Sentences with phrase «with social critique»

These multiple oppositions in Yokono's work result in pieces that are rife with social critique and irony.

Combining stop - motion animation drawn from collages of magazine illustrations and advertisementsn with filmed sequences and found footage, films such as Achoo Mr. Kerroochev (1960) and Breathdeath (1963) fused avant - garde cinematic techniques with social critique and Cold War politics.

An astute and thoughtful painter, Moffett knows the power of the artist, and his love of Spanish Romanticist Francisco Goya (1746 - 1828) and Italian still - life modernist Giorgio Morandi (1890 - 1964) shows in his ability to blend the subtle with the outlandish, the image with social critique.

While museum regulars and market darlings (many of them men) rightly remain on the list, some lesser - known names, bolstered by practices that integrate art with social critique, have risen to the surface.

Since the early 1990s, Tillmans's practice has epitomized a new kind of subjectivity in photography, pairing intimacy and playfulness with social critique and the persistent questioning of existing values and hierarchies.

Since the early 1990s, his works have epitomized a new kind of subjectivity in photography, pairing intimacy and playfulness with social critique and the persistent questioning of existing values and hierarchies.

Not exact matches

I engaged with Inc. 5000 attendees by conducting live critiques and giving answers to how they could use Facebook, Twitter, LinkedIn and other social tools to build powerful marketing strategies and brands and drive business online.

But even that demonstrator — who brought out an effigy of Obama with texts declaring him a liar and murderer — was fundamentally critiquing large corporations and their control over politicians when he declared in a sign that «TTIP and CETA is social murder dictated by the US.»

Although I frequently find myself at odds with First Things over issues pertaining to economics and the role of government in public life, I usually find its critique of American social mores and ethics to be insightful and illuminating.

A justified process - rooted philosophical appreciation of social canons can be taught through a pedagogical strategy that begins with their critique, that expunges them from the natural given furnishings of the immediately real in order to rediscover them as the inherited cultural accretions by which we transform the immediately real into a world of enduring meanings and human significance.

A vast international convergence seems possible on such objectives because social forces with a radical critique of liberalism have developed (MST in Brazil, KCTU in Korea, European marches, etc.) and because international and regional demonstrations (above all in Europe, America and Asia) are growing in strength.

If we examine Marx's critique carefully, we will recognize that its most important argument is the fact that Christianity during its almost two thousand years of existence, has failed to do away with poverty, servitude, wars and social disorder.

«Francis's critique of unrestrained capitalism is in line with the Church's social teaching.»

Feminism challenges the legitimacy of sex roles Along with other social movements, feminism is rooted in the critique that a society so constructed that certain people and groups profit from inequalities — between men and women, rich and poor, black and white, etc. — is a society in which money is more highly valued than love, justice, and human life itself.

It has, on the one hand, become more in line with the American way of life, while at the same time increasing its commentary and critique on specific social and political issues.

To the extent that the Puritan and early republican notions of «the good» and «virtue» were too narrow, too bound up with repressive social and psychological mechanisms, too easily subverted to the defense of particular social arrangements, the utilitarian critique has been genuinely liberating.

This final part of Griffin's argument for the process theodicy turns on an assumption that he appears to have borrowed by Hartshorne, viz., that the so - called «social view» of omnipotence is the only alternative to the monopolistic (and thus to the standard) view.9 The critique of the latter thus established the former as (in Griffin's words) «the only view that is coherent if one is talking about the power a being with the greatest conceivable amount of power could have over a created, i.e. an actual world» (GPE 269).

I do agree with some of Radical Orthodoxy's critique of the ideology that has dominated much of Western social science.

But — and this is a huge qualifier — if that message of justification by God's undeserved love is preached apart from an unmasking of the actual power relations which have aggravated these feelings to the level of a social neurosis; if people are released from the rat race of upward mobility only privatistically, with no critique of the economic and social ideology that stimulates such desperate cravings; if people are liberated from a bad sense of themselves without any sense of mission to change the conditions that waste human beings in such a way, then justification by faith becomes a mystification of the actual power relations, and the Christian gospel is indeed the opiate of the masses.

If I were choosing recent books in this area which most deserve to be read outside the country, I would start with Oliver O'Donovan's political theology in The Desire of the Nations; John Milbank's critique of the social sciences in Theology and Social Theory; Timothy Gorringe's provocative political reading of Karl Barth in Karl Barth: Against Hegemony; Peter Sedgwick's The Market Economy and Christian Ethics; Michael Banner's Christian Ethics and Contemporary Moral Problems; Duncan Forrester's Christian Justice and Public Policy; and Timothy Jenkins's Religion in Everyday Life: An Ethnographic Approach, which argues with a dense interweaving of theory and empirical study for a social anthropological approach to English religion which has learned much from thesocial sciences in Theology and Social Theory; Timothy Gorringe's provocative political reading of Karl Barth in Karl Barth: Against Hegemony; Peter Sedgwick's The Market Economy and Christian Ethics; Michael Banner's Christian Ethics and Contemporary Moral Problems; Duncan Forrester's Christian Justice and Public Policy; and Timothy Jenkins's Religion in Everyday Life: An Ethnographic Approach, which argues with a dense interweaving of theory and empirical study for a social anthropological approach to English religion which has learned much from theSocial Theory; Timothy Gorringe's provocative political reading of Karl Barth in Karl Barth: Against Hegemony; Peter Sedgwick's The Market Economy and Christian Ethics; Michael Banner's Christian Ethics and Contemporary Moral Problems; Duncan Forrester's Christian Justice and Public Policy; and Timothy Jenkins's Religion in Everyday Life: An Ethnographic Approach, which argues with a dense interweaving of theory and empirical study for a social anthropological approach to English religion which has learned much from thesocial anthropological approach to English religion which has learned much from theology.

Turning first to the Asian values claims, I offer a four-fold critique of the these culture - based claims: first, I will briefly address the Asian values claim on a substantive level; second, I will address a related cultural prerequisites argument which seeks to disqualify some societies from realization of democracy and human rights; third, I will consider claims made on behalf of community or communitarian values in the East Asian context; and fourth, a recent shift to concern with institutions and their role in social transformation will be considered as a prelude to the constitutionalist argument addressed in the second half of this essay.

On the whole Wesleyans felt uncomfortable with it, despite our recognition of valid elements in its critique of the Social Gospel.

In its critique of neoliberalism, Blond was breaking with the dominant Tory economic paradigm of the last thirty years, marrying traditional social conservatism and criticism of the state with an attack on untrammelled free markets.

Blond is arguing for a reversal of this - to reassert a traditional rightist critique on social issues, but to combine it with a localist, protectionist economic argument which is a leftist economic shift.

Others, such as blogger Minna Salami (self - branded as «MsAfropolitan»), and scholars Achille Mbembe and Chielozona Eze, have engaged with these critiques, yet argue there is still social, political and analytical value in the concept of Afropolitanism.

[i] Wollstonecraft's powerful feminist critique of the patriarchal beliefs and institutions of her day drew on many republican themes, extending the traditional republican concern with political domination to the social domination of husbands over wives.

Price added: «One of the most important qualities of a good researcher is the willingness to be wrong, but critique has to be constructive and it has to be informed, which was unfortunately not the case with much of what was posted on social media.»

All of this context is valuable, particularly as it establishes Graham's moral dilemma about whether to move ahead with printing reports of Ellsberg's leaks: Not only must she imperil her paper's financial health and draw the ire of a vindictive president, but she must also assent to damning, historically vital critique of her vacation partners and social relations.

Rebel Without a Cause was a major studio production that brought together a social critique of teenage life with self - conscious attention to the role of popular cinema in portraying contemporary society.

In transforming this topical expose into a more metaphorical critique of the nuclear family, consumer society, and the social (mis) education of children, the film resonates with ideological implications that still have the power to unsettle.

Jury prize winner Yorgos Lanthimos» «The Lobster,» meanwhile, envisioned a bizarre world in which being single was illegal with a savvy blend of social critique and genuine romanticism.

Unfamiliar with symbolism - laden allegory, and without knowing how allegories function as social critiques, most students manage only a surface - level comprehension of the text, missing the opportunity to explore the larger ideas of human capability and culpability.

Class sessions that critiqued notions of social justice and multiculturalism, raised concerns about affirmative action or a culture of «victimhood,» advocated phonics and back - to - basics instruction, or were generally positive with regard to testing or choice - based reform were coded as «right leaning.»

Goodman combined these two popular strands of social commentary — a critique of the bureaucratic society with an analysis of juvenile delinquency — and argued that the former caused the latter.

Two of the pundits with the biggest social media followings — Rick Hess and Andy Rotherham — traded barbs about whether critiquing states» ESSA plans provides any value now that they've been submitted.

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Whether you are looking for a critique group, a social group, help staying focused on writing or help with publishing, there's a group out there for you.

Then it became full - manuscript critiques, deeper friendships with writers, broader social reach with readers through publishing.

They want to shut down the «social justice warriors» and other critiques and basically anything and everything they don't agree with.

A critique must actually center on characters exploring, challenging, changing or struggling with oppressive social systems.

It is these conflicts that have fueled Fraser's engagement with what is called institutional critique over the past 30 years, during which time she's researched, analyzed, and made visible — in alternately unsettling and humorous performances — the inescapable social, economic, historical, and even emotional and sexual contexts that frame a work of art.

Ice Box 8 (1963)-- a large oil painting depicting a young person with a soda bottle for a torso and head, racing toward an open refrigerator — exemplifies Saul's attachment to both social critique and audacious paint application.

Riding on the social and institutional critique they started in the 1980s, the group of masked art - world players aren't changing their formula much, but have found a current relevancy with recent media noise about the battle for reproductive rights, a conservative - led new misogyny and the predicted end of the wage gap.

Riding on the social and institutional critique they started in the 1980s, the group of masked art - world players aren't changing their formula much, but have found a current relevancy with recent media noise about the battle for

First trained in graphic design before taking up photography with Takeji Iwaniya, Moriyama moved to Tokyo in 1961 where he assisted photographer Eikoh Hosoe for three years and became familiar with the trenchant social critiques produced by photographer Shomei Tomatsu.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

Adrian Piper's work Mythic Being (1973) and the work of Sara Greenberger Rafferty, an artist whose critique of social roles in stand - up comedy Grabner also curated into the Biennial, appear to have directly influenced Scanlan's choices.The problem with his project is that it functions by exploiting rather than critiquing the severely limited representation of minority artists at the Whitney, and in the art world more broadly.

Bifurcated into the colors of white on the first floor and black on the second floor, the exhibition continues the artist's formal inquiry into painting, abstraction, and performance with a discomforting social critique of American histories, injustices, and structures of power.

Direct not just in its address of the viewer, but also in its active engagement with social and political events, Kruger's work uses the visual language of advertising to critique the very messages it emulates.