Sentences with phrase «with stories on the screen»

All the highlights of the news from yesterday with stories on the Screen Actors Guild announced their nominations for this year and Kirsten Dunst and Jesse Plemons to lead the second season of Fargo.

Not exact matches

The type of assaults that can be minimally portrayed and intimated on screen can't necessarily be treated with the same subtlety on the page, and omitting them altogether didn't do any harm to his story.

The post Instagram makes Stories advertising easier with automatic full - screen support appeared first on Marketing Land.

In ways you do not fully understand, you connect with the images on the screen, with the actions of the actors, with the plot of the story, and with the theme and ideas of the script.

Different ways of coping worked for different stutterers: Marilyn Monroe's breathy on - screen voice, Churchill's privately singing his speeches to practice them, and King George's therapy sessions with Lionel Logue (the story told in the 2010 film The King's Speech).

On the heels of a six - part series on the life of Kalief Browder, Jay Z will partner with the Weinstein Company again to tell the stories of Trayvon Martin on the big and small screenOn the heels of a six - part series on the life of Kalief Browder, Jay Z will partner with the Weinstein Company again to tell the stories of Trayvon Martin on the big and small screenon the life of Kalief Browder, Jay Z will partner with the Weinstein Company again to tell the stories of Trayvon Martin on the big and small screenon the big and small screens.

And for all of you with a slightly off - kilter sense of humor, «A Christmas Story» will fill the screen on Dec. 13.

Even simpler are Twine games, in which players interact with the story by selecting from a list of predefined text options on the screen.

«VR stories provide a better sense of being right in the midst of the story than text with pictures and even 360 - degree video on a computer screen,» said Sundar.

Look at Hollywood: Movie studios have made a fortune selling us miraculous stories that we watch on the big screen with... maybe not belief but hope in our eyes.

It must be the old fashioned gentleman in me, but I'm much more comfortable with good old fashioned connection than with sharing my story on a screen.

Online challenge modes Offline story mode with characters all on the same screen.

We have just released of the Android app on Google Play store with new Folder feature for Library / Downloaded stories, redesigned home screen UI and The Android Emulator simulates various Android phone, tablet, Android Wear, and Android TV devices on your computer.

As is customary with true stories, The Stanford Prison Experiment ends with on - screen text, talking about Dr. Zimbardo and his continued writing, lectures, and research into the susceptibility of people to turning into abusers and manipulators in a prison setting.

«The Towering Inferno» laid the foundation for good disaster movies to come, both in being huge budget and cast wise, and with great special effects that accompany a story that makes you glad you're not one of the people you're watching on the screen.

45 minutes of outrageous situation comedy with hilarious consequences, 45 minutes of gut wrenching and heart felt emotional drama, 45 minutes of impeccable acting from its two leads, who's on - screen chemistry (excuse the pun) has garnered them with a total of 4 Emmy's, and 45 minutes (im about to come back full circle here) of impossible to predict story lines that make the twists and turns in shows like Lost and Fringe genuinely feel like amateur hour.

With great performances by Millie Bobby Brown and David Harbour, who had surprisingly good story arcs and chemistry on screen, looking forward to more from David Harbour in his soon to be released Hellboy reboot.

The depth of the story he tells of Wiseau and his unusual relationship with the filmmaker — guided by co-writer Tom Bissell — is expectedly trimmed when transferring the movie to the screen, and, unfortunately, the background on Wiseau that Sestero details on the page is more interesting and fascinating than anything that made it to the screen.

Burrough, the author of the source material, has admitted that, although the movie takes a certain amount of artistic license with history, it is the most factual telling of Dillinger's story thus far to appear on screen.

First - time director Maya Forbes tells the story of her childhood with a manic - depressive father, casting her own daughter, Imogene Wolodarsky, as her on - screen proxy.

Let's just say that he's working out some anger issues and resentment through his story, which we see played out on the screen as Susan reads page after page with increasing alarm and dread.

Working with the persuasive Thewlis and Oldman, able to focus his gifts on what's distinctive, dramatic and surprising about the story, Cuaron creates on screen the heartfelt magic that has enthralled so many on the page.

We talk about her seven year journey with this franchise, including stories involving Steve Carell, Pharrell Williams and Julie Andrews, and her upcoming on - screen film debut — in the horror movie «The Ice Cream Truck».

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

It's sad that for a story with such potential, it was never allowed to materialize fully on the big screen.

(The ads emphasize that this is the first Hollywood feature photographed entirely with IMAX cameras, which just means they routinely waste three stories of screen space on the back of Robert Downey Jr.'s stand - in's head.)

Veteran TV director Jerry Jameson fails to think bigger than the small screen with this flat, preachy true story drama about a killer on the run (David Oyelowo) connecting with the recovering drug addict he takes hostage (Kate Mara).

It's another origin story we're familiar with in the world of comic book heroes, but given the emphasis on magic and alternate dimensions, there are many other toys in the toy box to play with to keep it all feeling like something new to the universe of big - screen superheroes.

His second big screen offering came in the form of coming of age comedy Orange County, with the little - seen The TV Set and uneven Walk Hard: The Dewey Cox Story next on his slate.

Based on both the Susan Hill novel and the hit stage play, this creepy ghost story is nicely translated to the screen with a growing sense of menace that keeps us constantly on edge.

The film's historical accuracy and attention to detail in telling the story was of equal importance to director and cast alike, with John Boyega relating how he met Melvin Desmukes, who he portrays in the film, and Bigelow describing how the real Julie (played on screen by Hannah Murray) was on set with her every day during filming.

A game cast quite literally gives the film their all but it's hard to ignore the ugly treatment its leading lady receives, coupled with a story that — though open to multiple interpretations — never rises above a pretentious and scummy tale of male exploitation of women, both on and off - screen.

Just through having this website, I've met (among others) Jerry Goldsmith, Ennio Morricone, Michael Kamen (funny story associated with Kamen - after a concert once, I very skilfully managed to stick my leg out just at the right moment for legendary conductor Leonard Slatkin to trip over it, falling flat on his face), Randy Newman (who is, without question, the funniest man in the world - «Evian - it's French, but it's nice»), Christopher Young, John Debney (funny story associated with Debney - I met him with Jonathan Broxton at a recording session and he looked at us and said «Oh hi, are you the guys from Silva Screen?»

In his new film, Baker once again employs some «non-professional» actors (with help from Willem Dafoe) to tell the story of lives not often depicted on screen.

Although blessed with good actors, there is still a certain stale quality to the story that makes for a less - than - completely scintillating premise, further compounded by the fact that Owen and Watts, while individually fine and appealing actors, somehow make for a bland on - screen pairing.

Yet even Wright didn't completely know what was in store for his screening of «Wild at Heart,» David Lynch's trippy love story with Nicolas Cage and Laura Dern as lovers on the lam.

Using the character's written confession (in a location far from his beloved farm) as a framing device robs the story of any real suspense and, worse, fails to enrich the events on screen with emotional or moral substance.

Based on Fumiyo Kono's critically acclaimed manga of the same name, writer Chie Uratani and director Sunao Katabuchi bring In This Corner of the World (Kono sekai no katasumi ni) to the screen with breathtaking animation and a compelling story of one family's resilience.

This disposable, forgettable, and all - around disappointing film will make those familiar with its true story origin irked by the squandered potential depicted on the screen.

In - depth bonus features on the film's two Blu - ray releases takes viewers behind - the - scenes of director Spielberg's life - long fascination with Lincoln and the 12 years it took to bring the story of one of history's and mankind's greatest triumphs to the screen.

This actually looks pretty damn good, more than anything it's great to see this story about these wonderful women shown on the big screen with so much attention to detail.

Yet, even with an Oscar nomination for his turn in Revolutionary Road, and a Screen Actors Guild award as part of the ensemble cast for HBO's Boardwalk Empire, one of Shannon's most memorable roles on his diverse resume came in 2007, in Jeff Nichols» family drama Shotgun Stories.

We didn't expect to see it until later in the fest, but they opened with a screening of the film, and so this year kicked off with an outstanding, edge - of - your - seat thriller based on a true international story from the 1980s.

Louisa Warwick attends The Cinema Society With Nissan & FIJI Water Host A Screening Of «Solo: A Star Wars Story» at SVA Theatre on May 21, 2018 in New York City.

Geneva Carr attends The Cinema Society With Nissan & FIJI Water Host A Screening Of «Solo: A Star Wars Story» at SVA Theatre on May 21, 2018 in New York City.

Luna Castillo attends The Cinema Society With Nissan & FIJI Water Host A Screening Of «Solo: A Star Wars Story» at SVA Theatre on May 21, 2018 in New York City.

Then, it's on to the reviews for The Purge and Stories We Tell, along with a brief discussion of The Internship, which wasn't screened.

Juliet Mayhew attends The Cinema Society With Nissan & FIJI Water Host A Screening Of «Solo: A Star Wars Story» at SVA Theatre on May 21, 2018 in New York City.

Dolly Wells attends The Cinema Society With Nissan & FIJI Water Host A Screening Of «Solo: A Star Wars Story» at SVA Theatre on May 21, 2018 in New York City.

Jessica Orr attends The Cinema Society With Nissan & FIJI Water Host A Screening Of «Solo: A Star Wars Story» at SVA Theatre on May 21, 2018 in New York City.