Sentences with phrase «with separate exhibitions»

Team is pleased to announce our first solo presentation of work by American artist Sam Samore, with separate exhibitions installed in each of the gallery's spaces.

Francisco Zúñiga: Sculpture & Drawings opens in tandem with a separate exhibition, Rico Lebrun in Mexico, with a reception from 6:00 to 9:00 P.M. and extends through March 17 at Jack Rutberg Fine Arts located at 357 North La Brea Avenue in Los Angeles.

This exhibition will open in tandem with a separate exhibition, «Rico Lebrun in Mexico», featuring the important American modernist artist.

Not exact matches

Visitors can physically engage with exhibitions and the gallery is part of the university while also facing out onto the city, says Fitzgerald, «so it is not separated from the sciences.»

The Separate Cinema Exhibition runs until 2 Jan as part of BFI's Black Star, with a tie - in coffee table book «Separate Cinema: The First 100 years of Black Poster Art» available now.

In the cases of both Phillips and Parker, separated by more than two hundred years, each school received broad but specified authority from the state, with diplomas granted on the basis of public «exhibitions» and with the expectation - the trust - that the details of the program and its assessment would be creatures of the schools» immediate community, subject, as deemed necessary, to the inspection by the state or, in the case of Phillips, the local superintendent of (public) schools.

Enjoy the views of leafy Exhibition Street in our One Bedroom Exhibition Apartments, which are well equipped with a kitchenette, separate living and dining areas and laundry facilities.

The World's Columbian Exposition was the first world's fair with an area for amusements that was strictly separated from the exhibition halls.

This show — more like three separate exhibitions plus a «library» filled with materials from Auerbach's Diagonal Press — exposes the magic of the artist's oeuvre and the suspension of disbelief required in closely reading it.

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since -LSB-...]

Experimenting with a new model of inviting three separate curators who will each be responsible for a floor of the exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at large.

Art writer Joyce Beckenstein writes: «At first glance these two wildly different exhibitions, which are in fact consigned to separate gallery spaces, have absolutely nothing to do with one another.

These, along with a separate body of sculptures using bamboo skewers bound with string, will be featured in the exhibition.

Gagosian Gallery on Madison Avenue is spending the month of May 2014 (and beyond) with three separate exhibitions and projects with Ed Ruscha in New York, including his participation in Frieze New Y

Each has a full floor, in three separate but parallel exhibitions, but with Michael Heizer spilling out of the basement.

Although 14 years separated The Avant - Garde in Exhibition (1994) and Salon to Biennial — Exhibitions That Made Art History: 1863 - 1959 (2008), Altshuler's concise and unambiguous style saw the former elevated to the status of a classic (a staple of emerging curatorial studies syllabi worldwide) and the later garlanded with rave reviews.

The spring exhibitions and projects will be presented in two separate groups, with the first on view from March 18 through April 15, 2012.

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since its foundation in 1983, Galerie Thaddaeus Ropac has specialised in international contemporary art representing around 60 artists as well as several renowned estates.

Gagosian Gallery on Madison Avenue is spending the month of May 2014 (and beyond) with three separate exhibitions and projects with Ed Ruscha in New York, including his participation in Frieze New York two weeks ago, along with an exhibition of a series of recent paintings, «Prints and Photographs.»

From a pool of fifty submissions to the UAG's open call for proposals, the UAG Exhibition Review Board selected Taylor and Perry, who provided separate applications, to mount this two - person exhibition that grapples with complex environmentExhibition Review Board selected Taylor and Perry, who provided separate applications, to mount this two - person exhibition that grapples with complex environmentexhibition that grapples with complex environmental issues.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

By invitation of both Rodeo and Yama and in dialogue with curator Krist Gruijthuijsen, Gabriel Lester has conceived an exhibition on two separate platforms, one as a commission for Yama's video screen located on top of the Marmara Pera hotel, which will also include screenings in two different rooms located inside the hotel, and a solo show at Rodeo.

The exhibition will be separated into six sections, showcasing works with precious metals, gemstones, enamels, miniature Easter eggs and hardstone carvings.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

The exhibition also presents paintings in which, for the first time, White has begun to choreograph the narrative by pairing two seemingly separate scenes onto the same surface, creating a self - contained dialogue filled with ambiguous tension.

The exhibition at the Rupertinum is dedicated to Kentridge's exploration of theater and opera, with a separate project in each room.

Separated into distinct body of works from his versatile arsenal, the first of seven exhibitions started at Michael Kohn Gallery with some of his signature iconographic work bursting with color and detail entitled simply Recent Paintings.

Engaging a collaborative process in which he, his wife Marguerite, and children Elska and Marco work together to stage, perform, and edit the photographs, the exhibition pairs close - up views of singular objects in and outside the home with separate images of family members interacting with things around them: a bowl full of blueberries and a camping tent, for example.

In what Pioneer Works calls a «posthumous return to White's work» (the artist lost her battle with cancer in 2014), the two separate but interconnected exhibitions revolve around the two artists; «formidable colleagues, they were mutually affected by the AIDS crisis then unfolding in the 1980s and 90s.»

For Galerie Gmurzynska to present simultaneously in its two separate Zurich exhibition spaces a survey exhibition of 100 years of sculpture with around 70 objects, is both a reference to its more than 50 - year history as well as to its presence.

The gallery offers clean white walls and features 5 curated exhibitions a year along with an annual juried member's exhibition held in the summer (please note a separate call for artists will go out as the Annual Juried Members Exhibition apexhibition held in the summer (please note a separate call for artists will go out as the Annual Juried Members Exhibition apExhibition approaches).

In this exhibition, organized by Haus der Kunst, Munich, in collaboration with the Guggenheim Museum Bilbao, visitors will be able to discover and experience 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, by one of the most influential artists of the twentieth century.

The exhibition therefore does not present its participating artists as a group of separate subjects, but instead draws attention to the ways in which their own self is always already filled with echoes of each other.

For her first solo exhibition in Germany (co-organized with the Kunsthalle Nürnberg and the Museion in Bolzano, Italy), Tatiana Trouvé has transformed eight galleries of the Kunstmuseum Bonn into a series of separate but interconnected installations.

Divided into two separate rooms, the first part of the exhibition consists of photographs, some with text, two web projects, a banner, a drawing, a DVD, a tent, and a project space installed with drawings, text, and a tape recording.

The catalogue of the exhibition juxtaposes and interlaces twenty years of Torres - García's work with that of Vieira da Silva, balanced by the pictorial structure they both shared despite the thirty years separating them.

The exhibition also hosts a separate group show entitled OO Inflatables with works by Graham Anderson, Koenraad Dedobbeleer, Jana Euler, Suchan Kinoshita, Jochen Lempert, Megan Marrin, Oorebeek / Thompson, and Mitja Tušek.

Though, each exhibition will function as a separate entity in itself, with MELK showing recently produced work and Fotogalleriet showing Stramrud's photographs from the period 2011 to 2013.

Clearing owner Olivier Babin moved into the massive compound in 2017 — the gallery operated for five years out of a small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square - foot former shutter factory and turned it into a stunning space with high ceilings that run together like the roof of a church, buttressed by separate exhibition spaces, a bar, a café, and office space.

The works on paper, a number of them executed in partnership with artist Reza Farkhondeh, are displayed in a separate little room along the route of the exhibition that contains Amer's earliest «dream woman» drawings inspired by Disney - style fairy tales.

Exhibition catalogue in the form of a box made of light grey - brown cardboard, cover sprayed by Richter with grey anti-rust paint, with an untitled text by Johannes Cladders on a separate card insert, cardboard leporello with 12 illustrations, black offset print.

A 1995 exhibition in New York, Kenneth Noland at Leo Castelli, covered 35 years of Noland's work, starting with two target paintings from 1960 and ending with paintings from his Flare and Flow series of the 1990s, multipanel paintings with capricious curved shapes, sometimes separated by strips of colored Plexiglas.

The museum's unique two - storey building, with its multi-colored facade composed of thousands ceramic louvres glazed in different colors, houses three separate exhibition areas which are connected by stairs.

Truth to be told, exhibitions of this magnitude (the show spreads around two separate venues and comprises an outdoor sculpture in St. James Square) are always regarded with a hint of suspicion when organized by private galleries.

The Museum will play a prominent role in Dublin Contemporary 2011 in September and October, extending its exhibition programme with separate site - specific works in the courtyard by two leading installation artists: British artist Liam Gillick, now based in New York, and Spanish artist Susana Solano.

James Cohan Gallery is pleased to open our fall season with three separate exhibitions.

Although thematically separate from the rest of the exhibition, Grandstand is part of Casebere's continuing confrontation with historically burdened architecture.

RW: Based on what you've both described, it seems like the process of putting the exhibition together was a collaborative one without clearly defined, separate roles of curator, gallery director, exhibiting artist, allowing everything to come together somewhat organically, which is certainly not the case with a more conventional gallery or institutional space.

In San Jose, on the other hand, businesses had a separate exhibition room to set up in, making it possible to interact with entrepreneurs and representatives at length without disturbing the presenters who were in other rooms.

There will also be several workshops and a plethora of exhibition booths in separate areas, with highlights include including an art gallery, raffle, and ticket «hodler» machine.