Sentences with phrase «with spatial concerns»

In recent works such as Double Vision (2004) and Bellona (After Samuel R. Delany)(2005), she develops her fascination with spatial concerns and psychological and cognitive patterns in digitally manipulated environments.

Not exact matches

These distinctions are unnecessary for I am concerned with something more basic than they, namely the property of spatial extendedness common to all occasions.

It is indeed a difficult task to «switch gears» from a theology based on static, spatial models alone, such as the essence of God, the natures of Christ, and the substance of bread and wine, to a theology that is concerned with spatio - temporal models, such as change in God, Christ becoming divine, and the on - going process of revelation.

The French School of Sociology of Religion, the German, the English, the North American, are discussed, along with expressions of concern to those interested in the systematic development of the temporal, the spatial, the ethnic and cultural, and the religious viewpoint.

The core of process thought: Rather than a «substance theology» based on static, spatial models, process thought «switches gears» to a concern with spatial - temporal models such as change in God, Christ becoming divine and the on - going process of revelation.

The presence and variability of browridges in archaic Homo species and their absence in ourselves have led to debate concerning their morphogenesis and function, with two main hypotheses being put forward: that browridge morphology is the result of the spatial relationship between the orbits and the brain case; and that browridge morphology is significantly impacted by biting mechanics.

Hofmann's art work is distinguished by a rigorous concern with pictorial structure, spatial illusion, and color relationships.

In the exhibition, Thomas Demand gathers works by artists whose concern with the natural world connects them across spatial and temporal distances to his starting point, which is Magritte's work.

What's on view: A group show including dozens of works, mostly painting, by artists dealing with formal, spatial concerns; the exhibition has been split between Venus Over Manhattan and Gavin Brown's Enterprise

Curated by Allison Glenn, the exhibition at Gallery 400 includes artworks concerned with spatial politics, mapping, and migration from Lisa Alvarado, Torkwase Dyson, Leslie Hewitt, Juliana Huxtable, Yvette Mayorga, Howardena Pindell, Martine Syms, and Zipporah Camille Thompson.

In his prints, Shapiro often uses the same formal vocabulary to suggest a human presence, but generally is more concerned with the creation of spatial relationships.

You know, one of the more pronounced aspects of your work, in addition to what we just discussed, is the way you find a balance between the accident and the control, the formal and the content of images, which concerns the distribution of negative and positive shapes in their spatial organization, as well as how you integrate graphic elements with pictorial forms all at once.

Her work is concerned with the spatial potential of the painted surface, explored through the construction of geometric configurations that map the pictorial relationship between two and three dimensions.

The contributions of Irish artists, for example, could be broadly characterised by their preoccupation with the lost promises of the Rising, rather than a concern with the temporal, spatial, or linguistic effects of imperialism, colonialism, or postcolonialism.

There's still no avoiding the experimental spatial illusionism in the works of Valledor and Fleming that punctuate the walls of the gallery — and it becomes obvious that other artists who have until now rarely been associated with the gallery's history, namely Linda Fleming and Patsy Krebs, shared the concerns of their contemporaries.

Her work is concerned with the social and spatial qualities of sculpture; how certain qualities of corporeality might be invested with spiritual meaning, and the precise point at which narratives might arise out of formal arrangements.

Uriel Orlow (Switzerland / United Kingdom) is concerned with spatial manifestations of memory, blind spots of representation and forms of haunting.

She is concerned with how the body moves through space, how direction is experienced: «My paintings reorganize orientation; they eliminate spatial hierarchy, falling outside and expected logic of verticality.»

The new paintings propel the artist's dexterity with painterly mark - making beyond concerns of spatial realism and the human figure into the viscerally abstract.

Pieterjan Ginckels is a Belgian artist and architect whose work concerns itself with the acceleration of modern life, which he explores through exhibitions and experiences that interweave spatial, artistic, and design practice, and everything in between.

Sperling picks up where his precursors left off, combining the concerns of painting — color and composition — with the spatial potential of sculpture.

A whisper of a show, spare to the point of near - disappearance, Ann Veronica Janssens's recent exhibition at Bortolami — the Belgium - based artist's solo debut at the gallery, timed to coincide with the first American museum survey of her work, at the Nasher Sculpture Center in Dallas — provided a modest glimpse into her range of sculptural, spatial, and atmospheric concerns, and a sense of both the strengths and limitations of her practice.

Working in a number of media including painting, sculpture and photography, his art ranges from conceptual in orientation to representational in character and is generally concerned with issues of identity in relation to the categories of language, portraiture and spatial politics.

STATEMENT My practice for the past 15 years has been concerned with aspects of intuitive abstraction which incorporates hard edge and organic abstraction as well shifting methodologies of mark making and spatial narratives that are situated within paintings, collages, photographs, objects, Marquette's, books, films, wall paintings and works on paper.

His mural art of the 1930s was concerned with solving spatial problems, synchronizing voids and solids in controlled depth.

Though Novros is not a sculptor, but a colorist concerned with the object nature and spatial illusion of painting, he looks beyond the single rectangular form.

While these methods are heavily used, there are concerns regarding the distributions of available measurements, how well these sample the globe, and such issues as the degree to which the methods have spatial and seasonal biases or apparent divergence in the relationship with recent climate change.

In 1994 Lindzen stated his thoughts concerning the constraints on the spatial temperature distribution at the Earth's surface in a paper he co-authored with Sun.