Sentences with phrase «with the viewer allowing»

His detailed and rendered Old master paintings surrounded by geometric forms and color build a dialogue with the viewer allowing them to contemplate first the past before looking at the future.

Not exact matches

Stories can be allowed to unravel slowly over the course of a number of episodes, rather than quickly in an effort to hook viewers with the first episode.

Your YouTube channel allows you to build a top - quality live - event series that connects with viewers.

One Millionth Tower seamlessly blends video with Flickr photos, Google Street View and real - time weather data from Yahoo, and allows viewers to navigate the story in a 3 - D environment.

Since the summer, some broadcasters have pushed forward with plans that would allow viewers to stream their programs over the web live and on demand.

So was it the moon landing, or was it the connection of every human with all of humanity, that allowed television viewers on July 20, 1969 to touch the face of God?

Such activities allowed «the audience to participate, however marginally, in imperial grandeur», in buildings designed to «awe the viewer with the power of the state and its august ruler, but simultaneously to allow him [sic] his «moment of glory»: a share in the pride and prestige of imperial achievement».

This allows you, the viewer, to connect with a couple of players straight off the bat, while still allowing space for somebody or other to emerge as a cult figure of affection.

PGATour.com will allow viewers to watch a bit of extended coverage with a live featured hole stream featuring Nos. 15 and 16.

Another app that comes with the Nokia N8 is a viewer that allows you to open Adobe PDF files.

Would viewers really want to see JO welcomed in, allowed to change whatever he wanted to with no resistance whatsoever, with the result that everyone lives happily ever after?

He encouraged spectators to also go visit the exhibit at the top of the Christopher Columbus statue that currently allows viewers to rise up and come face - to - face with the statue in Columbus Square.

Meanwhile, it is understood there were technical issues with the STV player during the debate, which allowed viewers to watch the debate online.

«With NASCAR comes an international audience, and this is going to allow us to help put I Love New York to the forefront of broadcasts in Latin America, Europe, Asia, Africa and more, in addition to all of the dedicated viewers here in North America,» he said.

«With more than 150 attendees and over 140 online viewers this year, the event also allowed broad outreach about the depth and importance of the activities in which fellows engage, and the many ways that scientists and engineers can contribute in the policy arena,» said Robinson.

In additional experiments with the murder video, the researchers found that allowing viewers to see both regular speed and slow motion replay mitigates the bias, but does not eliminate it.

As is the case with viewing the moon's terminator line, the change in light casts shadows, allowing viewers to see many features in three dimensions (like being able to see the depth of craters on the moon).

A national study of American adults conducted by the University of Michigan under a cooperative agreement with the National Aeronautics and Space Administration found that 154 million American adults watched the eclipse directly, using a combination of solar glasses designed to allow the direct viewing of the sun and various other devices — pin - hole viewers, for example.

The Earth Engine, according to Google's press release, will allow researchers to study Earth's surface, especially deforestation, by trawling through a database containing trillions of data points from satellite images collected over the past 25 years and by viewing results with the Google Earth viewer.

The KCBS news copter observation can be explained by a fortuitous alignment of flight path and viewer, combined with clear skies that allow the contrail to be visible all the way to the horizon.

Television series like CSI: Crime Scene Investigation familiarized viewers with advances in forensic science that allow investigators to detect minute amounts of a person's unique DNA sequence found at a crime scene and analyze it to implicate or exonerate a suspect.

BROADCAST — Jan 27 — ITV1 entertainment show Take Me Out has launched Take Me Out Flirting, a free dating website and corresponding mobile app, that allows show viewers to set up a profile and chat with potential partners for free.

James Penfold, head of partnerships at ITV Commercial, said: «We know that our viewers want to engage and interact with our content in new and exciting ways and this innovative partnership with match.com allows them to do just that.

ETV live is a live online dating show that allows you, the viewer, to talk directly with everyday girls in the TV studio.

But rare is the studio picture allowed to be this abstruse, and engaged viewers will leave with plenty to consider while they decompress over a hypnotic closing credit sequence.

The mercurial filmmaker embraces a minimalist format to allow the viewer to interact with the film in the same way that scientists and astronomers work beyond the boundaries of their knowledge and imaginations to discover what lies beyond.

And by allowing the viewer into the mind - set of each of the candidates with use of narrative voiceover Payne ensures all their deluded points of view are equally and hilariously represented.

Bonus Features: Scrubs: The Complete Ninth and Final Season • Deleted Scenes (including introductions and explanations from Bill Lawrence) • Bloopers • Scrubbing In — from the halls of Sacred Heart Hospital, to the halls of Winston University, this cool bonus feature allows viewers to meet the talented newcomers to Season Nine, along with insights from Show Creator Bill Lawrence, and veteran actors Zach Braff and Sarah Chalke.

With its inviting plethora of lightly connected narrative strings and transitory rambling watching the film analytically seems unjust and inconsequential, but its humbled viewers will try, because Museum Hours will let them through the door and pat their backs, allowing every soul to become lost within the alluring enigma.

It's a surprisingly effective way to re-introduce Dredd on the big screen, with the clean, simple storytelling allowing the viewer to properly acquaint themselves with the judges amid the action - oriented conflicts.

There are any number of readings available here, from Katniss and Peeta's relationship mirroring generations of Hollywood stars (closeted and otherwise) with fake publicity marriages, to the oppression of the working classes by the greedy 1 %, to the vagaries and dangers of instant fame, to bread and circuses, and «Catching Fire» allows viewers to dig into or avoid the metaphors as much as they want.

The editing is frenetic with a mixture of point of view shots, dramatic close - ups and then a sudden cut to observing from outside the circle, luring the viewer into the group but then allowing them to look without manipulation.

Its subtle humor and realistic story allow viewers to easily relate with the main characters.

A chase film with tinges of science fiction in the margins, this is a thriller that does not burden its audience or overcomplicate its narrative with extraneous exposition, allowing you as the viewer to piece many of its mysteries together yourself.

With its designated chapter stops, which easily allow viewers to skip right to the good parts, this DVD set was made for Bruce Lee movies, all of which flirt with complete uselessness whenever their star isn't actively kicking With its designated chapter stops, which easily allow viewers to skip right to the good parts, this DVD set was made for Bruce Lee movies, all of which flirt with complete uselessness whenever their star isn't actively kicking with complete uselessness whenever their star isn't actively kicking ass.

Danish director Lone Scherfig captures the movie - within - a-movie with ease, allowing viewers to effortlessly flow along with this heartwarming - and equally heartbreaking - experience.

The very definition of filler, a «Film Mixing Demo» allows the viewer to watch the fairgrounds sequence with isolated dialogue, music, or effects or any combination of the three, while a commercial for the DTS version of the soundtrack CD («Monster «Surrounded»») and the choppy «Interview with Patty Jenkins & BT» (16 mins.)

This allows Japanese speakers and / or viewers who wish to see the movie in its original form to see it that way with or without the use of the included English subtitles.

Film is an art that allows the viewer to bring themselves in conversation with it, and therefore what each person sees in a film will be different from what anyone else sees.

The sand and water bring forth personal memories in the viewer of happier times (conflicting with the turmoil seen by this particular beach in this particular story), while the Adelaide suburbs are strikingly familiar to an Australian audience, all of which will allow local filmgoers to appreciate this depiction right down into the subconcious.

These changes in characters, along with a group of powerhouse actors to play them (Jack Lemmon, George C. Scott, Armin Mueller - Stahl, Tony Danza, Edward James Olmos, and others), allow the viewer to intimately know each of these twelve individuals — an amazing feat considering the size of the cast.

Extremely Loud finds a chord on which to stake its point about 9/11 and then allows viewers to take with it what they may.

He maneuvers his way with his charisma but allows the animosity to fester in the viewer.

It's just a medium shot with a reasonable depth of field, but its simplicity allows the viewer into the physical and emotional space of the character.

«Sports Jeopardy!» allows a unique level of interactivity as viewers can download a mobile game that interacts with the show as a second screen application to unlock new clues.

Frances McDormand may have given the best speech of the night at the 2018 Golden Globes — not that viewers at home were allowed to hear any of it, as producers went trigger happy with the bleep button, censoring many words that weren't offensive or rude.

The late composer enjoyed a lengthy career scoring television and feature films (including - surprise - «Patrick») and though a stereo album of his music was released on CD, the DVD includes an isolated mono score track which allows viewers to not only experience May's gift for enhancing the film's eerie mood, but compare his contributions with that of mixer Fenton, himself still involved with many of Peter Weir's films.

His deliberate pace will ostracise many viewers but it's entirely in keeping with the films meditative themes and allows cinematographer Roger Deakins the luxury of immersing us in this dystopian, retro - future with an abundance of gorgeous imagery.

This transitions later into a fancy, slick bar that's bathed in silver, allowing the viewers to view this world Bud has entered with JJ through the same eyes: we see what he sees, a hyper stylistic, glamorous lifestyle that he wants to obtain.

While McCarthy is no slouch in the insult department, Byrne's posh demeanor allows her to get away with some rather vile verbal slaps that would otherwise leave viewers groaning.