Sentences with phrase «with small collages»

Ruscha first came to prominence there in the late 1950s with small collages that he made which were influenced by those of Jasper Johns and Robert Rauschenberg.

Lastly, the killer antique mirrored console table with statement stools topped with a smaller collage of framed art from Minted serves as a great piece to house books, the cutest little gold lamp, and most likely a necessary DVR.

Not exact matches

I ended up with enough for two t - shirts... there's a small pic of the second one in the collage.

Jenkins» gorgeous collage artwork and impeccable design sense combine to give children a tantalizing, comparative view of creatures large and small, with petite critters depicted alongside cropped portions of much larger beasts.

A smaller grouping of five collages utilized the sleeves for 45 rpm records, combined with colored paper to create hidden or revealed color combinations.

British artist John Stezaker rose to prominence during the»80s and»90s with his small - scale photo collage manipulations.

N. Dash «s first solo show with Untitled also includes small scale photo collages based on cotton fabric manipulated by the artist in her studio.

These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

While the work clearly recalls Stella's iconic series of black and aluminum paintings, with their repeating monochrome bands, this piece is in fact a small collage of metal foil applied to Masonite, and it has a wonderfully handmade quality that's perfectly in line with his early Minimalism.

The intimacy comes from small collages, pasted with little if any reworking.

Not to be missed are the four small collages from «The Aegean Series» (1983) including the translucent cut paper with drawing overlays of «Samos # 19» and the almost - Klee - like iconography of «Samos # 28.»

THURSDAY, MAY 2 NOON LUNCH, 12:30 - 1:30 P.M. PROGRAM FACULTY BIENNIAL ARTIST TALKS: Kirsten S. Johnson and Kathryn Van Steenhuyse Multiplicity with Kirsten S. Johnson, Associate Professor in Graphic Design Inspired by the collages of Ernst, Picasso, Matisse and Schwitters» Merz Pictures, Johnson creates small and large - scale photomontages.

Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall

Critics have often noted that his collages rank among his highest achievements, and few of the works at the Parrish or the late paintings at Ameringer McEnery Yohe in Chelsea compare with collages or the small collection of assemblages that appeared at New York University's Grey Art Gallery under the exhibition title «Concrete Improvisations.»

Toukhy's dense, hand - drawn collages are composed of small and large - scale figures built with Islamic and camouflage patterns, suggesting layered histories.

This will be Kofie's second solo show with White Walls, and will include 30 recent works including smaller collage case studies on paper, hand painted multiple screen prints, assemblage on wood, paintings on canvas and wood and a large wall installation.

Doug Trump's Hand to Hand is a small mixed media painting / collage on museum board with abstract expressionist influenced gestures and composition.

Perhaps most known for founding the Galería de Arte Color - Luz, Loló Soldevilla (1901 — 1971) produced only a small but considered body of work, spanning kinetic sculpture, hard - edge painting, and geometric collages that reveal her sustained and thoughtful engagement with historical and contemporaneous abstract tendencies.

With guidance from Chase Carlisle, a professional artist who teaches with MFTA, participants in March's open studio program created mixed - media collage on large and small scaWith guidance from Chase Carlisle, a professional artist who teaches with MFTA, participants in March's open studio program created mixed - media collage on large and small scawith MFTA, participants in March's open studio program created mixed - media collage on large and small scales.

Anna Elise Johnson's three - dimensional collages utilize photographs of political, economic, and diplomatic meetings to create small - scale, mise - en - scéne containing ambiguous, but striking narratives with characters frozen in time.

He showed a number of small collages at a two - man exhibition, together with Marc Ratliff, at Judson Gallery.

All of the paintings in the exhibition began as small collage studies, which were utilized as maquettes for much larger works that were transferred onto canvas as a blueprint of the original, and then heavily embellished with multiple layers of paint.

The layered - paper medium, small scale, and hard - edge - painting approach of her collages contrast with the subject matter, lending a concrete physicality, an almost gem - like quality, to scenes that otherwise feel fleeting.

Rosie's varied media works take the form of large scale site - specific installations, smaller more intimate constructions, and drawing / collage dealing with the spatial realm that gives way to the sculptural shamanistic forms.

Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»

FALL 2017 classes at the Pelham Art Center Create, explore and play with collage media in a small, congenial setting with a supportive group at the Pelham Art Center.

Jack Whitten Ribbons of Honor 2009 acrylic collages on painted panel In the exhibition, small - scale paintings Ribbons of Honor, demonstrate Whitten's ability to shock and awe with color, surface tension and geometry.

HP: I began doing small collages based on the outdoor paintings in 1980, trying to get more involved with color.

This painting showed a Madonna decorated with resin - covered elephant dung and surrounded by small collaged images of female genitalia from pornographic magazines.

She countermands permanence with raw clay, and with collages in which neon and small, often unspecifiable, elements are arranged in something approaching a multiple self - portrait, introducing a hint of narrative into the flow of the exhibition.

She also worked as a mural painter for the Works Progress Administration, and spent years experimenting variously with collage, biomorphic abstraction, hard edge abstraction, small - scale works inspired by her Jewish heritage and large - scale works informed by her personal life.

Wightman's abstract works are simpler, with the colours and forms worked out first in small modelli on paper; his landscapes are originated from found images, sketched in Photoshop and then transferred as cartoons to canvas before collaging and painting.

In the hall on the first floor of the villa, White Newborn (1993 - 1994) was presented on a Steinway grand piano; four walls of the building were sparsely and elegantly furnished with several postcard collages; and in the smaller rooms of the house, wooden showcases contained reflective bronze and occasionally black or white glass sculptures.

In this exhibition, three larger oil paintings were combined with seven collages, a hanging fabric piece, and two small MDF

You may be familiar with her small - scale collage works that in the past have used quite romanticising images drawn from 50s and 60s film stills and hand - tinted postcard views, or perhaps you might have caught her Chapters exhibition that toured from Kunsthaus Zurich to Modern Art Oxford and the Fondazione Querini Stampalia in Venice last year.

By 1957, British Pop star Peter Blake (who collaborated with Utah's Jann Haworth on the cover of «Sgt. Pepper's Lonely Hearts Club Band») could overturn expectations with a small shock in «On The Balcony,» a seemingly elaborately collaged canvas that is, in fact, entirely painted.

Medium - size yet imposing collages by Josh Smith contrast with the subdued elegance of Monique van Genderen small format paintings, whose abstract shapes respond to Jean - Pascal Flavien drawings.

He has been best known for sculptures and collages using everyday products in series such as «White Discharge,» 2002 — , quasi-architectural constructions assembling action figures, plastic food models, and other inexpensive small objects, covered with white - painted resin, or «Sea

The small prints go further to deconstruct our internet self - obsession, using collage techniques with the screens and devices that mitigate our consumption.

Major carvings including Kneeling Figure 1932 and Large and Small Form 1934 are shown with paintings, prints and drawings by Nicholson and rarely seen textiles, drawings, collages and photograms by Hepworth.

This exhibition showcases the artist's varied and innovative practice through a focused presentation of rarely displayed works, including small - scale sculptures, collages, drawings, and artist books that shed new light on Chillida's enduring fascination with space and organic form.

Study for «Relevo (Relief)» (1954 - 1956), a collage on cardboard, consists of a black square with a row of small white squares descending from left to right.

The pin - holed paper collages recall sparkling constellations, with small glimpses of the glittering paper underneath, by creating an effect of viewing light and color traveling from a great distance.

These two artists bring fresh meditations on the poignancy of geometric resonance, von Wiegand with a 1955 collage based on the Golden Section and Inoue with a small painting from 2010, a densely layered glowing blue grid of deceptive simplicity.

He uses found photographs to make collages that repeat the same image with small shifts in scale.

«Garden Party» blends four distinct areas of Gray's newest work — re-interpretations of Flemish still lifes, grip tape collages, large abstract «spectrum» paintings, and smaller «snapshots» of vases, horses, and sculptural busts that seem excerpted from his larger works — to cohesively to present a larger picture of his experimentation with traditional subjects in art history through contemporary media and techniques.

In the small, tidy collages also on view, King integrates commercial photographs with bold triangles and other geometries of thick enamel paint.

Wife Jean steals the show with a small black and white collage, «Was an Angler, and He a Fish Caught.»

I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.