Sentences with phrase «with spatial perspective»

«This so - called «wall»... contributes itself to our experience only under the guise of spatial extension, combined with spatial perspective, and combined with sense - data» (S 15).

Not exact matches

Since this effort is not instantaneous, transmission must exhibit a finite ratio of temporal extension to spatial size, such as that exhibited by the perspectival spatial shortening and temporal slowing in special relativity, with the smallest quantum «volume» in our epoch being expressed by, h, the famous Planck Constant.20 For any moment, a perspective that prehends something with less spatiality than another, must prehend it «with more temporal duration.

Across the three projections, which split our perspective in both a narrative and spatial refraction, the artist portrays her heterogeneous subjects as they go on with their lives, catching glimpses of people and scenery alike and building a choral — and a little cubist — portrait of the American town.

The installation plays with scale and spatial perspective to create a cartoonish landscape of sculptures, combining high - spec finishes and new technology with breakfast cereal, DIY home tiling techniques and a «living room materiality».

Bolmeier's paintings create their own dynamic curvilinear structure interlocked with a network of diagonal lines, indicating furniture, architecture, spatial perspective, lines of vision.

Each presents something like a spatial conundrum, with impossible perspectives and folds, inconsistent shadows and highlights, baffling geometries and unreadable progressions.

Treated with silver nitrate on one side, the refractive surface works as an alternate plane that provides a different perspective, a window to elsewhere — creating a dialectic which is both spatial and temporal.

Through adjacent and overlapping planes and the use of line, Clark played with spatial field, perspectives, and positive and negative space.

Feeling that he'd reached the end of his style's potential, he shifted in 1967 to black and white images that dealt with challenging perspectives and «spatial conundrums».

The loss of a «beyond» forecloses on the spatial and temporal possibility of anything other than «now» and aligns processes of meaning production with an austere perspective — one whose reproducibility is its own raison d'être and main criteria for judgment.

Grotjahn has become widely recognized for his «butterfly» paintings, which experiment with one - point perspective, a technique developed in the Renaissance to create an illusion of depth, but which Grotjahn sets slightly askew to create paintings that combine elements of geometric abstraction and shifting spatial illusion.

The analysis of teleconnections has typically employed a linear perspective, which assumes a basic spatial pattern with varying amplitude and mirror image positive and negative polarities (Hurrell et al., 2003; Quadrelli and Wallace, 2004).