That means a lot of backstage discussion among the hijackers and the Israeli parliament — headed by a rather good Lior Ashkenazi as a careworn prime minister Yitzhak Rabin, and Eddie Marsan as the defence minister, Shimon Peres, so distractingly slathered
with special effects makeup that he looks more like Eddie Marzipan.
Not exact matches
This weekend, besides my usual busy self
with make - up clients, my website and youtube videos; I was lucky enough to participate in a
makeup workshop, but not just any workshop a Kryolan
special effects workshop.
The «wild» first draft of Videodrome was the script that got the production its major talent — actors James Woods and Deborah Harry,
special makeup effects artist Rick Baker and his EFX Inc. crew, and many other essential players — but production began
with a toned down (and unfinished) second draft.
With a lengthy career on
special effects,
makeup, and creature crews, Magee worked on major blockbuster films like Sam Raimi's Spider - Man, Jurassic Park III, and Alien vs. Predator.
With a larger cast, bigger sets and set pieces, and a hell of a lot more
special effects makeup, Green Room is every bit the follow - up that fans of Blue Ruin have been hoping for.
I especially like Cumberbatch, even
with his iffy Yank accent, because his handsome - lizard visage is otherworldly even without
makeup and he moves
with elegance — although I'm sure if we saw him waving his hands around without the
special effects he'd look like pretty silly.
Blu - ray extras include audio commentary by Stewart and Maroney; separate commentary by writer - director Thom Eberhardt; interviews
with Stewart, Maroney, Beltran and
special makeup effects creator David B. Miller; and the theatrical trailer.
Audio Commentary
with actors Bill Moseley, Caroline Williams and
special effects makeup creator Tom Savini
Special makeup effects sequences director Greg Cannom was at the top of his game
with Dream Warriors, and his work is easily a series highlight.
The other thing I was really excited about was working
with practical
special makeup effects.
The world of «Men in Black» has always been full of all crazy creatures and
special makeup effects artist Rick Baker fills «Men in Black 3»
with his wild creations that look fantastic.
Yet I left the theater
with admiration for all those elements that make a movie worth seeing: the lush cinematography (Dan Laustsen), the
makeup and
special effects that bring the creature to vivid life, the vibrant score by Alexandre Desplat and the performances (especially Hawkins, Jenkins, Spencer and Jones).
The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production
with set footage and interviews
with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator
makeup and animatronic
effects man John Rosengrant of Stan Winston Studios, visual
effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual
effects supervisor Charles Gibson,
special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual
effects supervisor Ben Snow, and CG supervisor Pat Conran.
With a perfect woozy score from Alexandre Desplat, expert lensing from cinematographer Dan Laustsen, dazzling production design from Paul Austerberry, and sensational
special makeup effects by Jeff Derushie (and others), this empathetic, awe - inspiring ode to Old Hollywood and the heartstrings is del Toro's generous gift to us all.
Blu - ray extras include audio commentary by Mora; separate audio commentary by composer Steve Parsons and editor Charles Bornstein; interviews
with Danning, Brown and
special makeup effects artists Steve Johnson and Scott Wheeler; and a photo gallery.
Deleted Scenes and four more featurettes are exclusively available on the Insidious Chapter 3 Blu - ray and Digital Extras, including «Being Haunted: A Psychic Medium Speaks» which shows Leigh Whannell's inspiration for the hauntings and a tour of a haunted location
with Psychic Medium Michael J. Kouri; «Macabre Creations,» follows the
makeup process via time - lapse photography for the ghosts and specters and discusses the process of creating the things that go bump in the night; Stefanie Scott interviews the band Cherry Glazerr in the featurette «Cherry Glazerr: Tiptoe Through the Tulips;» and «Stunts: The Car Crash,» which explores the creation of the car crash scene from the stunts on set through the
special and visual
effects processes.
The event reunited the film's cast and crew — including stars Kathy Najimy, Thora Birch, Vinessa Shaw, Omri Katz, and Doug Jones, producer David Kirschner, composer John Debney, designer William Sandell,
effects /
makeup designer Tony Gardner, and additional
effects artist and crew, for a
special reception, prop display, two sold - out screenings, and two intimate panels
with the cast and crew!
They do not scare me and I have no fascination
with blood or guts other than my appreciation of
special effects and
makeup.
Legendary
special effects and
makeup maestro Rick Baker, who previously lent his talents to other wolf man stories like An American Werewolf in London and Michael Jackson's Thriller video, returns to familiar territory, this time
with plenty of CGI at his disposal.
While current cast members were barred from speaking
with the press after a shocking midseason finale, Nicotero sat down
with me to discuss his progression from
special effects makeup to directing episodes of the show including this season's gruesome premiere.
Audio Commentary by Director Paul Schrader / Interviews: «Cat People: An Intimate Portrait» by Paul Schrader (25:20) + Filmmaker Robert Wise on the producer of the original 1942 Cat People, Val Lewton (3:32) / Featurettes: Vintage «On The Set»
with Director Paul Schrader (10:20) +
Special Makeup effects by Tom Burman (11:13) / Stills of Cat People Matte Paintings + 67 Production Photographs / Theatrical trailer for «Cat People»
Bridget, a digital manager for a magazine, and Jonathan, a self - employed
special effects makeup artist, started off
with a wish list that included a detached home in their desired neighbourhood — trendy Parkdale, just west of Toronto's downtown core.
She also indicates abilities in applying and working
with makeup prosthetics and
special effects.
Meet
with the director, producers, and actors to create a plan for
makeup and
special effects for each production