Sentences with phrase «with small paint brushes»

Paint designs on cookies with small paint brushes.

Spread some more chocolate up the sides of each cup with a small paint brush.

Worked on the edges with a small paint brush; then painted the molding around the middle of the walls the same antique white.

For the really tiny tiles, I used a white pencil to trace the part of the stencil that would go there, then filled in with a small paint brush.

If you get any bleed - through or smudged sections you can always go back in and touch up the pattern with a small paint brush.

Or get down there with a small paint brush and white paint.

If you follow my Periscope feed, you already know what I've been up to, but for those who haven't seen the live broadcasts, I watered down some left over Trail Tan craft paint, and slapped it on each brick with a small paint brush.

Not exact matches

Sweet Turkey Dessert Centerpiece Supplies: 3 boxes of Little Debbie Fall Party Cakes (any flavors) 3 empty Little Debbie Fall Party Cake boxes 1 bag of standard size marshmallows Orange, red and yellow food coloring Clean, food safe paint brush Gold food coloring spray (optional available at craft store) 3 bags of dried beans or rice (act as weights for the empty boxes) Hot glue gun with glue sticks Small to medium size Styrofoam pumpkin (from a dollar store or craft store) Bamboo skewers Candy corn Fruit leather (4 serving rolls) Candy eyes Plastic pilgrim hat (optional from craft store)...

Whilst pregnant with my little boy, I made up a refreshing jug of Raspberry leaf Iced tea ✨ ☺️ ✨ was so yummy, however whilst making my way through the whole jug (5tea bags brewed) I was painting the inside of my coal shed (about the size of a small walk in closet) with Silcone based Masionary Paint... it was on my MUST Do Before Baby Arrives list... by the time Id washed my paint brush I had my Show... so this is something I will be trying again with this pregnancy ✨

With a very small brush, Tibbetts painted half the faces with a wasplike pattern of tiny black and yellow striWith a very small brush, Tibbetts painted half the faces with a wasplike pattern of tiny black and yellow striwith a wasplike pattern of tiny black and yellow stripes.

To achieve Annie's signature look, apply a thin coat of wax over your painted surface with a small Chalk Paint ® Wax Brush.

I like it for smaller items.I also think it would work well for light fixtures, which would be harder to paint with a brush.

The brow precise micro pencil is a marvel, it is super easy to use, you only have to make small rays to imitate those of your eyebrows and blur them with the brush that includes included, never paint your eyebrows was so easy, now with this product in question 1 minute you can have impact eyebrows.

I think it only hurts us to paint small - scale conscientious breeders devoted to their dogs with the same brush as puppy mills and pet stores.

Armed with 8 - inch blank carvings, a few inks (red, yellow, black and blue) and one brush, none of us came close to achieving the sharp, clean lines boasted by even the smallest of the professionally painted dolls, which were about 3 inches tall.

She noted: «I did not want a small gesture, standing at the easel with a sable brush... I literally wanted to break free, put it on the floor, throw the paint around... «1

At this point I started to introduce contrast in tone, adding areas of more concentrated black paint with a smaller brush, to define the eyes and features I wanted to bring forward.

At that time, she was painting small scale works, painted in Maine and New York City, landscapes combined with still lifes and goldfish using tiny triple 000 sable brushes.

When you're first starting to work with acrylics, it's very easy to get tempted to work with the very small brushes and paint really sharp lines and your painting can very easily lose that sense of atmosphere.

At about five feet square, «Depend on the morning sun» is among the smaller paintings in the show, but it contains one of the broadest gradients — two horizontal - ish swipes of a brush outfitted with crimson, titanate yellow, Prussian blue and orange - pink, about a foot wide — slapped onto the upper right corner like a warning sign.

To those who know his work today, it may come as a surprise to learn that his early work, resulting from the more introverted approach, consisted mainly of very small paintings done in egg tempera and entirely with brushes, somewhat in the manner of Vermeer, whom he still greatly admires.

[ok for week no. 2 meeting] white paper 90 lb smooth, notebook is fine exacto or utility knife rubber cement straight edge or ruler fashion magazines, instructions in class to follow commercial paint supply color strips, instructions in class to follow titanium white or equivalent gouache french ultramarine blue gouache cobalt blue gouache cerulean blue gouache veridian green gouache cadmium red medium alizarin crimson gouache magenta gouache cadmium yellow light gouache cadmium yellow deep gouache raw sienna gouache lamp black or equivalent gouache 2 glass containers with lids for water plastic paint palette with dividers 2 - 3 paint brushes including small round tip, medium flat, example # 8 flat or equivalent small spray bottle [facial atomizers are good] clean rag or paper towel

These works, although painted with small brushes using ink and gouache, mirror the aesthetic of etchings and serve as a sort of re-written history.

The paintings are, of course, extremely small, and they are expressive with regards to brush strokes and the blending of paint.

As a group of women drank tea in front of a large gallery wall filled with small - scale paintings, I wanted to drop my camera then and there to pick up a paint brush and give my artistry one willful chance.

What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings, using only black paint.

In my mind's eye I see Ad eternally creating his «last painting,» workmanlike, in a methodical dance around a supine canvas, balancing the quickly drying paint in each corner, seeking an even, flat surface with no trace of his sure hand or the small brush he was brave enough to rely on.

Fleshy pink oil paint looks variously laid on with a palette knife, a small brush and maybe even fingers.

In between the penciled horizontal lines dark violet - blue is painted in repeated strokes with a small brush from one side to the other; the blue line is brushed horizontally as far as the paint the brush can carry lasts, and then the brush is loaded with more paint to continue the line across.

By the mid -»70s, he'd begun painting on aluminum, but instead of using smooth industrial enamel he chose gloppy acrylic applied with small brushes.

I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.

Lately I've been using acrylic gouache for the small paintings, and sometimes I will make the paintings with one brush — a # 4 round watercolor brush - and just repaint quickly and obsessively until I get what I want.

Smith's paintings are made freehand with a variety of small sable brushes without the use of tape to mask the edges of the areas of color.

In other works, Frize uses rollers to apply paint in carefully measured areas or works with absurdly large or small brushes.

We used cabinet enamel to paint the cabinets with a combination of small roller and brush, and sealed it with a poly.

He is just so adorable — onto the wood, with with the larger darker knots — before priming use a small paint brush and coat with shellac, let dry and lightly sand.

Then, using a small paint brush, fill in the number with the color of your choice.

Depending on what kind of paint you used or how you applied the paint you can take a small paint brush and paint over the area that you took to much off and then take a q - tip and dip it into fingernail polish remover with acetone and gently go over the area you re-painted to remove some of the paint so you can see through to the darker color.

I brushed them with gold paint (I picked up a small pot at Michael's) to give them a campaign - style look and to tie them in with our hardware and lighting.

I wasn't 100 % happy with the results, so I just used a small paint brush to go back in and add a little more detail...

I like it for smaller items.I also think it would work well for light fixtures, which would be harder to paint with a brush.

Using a small craft brush and white craft paint, I edged out the inside of the black lines and then filled it in by pouncing with a sponge.

I grabbed my round coffee canister lid and a small square canvas to create my shapes and then outlined them with the black paint and a small brush.

On our previous kitchen, I used the paint brush to paint around the edges of the cabinets or around the parts with «grooves», and I used a small paint roller (like 4 or 5 inches) with a low nap to paint the smooth parts of the cabinets.

here is what I would do... and notice, not a paint brush in sight: 1 ~ Hang a great porch swing... weeeee... and that swing must be festooned with loads of floral pillows and some with cow spots 2 ~ Add enough rocking chairs for the fam and a few friends that will stop by 3 ~ On either side of the door... place potted laurel wood privets 4 ~ Drape some cool looking quilts over the brick railing 5 ~ Here and there place some small tables to hold baby pots of lavender and glasses of lemonade or for card playing and bonus... 6 ~ From the ceiling hang some iron chandeliers and another bonus... 7 ~ Place a cat or dog on that porch

Using wood glue and a paint brush, glue all the wood pieces together, starting with the two center pieces and working your way out -LCB- I used two small pieces to form the point / bottom of the arrow -RCB-

Also to dress up the wine bag, attach a small vine of faux grapes to the tassle after lightly brushing random areas of the grapes with gold paint.

Another option for a smooth surface if using brush - is using a small amount of water with your Chalk Paint ® in your final coat of chalk paint ®.

Once the paint was dry I taped off the decorative applique (see below) and sort of feather dusted on the gold (which is actually a gilding wax) with a small soft artists brush.

Use tape to further secure the stencil in place, then with one hand, push the stencil down into the corner or crevice as far as it will go without coming loose and bubbling up, and with the other hand use a small stencil brush to «pounce» the paint into the stencil design.