Sentences with phrase «with synth»

In this interview with Synth and Jonathan from Skycoin we discuss Skycoins technical features, decentralization, history, cryptocurrency drama, their price predictions, and exchanges.

The music is what really sets Gates of Thunder apart, though, with a synth - rock soundtrack sampled directly to CD.

Final Fantasy V Dear Friends is an arranged soundtrack album of Final Fantasy V music containing a selection of musical tracks from the game arranged with live instruments mixed with synth instruments.

There's a good mixture of 16 - bit video game - y pieces (you know what I mean) along with the synth - fuelled symphonies that belong in the 80s.

Assisted with a synth score straight out of the»80s, and led by one of the best lead performances of the year (Michael C. Hall), Mickle's film swerves from left to right, going from one dastardly deed to another.

In with the 80s presentation is the music is filled with synth and guitar solos and you'll be able to unlock more songs to beat up people in.

Extra Special: Much in the same way that Michael Giacchino announced himself as an heir apparent to John Williams (let alone Akira Ifukube), «10 Cloverfield Lane» is almost positively retro in its appreciation of unabashed melody, yet with the synth - sample chops to that a relevant composer can't do without.

He fills The Neon Demon with synth - heavy electronica and a dash of Sia for good measure.

Bursting onto the the screen with a synth heavy score, fully equipped with daring stunts, a Hall & Oats training montage, vibrant blue suits and questionable facial hair, Eddie the Eagle isn't just a film set in the 80's but one that feels it was filmed then too.

Kicking off with a Grindhouse style clip of a zombie film with a synth soundscape that would make filmmaker John Carpenter proud, it's clear that «Paranorman» is made by people with a love for the macabre side of movies.

The soundtrack retains this theme, with the synth - heavy electro songs provided a fitting accompaniment to the visuals.

«Pynk» opens with a synth riff indebted to Yazoo's «Only You» and abruptly morphs into a chorus that sounds like TLC playing «Teenage Dirtbag.»

Of course, the finale of the film is included, during which Goldsmith takes full advantage of the orchestra and sweetens it with synth elements which is something he does with complete mastery (ala Small Soldiers, The «Burbs, The 13th Warrior, Mulan, etc.).

Director Johannes Roberts begins the film with a synth - infused version of Kim Wilde's «Kids in America» and retro title styling, letting the audience know what decade of horror we're in for, even if the characters are blissfully unaware of what's coming.

Not exact matches

«We were replacing guitars with tons of samples or 10 synths stacked on top of each other.

Well, with the help of some synths, drum machines, silky sax solos and, presumably, keytars, a producer by the named Tronicbox has made that dream a reality.

Ehrenzeller's collection differs from the current synth - heavy remix trend, but still achieves a contemporary feel with effective use of lighter synth elements.

They then headed west to L.A., where they crafted their signature synth - driven, chill - wave pop with catchy hooks and big heart.

Laced with nods to «80s synth pop and big ballads that show off their vocal range, the album is a standout, even on a label known for showcasing groundbreaking artists.

Season with: wacky synth tracks.

In his spare time, Michael enjoys reading, playing euro - style board games with his wife, and is an ardent follower of Korean electro / synth and bubblegum pop music.

The GFP - tagged isoform a (plasmid pCK28 -LCB- PW01A8.1:: W01A8.1 (a) synth:: gfp:: unc - 54 3 ′ UTR -RCB--RRB- was constructed by synthesizing the W01A8.1 a sequence with modified codons to allow protection from CRISPR / Cas9 targeted sgRNA and prepared as a GeneArt ® Strings ™ DNA Fragment from Invitrogen (Invitrogen, Carlsbad, California, USA) and cloned using GeneArt ® Seamless Cloning System (Invitrogen) into pPD95.75 (NeoR).

As you can hear the song is more the typical 80s synth - sound with our mandatory allures for cinematic, score-esque atmosphere.

Using the sounds and styles of popular synth music of the 80s and combining it with the far superior technology of the modern era, I believe this is the way the musicians of the 80s had intended their music to sound.

With guitars, synths and and whole lot of 80s nostalgia he creates diesel powered retro - techno.

Puttnam, who worked with him on Midnight Express, intended to use electronic music as a counterpoint to the traditional songs of the period, setting Abrahams» performance in HMS Pinafore against the synth - driven montage of Liddell running over the Scottish hills.

Watch a sergeant brutalize a toerag who brutalizes in turn a lovely woman, learn what makes a friend (but only with other navy people — no - one else can be trusted), then win a glorious future learning to fly jets (hope he's shot down), all to synth instrumental versions of «Up Where We Belong».

Instead, the analog synth - driven stylings here are more reminiscent of Vangelis film scores (with a slightly glitchy, IDM twist to prevent things from getting too dated or sleepy), while one track even samples Carly Simon.

With that, «Electric Light» has the feel of a transitional effort; one that safely dips its toe in the cool Ocean front of soul synth - phonica, while maintaining Bay's clay feel and rootsy emotionalism.

At just over five minutes in length, «Beth / Rest» is a startlingly beautiful and introspective masterpiece that blends 80s synths with smooth saxophone inputs and electric guitars that pay heavy tribute to Peter Gabrielle and the Post-rock era.

Vangelis did a good job here, and it is surprising how well his contemporary synth - based music works with the period setting.

There's an emphasis on the piano to drive the theme with strong melancholy support from the strings and some quirky synth and percussion accompaniment (in «Behrani's Thoughts - Long Ago»,» «This Is No Longer Your House», «Old Photos.

But those whale - sounding synths recall in fits Arrival's score, and by association how much better that film handled a story with open - ended questions; also, how confident you felt its mysteries were by design, and how its open - endedness encouraged the audience to range and ruminate.

Creature Comfort is a balls to the walls statement about modern culture with amazing sound, the album shouldve kept that level of fun, instead we got just a very dull synth - pop experience.

The score, by Geoff Barrow and Ben Salisbury, shifts effectively between incongruous acoustic guitar and oppressive breathing - synth sounds that I associate with Denis Villeneuve's Arrival — a film with which Annihilation shares more than a few elements.

There are many occasions on Modern Worship when the surging synths sweep you along with the force of a dopamine rush, but there are a few others when you're left with a nagging sense that Hyetal could take things that little bit further.

The performances aren't routine, and neither is the score by Ex Machina composers Ben Salisbury and Geoff Barrow, adding an emotional complexity with its mix of heartland guitar, spooky AF strings, and submerged - sounding synths.

More powerful than the «inner speaker» album delivering Pink Floyd ambience with at times Lennon - like vocals and a sprinkling of T - Rex, all wrapped up in a modern synth rock blanket of luscious sound.

With your pockets overflowing, you'll be able to expand beyond our solar system, across more than 40 planets, recruiting managers, playing awesome retro inspired mini-games, fighting evil bosses and listening to a thumping customisable synth soundtrack along the way, all the while letting the (you guessed it!)

,» hosted by Brendan Byrne, looks at what's next for humans exploring space, indie rock group The Decemberists reaches past its roots toward modern synth - pop with its new album, «I'll Be Your Girl,» and more top picks.

The Guest Blu - ray — One of the best Halloween - themed John Carpenter movies that John Carpenter never made, The Guest was the most badass movie of 2014, the only one with the balls to feature some prominent Halloween III Silver Shamrock imagery amid the pounding synth score and carnage of the mysterious stranger who comes trick or treating.

«Hazmat Suit» begins with an electronic beat and some abrasive synth sounds but it's not long before the main theme gets back in on the act, the music really picking up the pace after a slight lull, and while «A Happy Family» (whose tone suggests an anything - but - happy family) slows things down again, it's an impressive piece.

The «Girls With Guns» films featured strong female leads, usually supported by ineffective or soon - to - be-killed male counterparts, and blended martial arts action with heavy gunplay, usually supported by eye - piercing 80s fashion, heavy synth scores, and lots of explosions in empty warehouses and abandoned construction siWith Guns» films featured strong female leads, usually supported by ineffective or soon - to - be-killed male counterparts, and blended martial arts action with heavy gunplay, usually supported by eye - piercing 80s fashion, heavy synth scores, and lots of explosions in empty warehouses and abandoned construction siwith heavy gunplay, usually supported by eye - piercing 80s fashion, heavy synth scores, and lots of explosions in empty warehouses and abandoned construction sites.

This film is actually terrible — I mean, yeah — it is scary in the sense that its creepy, but I think, really, the film is just the byproduct of global DVD residuals from the directors father — allowing Panatos to string together a series of overproduced, overgrained interior sequences, cheap synth score and a slasher movie ending, and trying to pass it off as a «cult movie», when really we, the audience, need to know who, what or where the protagonist is coming from, what her dramatic need is, who she interacts with, and so on.

But the band's best - known work came in collaboration with giallo king Dario Argento, and while we love their droney, synth - tastic «Tenebrae» work (sampled by French electro titans Justice for their track «Phantom»), their finest hour is unquestionably via Argento's best film «Suspiria,» about an American ballerina (Jessica Harper) tormented by a witch's coven.

The wall - to - wall synth Musak probably makes the whole thing a little tough to swallow, but this is rich with ideas and surprising wisps of drama.

For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman's Excalibur (1981) and Jim Henson's The Dark Crystal (1982)...

Fotocrime's Principle of Pain is a synth - heavy post-punk album with elements of goth - rock and darkwave that shows a whole new side to Ryan Patterson as an artist.

«Instant Crush,» featuring The Strokes» Julian Casablancas, is an early standout with its beautifully icy chorus and staccato synth hook.

Yet where Swift's earlier forays into pop retained her signature — pulsing synths overlaid with talky teenage vérité — these songs sound far less distinctive.