Sentences with phrase «with texture artists»

They work closely with texture artists, cinematic artists and audio designers.

Not exact matches

Finger Painting with Clay Instead of just painting with clay, your creative artist can explore different textures and paint...

Quinny collaborates every year with top fashion designers and artists to bring you exciting fabrics, prints and textures.

Zalzal had enlisted the help of the artist who applied her wedding makeup to put together the sample colours and work with some labs to perfect the texture and the look of the products.

Personally, I felt nervous about using my normal concealing routine, but celebrity and editorial makeup artist Katie Jane Hughes told me that when concealing in tandem with powder foundation, concealers with a mousse texture will still work, but liquid might not lay well over powder.

To create the lush texture, makeup artist Lynsey Alexander started with a layer of Ruby Woo Lip Pencil, followed by Retro Matte Liquid Liquid Lipcolour in Dance With Me, and finally, a dusting of Basic Red Pigment — all from M.with a layer of Ruby Woo Lip Pencil, followed by Retro Matte Liquid Liquid Lipcolour in Dance With Me, and finally, a dusting of Basic Red Pigment — all from M.With Me, and finally, a dusting of Basic Red Pigment — all from M.A.C.

Combining graphic, jagged lines with a love of primary pops of colour, contemporary artist Lin Michelle exploits unconventional and innovative materials and textures to create bold, abstract art pieces that pack a statement - making punch.

Such «a substantial colour calls for substantial clothing,» says makeup artist Sandy Linter — which means heavier fabrics with notable texture and dark colours — all aspects of a winter wardrobe, or sometimes, an evening one.

Playing with textures and natural elements, the wood pallets and rolls of canvas, the artist's loft comes to life as the setting to showcase beautiful high - waisted leather pieces, jackets embellished with faux fur, and airy silk dresses.

Note that makeup artists who worked with them recommend us the classic red, cherry, and sweet cherry, as well as allow us to use any textures — from matte to glossy and creamy.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

Objectives: Use of found textures, collage materials and paint to interpret a style looking at the way the student experimented with the use of materials to create the style Explore media creatively when interpreting artist.

• To investigate and interpret a variety of selected artists and discuss their sense of place of human form • To study drawings with reference to their visual literacy and the formal elements (tone, texture, colour, line, form).

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

Cincinnati, Ohio About Blog Easy - to - follow, step - by - step tutorials on how to paint with with oil, covering a variety of topics including classical underpaintings, glazing, surface treatments and building up the paint for texture from Artist's Network.

«The new technique uses hand - drawn textures, scanned in and colored in Photoshop, combined with software that draws graphic novel - style outlines around characters and objects, sharpens shadows to look more like something an artist might create, and even draws lines on hills and inclines.

You will also collaborate with Environment Artists who'll provide you with final models and textures.

Wenda is a French environmental artist who will show you how to use a range of software to create high res and advanced textures along with extremely detailed environments.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Meanwhile the various cards are all made of nice, textured stock, with my only complaint being that certain ones use a different artists whose style I just can't gel with.

Once they have a detailed outline of the entire level, video game level designers then work with animators, texture artists and sound designers to add more dimensions.

The original artists at Konami would have built their artwork around this presentation, and the net result is that the HD version is unintentionally compromised as a result - the lack of texture detail in some areas becomes over-exposed in a way that was never intended by Konami's artists, and the game has a pin - sharp, pristine look entirely at odds with the ambience generated by the original release.

Right now we are in need of a committed prop modelers, texture artists, and ideally some animators with great Source engine experience.

Xin Yin, 2d designer and character artist: Xin is a talented character designer with combination skills of 2d graphic design and 3d modeling, texturing, lighting and rendering.

Kelly Tan, 25, an artist with Streamlines E2D team says she helped with modelling, texturing and colouring the alternate costumes and stages that would become available as DLC (downloadable content).

Melissa McKinnon (@melissamckinnonart) ART CONTEMPORARY CANADIAN LANDSCAPE ARTIST I love creating large scale paintings with bold COLOR and thick TEXTURE

On their textured — or, in ceramics parlance, speckled — surfaces, the artist skillfully applied linear motifs with innovative procedures.

Savarino calls himself a modern abstract artist who works with «lots of texture and color» and whose style dictates the kinds of questions he asks potential customers.

It is a celebration of Stella's collaborative relationship with Tyler and his team over five decades, a collaboration that Tyler describes as standing out from all other artists: «A close look at his printmaking reveals a slow and timid start in the early 60s that culminated into an explosion of scale, colour, texture and bold imagery of The Fountain work.

The texture of Marrinon's artworks, laden with traces of the artist's hand and sculpture tools, is reminiscent of the sculptures of Edgar Degas or Auguste Rodin, while their subjects evoke the mannerisms of the Regency, Victorian or Edwardian periods.

The silhouette of the artist's head is a recurring icon in the paintings, a device that Dine uses to merge self - portraiture with his study of surface, texture and paint itself.

Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style of Sumi - e brush painting, as for example in the lithograph owned by the Museum of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years of the decade.

While early practitioners such as Robert Mangold embraced a minimal sensibility, the next generation of artists such as Elizabeth Murray and Ralph Humphrey further evolved the practice; Murray's canvases are explosive and energetic, and Humphrey's paintings are tactile, with thick and textured surfaces.

With a program that includes films, concerts, performances, and participatory events, this invigorating exhibition is a welcome reminder why artists are so imperative to the exceptional richness and texture of our city.

Garth Weiser is an American artist who makes paintings which mix stark geometric patterns with textured paint surfaces.

The Brooklyn - based artist challenges painting traditions with his abstract and textured «oil skins.»

The artist's canvases combine oil paint with elaborately textured and printed papers, as well as computer manipulated photographs.

Stunning abstract with Native American symbols using earth tones and 3D aspect for increased depth and texture by listed artist Duane Armstrong (American, b. 1938).

His series of heads with unique shapes engage with wood's natural texture, knotholes, and cracks, demonstrating a sense of intimacy between the artist and wood.

Along with some other artists, like Jimmie Durham or David Medalla, Hammons still makes my perception of the world a beautiful critical collapse: The sound of a metal bucket or a basket - ball hitting a wall, the flavor of fried chicken, the texture of my own hair, the smell of dung, can be something appealing, seductive, but also prime matter for a political statement.

Melbourne - based artist Michael Staniak (born 1982) creates paintings that intentionally confuse the digital with the handmade; rugged planes of color and texture evoke the hyper - saturation of our technology - centered world.

This 1989 textured collograph print on handmade paper with green, red, and yellow is by New York / San Francisco artist Gary L. Shaffer (1936 - 2001).

Presenting rediscovered and rarely seen works by Old Masters including Luca Giordano, El Greco and Pedro de Mena, the exhibition will show classical works together with modern masterpieces by two artists strongly influenced by texture, religion and historic art: Antoni Tàpies and Miquel Barceló.

Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.

Rarely seen in print, these works merge the artist's longstanding fascination with the respective languages and textures of photography and abstract painting.

The artist played with a wide variety of forms, textures and scale to create startling compositions amid objects and sites others found too insignificant to notice.

Paramount for all three artists was the strong «itch» to experiment with various techniques, as well as a shared consideration of the figure as interwoven into the textured background of a painting.

The youngest artist — Mickalene Thomas — transforms the traditionally passive poses of women in art into portraits of power, with rhinestone - adorned black women lounging in interiors layered with textiles and texture.

Alert to the artist's capacity for merging with — one might say, feeling in concert with — his surroundings, we feel his presence, the texture of his awareness, even in the light that fills the Infinity Fields that first appeared in the 1970s.