you can keep playing
with the same character - players with the Wii version registered will get a download code for the Switch version - players who want a physical copy will have to buy it themselves - it doesn't matter if you also registered on other platforms - as long as you are registered on Wii, you will get your free copy of the game - your account needs to have a valid email address, or you will not be able to take part into the campaign
Once you've beaten Torchlight II's primary campaign, you can start again
with the same character for a significantly greater challenge.
When you are not doing the same normal matches over and over
with the same character you get a random person trying to get you to become their rival so that you miss out on the main title of your choosing, and other than that there really isn't much more to the career mode.
Every time you fail to succeed in defending your home town, you can start again
with the same character in a new world that will look remarkably similar, but different from the old one.
Every decision you make is used to pen your own distinct adventure, and with each installment building on the last, you can continue
with the same character to experience story outcomes in later games related to choices made early on.
Not exact matches
JK Rowling's talent of creating memorable
characters who, despite being wizards and witches
with extraordinary powers, go through the
same triumphs and tribulations of any Muggle adolescent, is just one reason why the Harry Potter series will forever be a YA classic.
Disney and Marvel obviously know what they're doing
with superhero movies — they've brought some of the biggest franchises to screen — however, at the
same time, making every single film need to fit inside the already established franchise starts to limit the amount of creative license any one director can have on future
characters as Marvel's Cinematic Universe only grows larger.
For example, in the late 80s when most TV sitcoms followed the
same formula of hugging and learning a lesson at the end of the episode, Larry David created Seinfeld, a show
with famously self - centered
characters.
Similarly, Black Panther «s early success is already dispelling industry concerns that a superhero movie revolving almost entirely around black
characters could resonate
with a general audience and earn the
same box - office popularity as other (whiter) blockbusters.
We can't even
with this J.K. Rowling apology about a beloved
character's death, mostly because we still will never look at socks the
same.
(n. 29) «Therefore, the priest's life ought to radiate this spousal
character which demands that he be a witness to Christ's spousal love, and thus be capable of loving people
with a heart which is new, generous and pure,
with genuine self - detachment,
with full, constant and faithful dedication and at the
same time
with a kind of «divine jealousy» (cf. 2 Cor 11:2)-- and even
with a kind of maternal tenderness, capable of bearing the «pangs of birth» until «Christ be formed» in thefaithful (cf. Gal 4:19).
Though it may sound bizarre, engaging
with fictional
characters on a deep emotional level can be a sort of thought experiment in empathy, where we briefly step outside of our self - constructed glass boxes and engage
with people who are both vastly different and the
same on an intimate level.
In The Philosopher's Pupil (1983) a man's life is changed by his vision of a flying saucer; a key episode in The Good Apprentice turns on what appears to be the effects of a love potion; a young girl in The Green Knight exerts an involuntary telekinesis over the stones that she has collected in her room; in the
same novel the goodness of a man named Peter Mir (Mir meaning, in Russian, both «world» and «peace,» as several
characters note) seems to be contagious, bringing sweet dreams and love to those
with whom he comes in contact.
It reads: «It is the reality of what is potential, in its
character of a real component of what is actual...» I submit that our analysis of real potentiality has revealed that there is no incompatibility at all in recognizing that «future regions» have the sort of potential reality which does «underlie» the future in the way that real potentiality does this, and at the
same time recognizing that, as actual, regions do indeed most definitely originate
with the becoming of occasions.
It's the
same difference between two types of trial testimony: The
character reference given by the accused mother being akin to religious persuasion and CSI type hard evidence that places him at the scene,
with the victim's blood on his hands and a video of him doing it.