Sentences with phrase «with surveillance culture»

The resulting images speak to our fascination and repulsion with surveillance culture, where the line between documentation and exploitation becomes increasingly unclear.

Not exact matches

And in investigating the cover - up, the Federal Bureau of Investigation found not only a blue wall of silence, but also a nasty departmental culture, typified by retribution and surveillance, with Mr. Burke at its center.
Most hospitals follow CDC guidelines, which have not explicitly recommended routine active surveillance cultures to identify and isolate patients with superbugs, even though more than 140 studies have shown that MRSA and VRE can be controlled this way, Farr says.
During the research Andrey Lavrov and Igor Kosevich experimented with cultures of the sponges «cells under a laboratory surveillance.
But it's packed with enough anxieties about government surveillance and the steamrolling growth of digital culture to fill a skyscraper.
We discuss, among other topics, about photography in the Middle East with Peggy Sue Amison, artistic director at East Wing; net art and networked cultures with Josephine Bosma, Amsterdam - based journalist and critic; urban digital art and criticality in the media city with curator and researcher Tanya Toft; art and technology with curator Chris Romero; the politics of surveillance and international security with political scientist David Barnard - Wills; art and architecture with Maaike Lauwaert, visual arts curator at Stroom, an independent centre for art and architecture in the Netherlands; the intersections of art, law and science with curator and cultural manager Daniela Silvestrin; the architecture of sacred places with curator Jumana Ghouth; the historical legacy of feminism today with Betty Tompkins and Marilyn Minter; hacktivism and net culture with curator and researcher Tatiana Bazzichelli; culture, place and memory with Norie Neumark, director of the Centre for Creative Arts in Melbourne; anthropology and the tactical use of post-digital technologies with artist and philosopher Mitra Azar; or feminism and the digital arts with curator Tina Sauerländer.
Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.
Online and offline surveillance accompanied by the consumer capitalist culture within today's society are the main issues surrounding his work, in association with current and future utopian environments, the continued automation of our daily lives in relation to the internet of things and the various cultures associated with online communities.
An LA - born installation and performance artist working with the early web, Scher's practice often concerns themes of surveillance culture in online works such as Securityland and Wonderland.
Ranging from landscape shots to super-sized closeups, the work, presented by London gallery Carroll Fletcher, encapsulates the uncomfortable intersection of the surveillance state with selfie culture.
Similarly drawing from pervasive surveillance culture, Ry David Bradley uses online databases of constantly streaming security cameras to create surreal image portals which toy with our perception.
In a culture marked with contradictions, the Jidouhanbaiki are halfway between traditionalism and the ephemeral, collective consciousness and individualism, humanised service and modern automation, surveillance and fear.»
The «passive - aggressive» performance both mocks and iconises the consumer gaze of teen - girldom, inspired by the culture of surveillance today's teens are growing up with, as well as everything from Hello Kitty and Apple products to Miley Cyrus tongue lashing.
Considering recent revelations, I am compelled to acknowledge that — all of my reasonable complaints about both the surveillance state and the culture of surveillance notwithstanding — I have maintained a relationship with a company that exists primarily to spy on me.
This writer, finally fed up with the culture of surveillance (of which Facebook is major part), did so last week.
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