Sentences with phrase «with special effects supervisor»

Next we find AI / FX, a seven - minute and 45 - second discussion with special effects supervisor Michael Lantieri.

Not exact matches

Special video effects supervisor Michael Lennick reports that the extremity of the material left him feeling «disoriented» at day's end, but Irwin offers a flip - side observation: «It was no different than anything else, because, again, we were working with special eSpecial video effects supervisor Michael Lennick reports that the extremity of the material left him feeling «disoriented» at day's end, but Irwin offers a flip - side observation: «It was no different than anything else, because, again, we were working with special especial effects.

Gravity special effects supervisor Neil Corbould, has been nominated for an Academy Award and a Bafta in the Best Visual Effects category this year — along with Tim Webber, Chris Lawrence and David Shirk.

Former special - effects supervisor Gracey directs The Greatest Showman like an extended music video, combining American Idol — style songs with brass arrangements and choreography that imitate Michael Jackson videos, all mashed into the nonsense extravagance of Baz Luhrmann's Moulin Rouge.

Read a recent roundtable with Industrial Light & Magic (ILM) visual effects supervisor Bill George, who oversaw the creation of the special effects in this year's Touchstone Pictures sci - fi action film «I Am Number Four.»

There is «Dragon Tracker Part 4», which is an an - depth look at Skrill, Baby Thunderdrums and Speed Stinger dragons, along with a special sneak peek of Snaptrapper from «How to Train Your Dragon 2» «Evolution of Skrill» is a featurette with the visual effects supervisor David Jones explaining the history behind the dragon.

Of course, the 120 - plus critics, broadcasters, and writers who make up the London Film Critics» Circle likely have no overlap with Oscar voters, but it's still a nice boost for both «Amour,» which also landed best actress honors for Emanuelle Riva, and «Life of Pi,» which also recieved a special award for Technical Achievement of the Year for visual effects supervisor Bill Westenhofer.

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

Working with production designer John Barry and special effects supervisor John Dykstra, writer - director George Lucas makes escapist entertainment respectable again, and more — he turns it into art.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.

The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.

In a new HD interview, special effects supervisor Colin Chilvers spends 16 minutes weighing in on the production, describing Stanley Donen's approach to the material and his relationship with John Barry, the difficulties of working with the robot and executing miniature FX on a tight budget («In those days, there was no such thing as a big - budget science - fiction movie,» he says), and even the age differential between Douglas and Fawcett.

There we see Emmerich chat along with Chusid, Goulekas, Gordon, Steiger, first AD Kim Winther, sound mixer Don Cohen, costume designer Renee April, and special effects supervisor Neil Corbould.

The corresponding natural audio goes with the first one, while the second provides an audio commentary from special effects supervisor Kevin Haug and special effects coordinator Cliff Wenger.

Rawhead FX — featurette bringing together interviews with creature effects artists Peter Mackenzie Litten and John Schroonraad, special effects supervisor Gerry Johnson, second unit cameraman Sean Corcoran and make - up artist Rosie Blackmore

KF: Physically what was happening was the special effects supervisor was getting the shit beat out of him, verbally of course, by a lot of people — including Terry — who were very angry with him.

The special features include a commentary featuring creator Todd MacFarlane, director Mark Dieppe, producer Clint Goldman and visual effects supervisor Steve «Spaz» Williams; an interview with Todd McFarlane, a behind - the - scenes Making of Spawn feauterette, a Spawn sketch gallery with over 200 original concept illustrations, scene - to - storyboard comparisons; original Todd McFarlane sketches; Filter & the Crystal music video and the original theatrical trailer.

Academy Award ® - winner Dean Semler returns as cinematographer with William Elliott returning as production designer, William Kerr returning as editor with special make - up effects wizard and five - time Academy Award ® - winner Rick Baker and visual effects supervisor Jon Farhat also returning.