This metaphor embodies the Thought Council's starting point to present interventions by artists whose practices differ considerably in philosophical and material terms, all of them commissioned to interfere and dialogue
with the spatial context of the Cisterna and to influence the viewer's physical experience and all her or his attendant senses through their works.
Not exact matches
It is a characteristic of these «spectral colors» that they can not be further resolved into constituent hues by passage through another prism; that they stand in a one - to - one correspondence
with a particular angle of refraction (i.e.,
with a
spatial property); and that, in the
context of physical optics, each turns out to be quantifiable in terms of a
spatial periodicity (the wavelength).
This NASA MARS 2020 approach of mapping the elemental, mineral, and organic composition of rocks at high
spatial resolution
with non-destructive techniques is now commonly used on Earth to provide unambiguous evidence for early life in its preserved nanoscale
context.
It begins
with resources that set the
context at the national scale and then starts to delve deeper at local scale factors where the
spatial distribution of elderly impacts both rural and urban areas.
Using quantitative and
spatial methods, her dissertation examines the links between neighborhood and school composition,
with a focus on neighborhoods undergoing economic change, and how neighborhood and school
contexts matter for children's outcomes.
The design similar to this work, she has developed a site - specific
spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely in the
context of their claim, «to find a way to deal
with painting different than previously dealt
with it was».
The primal shapes and common materials that Janssens often works
with are transformed through a considered use of scale, colour and placement to expose optical or
spatial contexts and shift perceptual understanding.
His works rely on a façade of simplicity to play
with viewer's sense of scale, both in relation to the sculpture and its
spatial context.
The seventy — eight works in this retrospective will follow Winters's development from that time through the more fully abstract approach that has occupied him since the»90s,
with dense weaves of swirling, crisscrossing lines and scattered blips, and will include more recent drawings that reclaim shapes reminiscent of his earliest phase within the more complex
spatial context he's since developed — what he's called a «vitalized geometry.»
«Some have examined the existing architectural features or the historical
context of the Kunsthalle, while others have transformed the space
with large - scale interventions, objects or fragile, process - based sculptures that produce altered
spatial perceptions.»
Graduated as architect and artist, Tirtiaux works mostly
with site - specific installations and
spatial interventions, which are usually commentaries on the social and architectural
context of the places where they are installed.
The artist's first solo exhibition in mainland China, «Sustained Glass» features We Hold Where Study, a new two - channel video growing out of Wu's collaboration
with the poet Fred Moten, and a series of stained - glass and lightbox works that the artist has created after her close study of Antenna's
spatial context.
Although he worked both
with sculpture and paintings, his work put an emphasis to he
spatial context, the dimensionality of space behind the painting and the sculpture.
Stephen Prina's The Second Sentence of Everything I Read Is You: Mourning Sex (2005 — 7) has all the markings of a work of institutional critique, that loosely defined genre of contemporary art that seeks to evaluate and question the position of art in relationship to various cultural and political
contexts.4 Looking beyond the frame of the artwork itself, works of institutional critique recognize that art exists within a discursive field and grapple
with the concentric or overlapping circles of
spatial, temporal, cultural, social, economic, and political structures — or «institutions» — that «frame» the work in other ways.
Indeed, the way in which climatic forcing is expressed in natural systems is not universal,
with both
spatial (local, regional and latitudinal) and temporal (periodic pulses and seasonal cycles) variations in pH and temperature that are sufficient to affect the direction (positive through to negative) and severity of effect depending on timing and
context [110].