Sentences with phrase «with sculpture on view»

Artists with sculpture on view are Arden Scott, Nova (Mihai Popa), Mike Hansel, Rob Lorenson, Robert Strimban, Jack Potter and Steven Zaluski.

The video, Untitled # 1, 2012, from the series my works, my dreams, must wait till after hell, is presented to establish a dialogue with the sculptures on view.

Not exact matches

An elegant Victorian masterpiece with ornate sculptured ceilings, a grand marble staircase and glittering chandeliers, it's ideally located on Victoria Embankment with stunning views over the River Thames and London Eye.

Straddling clean, crisp design with «60s Baja boho - chic elements (such as the lobby's life - size whale sculpture crafted from driftwood), this 161 - room hotel on Monuments Beach offers unobstructed views of the Arch, a stunning rock formation on Cabo's southern tip.

The sculptures on view will continue changing over the course of the exhibition's run, and will be accompanied by a video Canell made with Robin Watkins about slugs.

The exhibition will be on view at the museum's downtown venue, the Jones Center, with the option to also be shown at the museum's outdoor site, the Betty and Edward Marcus Sculpture Park at Laguna Gloria.

On the way up from New York, one passes not far from the Storm King Arts Center, with its breathtaking view of the Hudson valley and its sculpture from such heirs of Abstract Expressionism as David Smith and Mark di Suvero.

Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).

The exhibition brings together Tolle's iconic public work, Eureka, on view for the first time in the United States and in a gallery setting, paired with his Levittown sculptures.

Rachel Howard's Paintings of Violence is on view beginning February 17 — with ten paintings and one sculpture surrounding Joseph Beuys» installation.

Back for its 23rd year, SOFA focuses on sculpture and what it calls functional art and design, with objects on view from 80 national and international galleries.

Though the two shows have some pieces in common, including Richter's seminal paintings of the terrorist Baader - Meinhof group, the Tate offers a view of less well - known works on paper and glass sculpture, along with more recent pieces like 2005's «September,» Richter's depiction of the 9/11 attacks, and 2000's «Lilies,» shown here.

The concept of a point of view, a perspective, an act of framing on account of the viewer is as evident in Camera as it is in the Window sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»

The installation, which consists of ten paintings and a single sculpture, will be on view at MASS MoCA beginning February 17, 2018, with a members» reception on March 24.

Kanye West may have claimed the great Matthew Barney as his personal Jesus, but just look at his «Famous» sculpture on view at Blum & Poe in Los Angeles — no true disciple of the letting - it - all - hang - out godhead of freaky video art would so demurely cover up his own manhood with a delicately positioned blanket, even while Kanye presents his wife's truly famous naked posterior for all to see.

Concurrent with Pace's participation in artgenève, as well as the opening of the gallery's new location in Geneva, the sculpture will be on view for three months.

The exhibition is on view at the University Gallery from April 4 through June 12 with an opening reception on Saturday, April 3 from 4 to 6 p.m. ALUMNI III includes painting, sculpture, photography, mixed media on paper and site - specific sculptural installation.

Fusing the material properties of sculpture with the exuberant color of painting (courtesy of the preexisting paint jobs on the auto parts he used), these sculptures are often viewed as...

Bill Fontana, Sonic Shadows, 2010; sound sculpture (twelve - channel live sound installation with ten accelerometers, eight loudspeakers, and four ultrasonic emitters on pan-tilt heads); dimensions variable; commissioned by SFMOMA; collection SFMOMA, purchase through a gift of Nancy and Steven Oliver, Wendy Webster and Stuart Davidson, and the Accessions Committee Fund; installation view, SFMOMA, 2017; © Bill Fontana; photo: Katherine Du Tiel

The sculpture will be on view in New York for Classics Week (April 13 - 18); during the Post-War and Contemporary Evening Sale select highlights view concurrent with our exhibition for our Rockefeller Sale (April 28 - May 5th); and during 20 Century week leading up to the auction (May 12 - 17th).

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

These sculptures on view at Annely Juda, some of the very last that the Academician produced before his death last year, honestly had me in thrall when I saw them last night, especially for the way they integrated sheets of coloured, translucent perspex with his characteristic metal shapes.

Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.

What's on view: Several puffy, abstract paintings that look like they're filled with colorful gel; sculptures assembled out of household - size objects in steel, sometimes coated with beads and materials that look like straw and resin; often, they're outfitted with holes in them

With sculptures and installations inspired by history, architecture, or memories that Bosquê captivated with the rich nuanced textures of the works on vWith sculptures and installations inspired by history, architecture, or memories that Bosquê captivated with the rich nuanced textures of the works on vwith the rich nuanced textures of the works on view.

This summer, the object - a phallus combined with a rough - hewn sword handle - was scaled - up to create a giant concrete sculpture which is currently on view upstairs at Whitechapel Gallery.

World - leading galleries participating in Frieze London and Frieze Masters will extend their shows beyond the fair, dramatising the landscape of The Regent's Park, with 19 large - scale sculptures and installations remaining on view until 8 January 2017.

Urs Fischer and various artists, Untitled, 2011 — ongoing Unfired clay (sculptures modeled on - site by multiple authors following a list of objects specified by the artist) Dimensions variable Installation view, Accademia di Belle Arti di Venezia, with participation by the students of the Accademia as part of «Madame Fisscher,» Palazzo Grassi, Venice, 2012 © the artists.

Gallery installation view, with James «JP» Scott's Shrimp Boat in the center foreground, a sculpture by Terry Adkins, Omohundro on the right and a work by Tameka Norris, 12 Times Table on the left.

The exhibition coincides with the Gallery's exhibition Sculpture in the Garden, on view in St. Helena through October 31.

On view April 25 — August 19, 2018, the works — suspended plate - glass sculptures internally etched with images of clouds — evoke Isamu Noguchi's interest in sculpting ephemeral materials, and in using them to shape space.

Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.

Images: spread from «Together,» Mickalene Thomas's artist's project in Esopus 23, spread from «Views, Not From a Window,» Chuck Kelton's artist's project in Esopus 23, spread from «Es gibt ken Leben ohne Liebe,» Karo Akpokiere's artist's project in Esopus 23, spread from «Spray On,» Marilyn Minter's artist's project in Esopus 23, spread from «Malleable Properties of Care,» Jody Wood's artist's project in Esopus 23, spread from «Perfect World,» Stefan Kürten's artist's project in Esopus 23, cover of Esopus 23 featuring photograph of Jean Tinguely with his Homage to New York in the MoMA Sculpture Garden, March 17, 1960.

Thursday, April 26, 6:30 — 7:30 pm Martina Tanga offers a historical look at the relationship between sculpture and air — from Marcel Duchamp's 1919 artwork Paris Air to the large - scale installations by contemporary artists Ian McMahon and Jong Oh on view in Sculpting with Air.

Currently on view at Mixed Greens, New York is Conor Backman's solo exhibition «Diorama» consists of new paintings and sculptures that continue Backman's engagement with representation, reproduction, origin, and translation.

Performance: «Louise Despont: Energy Scaffolds and Information Architecture» at the Drawing Center Presented in conjunction with Louise Despont's exhibition «Energy Scaffolds and Information Architecture,» which is on view at the center through March 20, sculptor and musician Aaron Taylor Kuffner creates a live performance with his gamelatron (sonic kinetic sculpture with Indonesian gamelan instruments).

Installation view of «Louise Bourgeois» at Solomon R. Guggenheim Museum, New York, 2008; © Solomon R. Guggenheim Foundation New York Photo: David Heald Below, the artist with Femme Volage (the sculpture above that's farthest away on the ramp) The photograph, from the Louise Bourgeois Archive, is from the mid-1960s.

Hélio Oiticica's installation Cosmococa C1 (1973/2010), made in collaboration with Neville D'Almeida, is featured in the exhibition Suprasensorial: Experiments in Light, Color and Space, organized and previously exhibited by The Museum of Contemporary Art, Los Angeles and on view until May 13th at the Hirshhorn Museum and Sculpture Garden in Washington, D.C.. His famous installation Tropicália (1967) is currently being exhibited in From Revolt to Postmodernity (1962 - 1982) at the Museo Nacional Centro de Arte Reina Sofia in Madrid.

On view will be original photographs, slides and other materials from the artist's archive that have never been exhibited, along with rarely seen photographs, drawings, sculpture and recently restored films.

On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.

Janssens, who has been shown widely in Europe, is having a bit of a US moment with a solo show at Bortolami in New York City and one right here in Dallas at the Nasher Sculpture Center, on view through April 17.

Stella has an essential place in the Glass House's collection overall, with additional works currently stored, but not currently on view, in the Painting Gallery and several pieces on display in the adjacent Sculpture Gallery, all of which range from the 1960s to the 1990s.

«Claire Falkenstein: Matter in Motion» explodes this narrow view with nearly 50 works, introducing a relentless exploration of abstraction in early paintings on canvas and also curved perforated aluminum; sculptures of wood and glazed ceramics; and one fantastic mixed - media relief.

On view at the DMA through March 20, 2016, the exhibition will receive its sole US presentation in Dallas, with more than 70 works, including paintings, sculptures, drawings, and prints.

Maiolica, particularly unexpected here, will be on show at Bazaart; Daniel Blau idiosyncratically mixes 19th - century fish hooks with David Bailey's photographs; Galerie Chenel posit an alternative to our alabaster - dominated view of antiquities with a presentation of coloured marble Roman sculpture; and Sycomore Ancient Art bring Egyptian wooden sculpture.

More than 150 of Rauschenberg's artworks, including prints, sculptures, paintings, and Combines (works that incorporate painting and sculpture), will be on view in the retrospective Robert Rauschenberg: Erasing the Rules, celebrating the artist's continual experimentation with materials and collaborative working processes.

Concurrent with Pace Menlo Park's Untitled is an exhibition featuring two new large - scale sculptures, currently on view at Pace Gallery, 534 West 25th Street in New York through June 28.

Olafur Eliasson's Convex / concave (1995 - 2000), a hydraulic - powered mirror sculpture demonstrating the artist's early experiments with modes of perception and spatial experiences is also on view downstairs.

The survey of works on view, created by Pellizzi from 2011 to the present, features sculptures, installations, and paintings that engage audiences critically with political, educational, and financial market systems.

Titled Lightning, the installation is a reference to the Joseph Beuys sculpture Lightning with Stag in its Glare, which is on long - term view at Mass MoCA.