Sentences with phrase «with the viewer through»

In your opinion, how easy is it to connect with the viewer through this terrifying sentiment?

Not exact matches

The weekly Small Businesses Do It Better Show incorporates live chat for the viewers to network with one another and message questions for the guest through the host.

Viewers» habits keep changing, with more searching for Olympics news online or through social media, fragmenting the traditional prime time audience that advertisers still pay a premium for.

Other methods involve licensing and revenue - sharing with distribution portals, and having viewers pay through subscription or download fees.

And scoring extra points with viewers, the apps aren't requiring that people log in through a television provider to access the hard - hitting action.

A source familiar with the ad metrics told Business Insider that, in the first 48 hours, each post had 11 views for each paid placement, and were viewed organically by 32,000 viewers through shares by different users.

No longer did viewers have to pick up distant or not - so - distant signals with antennae, but had content delivered through cable or satellite platforms.

The alacrity with which viewers zip through commercials when watching TV stored on their DVRs suggests that an awful lot of people believe ads are unnecessary intrusions that should have been left behind in the analog age.

At the same time, I share the concern of Healing Through Remembering, a highly respected group in Belfast that fears that viewers of the programs who are still dealing with personal ills from the social trauma of the Troubles will have their experiences revived with no way to find closure and release.

With the advent of uncensored, streamable and online content, issues like these are becoming increasingly important to viewers as they cull through the plethora of available entertainment.

Earlier this week, Kimmel brought his newborn son to the show after he successfully went through heart surgery, and pleaded with viewers to support legislation that he believes will help more children like his son.

Through the vitality perceived within evangelical programs, a viewer who is dissatisfied with the functioning of his present church may come to associate vitality with evangelical churches as a whole.

Viewers are more likely to express influences of religious programs in actions which are proximate to the television screen, such as contacting or subscribing to a religious broadcast organization rather than through the more distant option of initiating a relationship with a neighborhood church.

So Colbert called Crowley with a plan: The host would promote speedskating on the Report and encourage viewers to donate money to the Olympic team through the show's website.

While the total numbers of viewers has increased consistently with time, the overnight rating which measures percentages of households tuned in for the big game, has fluctuated through the years.

While Lineker saw an emotional interview on BBC posted on social media, he didn't commit as to whether or not he would go through with the promise, insisting that viewers would have to wait and see in the first programme of next season.

The careful arrangement of the items, with the occasional tongue - in - cheek humor (i.e. Condom Man comic book), helps the viewer travel chronologically from ancient times through modern.

The ads are set to run through next week during a host of popular shows — including «The Daily Show with Jon Stewart,» «Saturday Night Live,» «Good Morning America,» «The Late Show with David Letterman,» Knicks games, «Top Chef,» «Project Runway» and «Jeopardy!» — and are expected to reach more than 8 million viewers, the UFT said.

He suggested that Klee was eliciting an innate biological response in his viewers through similar «releasing mechanisms» — the S - shape of the snake and the use of a mask with two prominent eyes.

The PBS series The Secret Life of the Brain (with clips available online at www.pbs.org) takes viewers on a ride through the developing human brain, from birth to death.

The Earth Engine, according to Google's press release, will allow researchers to study Earth's surface, especially deforestation, by trawling through a database containing trillions of data points from satellite images collected over the past 25 years and by viewing results with the Google Earth viewer.

At turns awkward, sweet, tender, and cringe - worthy, the video strikes a very human nerve with the range of emotions it takes viewers through.

Voiced by Dan Castellaneta and Julie Kavner, Matt Groening's famous creations have won the hearts of viewers across the globe with their iconic relationship.Along with their children Bart, Lisa and Maggie, the Middle - American parents have guided the Simpson family through 29 seasons of high jinks since the show began in 1989.

So after nine years following the trials and tribulations of Ted Mosby's love life, and a very well structured introduction to Tracy McConnell, which helped us as viewers to fall in love with her too, and understand why this woman eclipsed all the others we'd encountered with Ted through the years, it was a genuine disappointment, to see him age 50 + standing outside Robin Scherbatsky's window once again.

Narrated using the voice of Bob Stephenson, the Skyecandy Demo walks a viewer step by step through the Skyecandy video dating experience, from how to download and install the Skyecandy Skype app to continuing free communication with a successful speed date partner.

, starting in 1965 and running through 1980 with host Jim Lange, who introduced the show's signature ending of blowing a kiss to the viewers.

It announces this with the simple words, «Once upon a time...» and consistently reminds the viewer it is phony through its highly stylized dialogue, theatrical staging, and musical cues quoted from other distinctly flavored movies.

Director Anton Corbijn has infused the proceedings with an almost impossibly deliberate pace that's sure to leave certain viewers checking their watch on an all - too - frequent basis, yet there's little doubt that The American remains oddly compelling even through its more overtly uneventful stretches - with Clooney's expectedly magnetic performance certainly going a long way towards establishing and perpetuating the movie's consistently captivating atmosphere.

Through Ro's searingly honest and courageous voice this film connects all those touched by and fearful of breast cancer, arming viewers with insights into the experience that will dispel fears and help women face the reality of breast cancer and its impact.

All of which is seen through Laura's eyes as she provides a ground level view of what goes on around her for the viewer, as she becomes little more than a commodity to the criminals with her body (notice how it is described, by the way) used and abused, with little choice in her actions.

The bad - taste brinksmanship continues right through to the closing credits with a montage of photos aimed to make viewers walk out of the theatre wondering if they saw what they thought they saw.

Although it moves along at an incredibly sluggish pace, Beauvois manages to keep the viewer engaged through his delectable direction, breathtaking images of the Limousin countryside, and with the help of several outstanding performances from his cast of leading women.

The film leaves an acrid taste with the viewer who sits through its long and winding tale of tortured courtship.

Stewart plays out the film as if it were a traditional «haunted house» film, but because we already know it is about alien life, we merely watch the characters go through predictable motions until the story catches up with what we already surmise, and the only things keeping viewers reeled in are basic questions such as, «why are they doing this?»

With its inviting plethora of lightly connected narrative strings and transitory rambling watching the film analytically seems unjust and inconsequential, but its humbled viewers will try, because Museum Hours will let them through the door and pat their backs, allowing every soul to become lost within the alluring enigma.

This featurette, courtesy of Genius and Marvel Studios, has Ludwig guide the viewers through his collaboration with Sengalese musician Baaba Maal, his exploration of traditional African sounds, and how all of those influences came together in the track «Wakanda.»

Hellman is a true artist with a vision for disorientation that carries all the way through «Road to Nowhere,» but the lasting impact of the film will be up to the individual viewer and their personal appetite for cinematic riddles.

By the ending of Peele's unsettling tale of a mixed - race relationship, white viewers empathize with Daniel Kaluuya's black man to the extent that they transcend their whiteness and suddenly see their world through a glass darkly.

Yet, Kogonada does it so quietly, the viewer slides through the these detailed interiors with a certain ghostlike detachment.

Adal ambles through the exchange with an air of equivocal malleability, vaguely sceptical and vaguely conspiratorial at the same time, and the ambiguity of his characterization is an example of what «Homeland» as a show does best — taking superficially innocuous scenes (in this case, the camera lingers on Adal as he pours Lockhart a cup of coffee) and planting seeds of doubts in the viewers» minds as to the exact intentions of the actors in them.

Through Solomon, then, McQueen forces the viewer to behold the slaves» degradation, anguish, and physical suffering, just as he did with the Maze Prison's miasmic squalor in Hunger and the pathological self - loathing of sex addiction in Shame, each film a prolonged howl of despair prompted by the horror of literal or spiritual imprisonment.

Oscar - winner Morgan Neville already proved he can tug on heartstrings with his rousing 2013 film 20 Feet from Stardom, and in recounting the life, carer and philosophies of Presbyterian minister - turned - Pittsburgh puppeteer Fred Rogers, the director could have viewers singing «It's Such a Good Feeling» through convulsive sobs.

Later on, as viewers familiar with the sensibilities of Tarantino would predict, this animosity is emulated through the graphic mutilation of flesh.

There is something about Ned that can easily not only make the viewer want to be a better person, but to see the world through Ned «s eyes, populated with the fine human beings Ned assumes populate it.

After all, nothing really happens until the end of the episode, and everything that sets up the climax happens off - camera, which has been a recurring theme this season, problematic for viewers who are stuck wading through 40 minutes for the good stuff): Carrie's secret mission with ex-spy Virgil (David Marciano) and his brother, Max (Maury Sterling), doesn't accomplish anything, and Dana's romantic road trip simply fizzles out.

Cinematically, a surefire way to stir emotions in the viewer is through a well - curated visual medley, and this one ranks right up there with the training sequences in the Rocky movies or the highlight reel of Alvy Singer and Annie Hall's romance in Woody Allen's Oscar - winning film.

Pickens, for instance, frequently stumbles his frontiersman's way through films as an amiable stereotype, an oddity with nothing of long - lasting value to offer either protagonists or viewers.

This documentary plunges the viewer into the chaotic life of a forgotten artist, from early fame as a painter and denizen of the Lower East Side, through his struggles with heroin, to his surprising comeback as street art exploded to become one of the most popular and lucrative art movements in the world.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

Sure, it's a sports film through - and - through, but the underlying story, coupled with great performances, makes for a great movie for even the casual viewer.