Sentences with phrase «with theatrical lighting»

Through close collaboration with a theatrical lighting designer, Kerbel developed a cue script for a configuration of theatre lights that conjures images of a journey of struggle and triumph.

The sculptures are then photographed in close up with theatrical lighting.

The installation will feature dress assemblages that stand eight - feet tall, all with theatrical lighting and some include video to introduce another dimension of time and space.

She has placed inanimate dolls, ventriloquist dummies, and household objects and furnishings in intricately staged sets with theatrical lighting with the reverence typically reserved for precious materials or human subjects.

Not exact matches

Vanrooy used natural materials like white washed woods (sandblasted existing historical wood and refinished it with a natural sunbleached finish) and plaster walls; with an overall color palette of white & natural woods with light grey walls with bronze accents and bright, open, Southern Central American beach enviroment achieved with Palecek chairs, custom booths, butcherblock tables, Spanish chandeliers, LED theatrical lighting, brass metal accents and Panama inspired wall coverings.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

In addition to its competitive awards, the PGA presented special honors to Jim Gianopulos with the Milestone Award; producer David Heyman with the David O. Selznick Achievement Award in Theatrical Motion Pictures; Industrial Light & Magic (ILM) with the Visionary Vanguard Award, accepted by Lynwen Brennan and John Knoll; and producer Shonda Rhimes with the Norman Lear Achievement Award in Television.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

Finally, the theatrical trailer (1:56) is thankfully included along with previews for Iron Man, Shine a Light, and The Kite Runner.

Picture quality handily recreates the film's 2D theatrical presentation, with deep blacks and good shadow detail, which is especially important for a film with a generally dim look and a number of low - lit interiors and nighttime exteriors.

Like all of Disney's early DVDs, it was treated to a light disc, with the only special feature being the film's theatrical trailer.

The extras are a little light as well with a brief behind - the - scenes featurette, some cast interviews and theatrical trailers.

DVD Release Date: 18 October 2005 If you didn't get to trip - the - light - fantastic with this dance sensation when it made its limited theatrical d0xE9but, you might want to take the DVD release for a spin.

In terms of technology, the library has theatrical lighting and sound equipment that can be operated by both students and staff, wi - fi, a Chrome Station with 26 desktop computers, and three interactive whiteboards / data projectors that are used to present information to groups.

Theatrical consultant Robert Farrance examines the different types of stage lighting that, with a little imagination, can help bring school performances to life

Please be advised that the use of visual stimuli, including flashing lights or patterns, theatrical fog, and lighting effects along with loud music are in use on this property.

Photosensitivity warning: Please be advised that the use of visual stimuli, including flashing lights or patterns, theatrical fog, and lighting effects along with loud music are in use on this property.

It features: — 3D real - time sandbox game built with Unity game engine — metallic shader, lighting, particle effects, lens flare, explosions, fx — space combat RPG with extensive skill tree — open and living universe where 600 + ships fly around autonomously — epic story with dialogue system that allows real choices — recruit 6 wingmen and 2 can fly with you at a time — even discover romance with another wing pilot — recruit 5 corporate pilots who can fly trade routes on your behalf — trade, fight, mine, pirate, scan for derelict ships and wormholes — many mission types: epic, freelance, dynamic, wingman acquisition, faction loyalty — deep combat mechanics, AI, and faction standings — 20 + ships, 180 + modules, 33 solar systems with a unique follow - through - warp mechanic — 15 + factions to vie favor or destroy — cinematic camera shows you the action when it happens — fly manually with or without Newtonian physics or use autopilots exclusively — 22 track theatrical - quality award - winning soundtrack by renown composer, Sean Beeson — cloud save lets you continue your game at home or on the go MEMORY: Dangerous uses a lot of memory during play, so if you have an older device, please close extraneous programs and reboot prior to playing.

Opie has posed Streb against a black drop cloth and uses theatrical lighting to create a formally classical portrait that recalls seventeenth - century painting with allegorical dimensions.

Here light, color, and space combine with theatrical verve to declaim the tale of how American art became swaggeringly self - sufficient and remains so to this day (although the curators speak of a rather different inspiration: a drive to change art after the devastation of World War II).

Dark, with objects lit in a powerfully theatrical way, the room balances modestly scaled icons and Robert Rauschenberg's equally portable 1956 Untitled (Gold Painting) against Yves Klein's large, almost unbearably tactile gold - leaf - on - wood Untitled (Monogold)(ca. 1960), James Lee Byars's The Halo (1985) and a ravishing Rothko multiform.

Adapted by Felix Rothenhäusler and set in a room designed by Jonas von Ostrowski with a light installation by Matthias Singer, The Re'Seach is the first theatrical staging of a text by Ryan Trecartin.

This year, Sebastian Duncan - Portuondo (Fiber» 18) and Angela Eastman (Sculpture» 18) collaborated with sound artist Maxime Robillard to create a theatrical installation at DLECTRICITY ™, the festival of art + light sculptures in Detroit.

Founded in 1984 by six recently graduated artists, the theatrical group have created numerous productions that have continued to play with language, staging, costume, lighting and the very nature of a performance piece.

Liz said: «The light - based, theatrical and immersive nature of my work ties in perfectly with The Met and the buildings use.

Through paintings, costume and set designs, posters, photographs, film clips and theater ephemera this exhibition brings to light an exhilarating but fleeting moment in the cultural history of the Soviet Union when innovative visual artists joined forces with avant - garde playwrights, actors, and theatrical producers.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

This shift in focus repositions the audience's relationship with one of the more abstract features of the theatrical medium, the lighting design.

The space of the painting can be strongly theatrical, with high - contrast lighting, as well as props, masks, and harlequin patterns (the last two references to the Italian commedia dell» arte tradition.)

Or sparkles, or shimmers, or, at the very least, reflects light, thanks to some medley of the glitter, foil, theatrical gel, tinsel, cellophane, neon tape, floor shine, and vinyl with which the artist forges collages,

Or sparkles, or shimmers, or, at the very least, reflects light, thanks to some medley of the glitter, foil, theatrical gel, tinsel, cellophane, neon tape, floor shine, and vinyl with which the

In this new body of work the artists continue their play with light and shadow but with a more theatrical impetus.

The muted metallic surfaces of the silver paintings respond to shifting natural light and change with the movements of the viewer, positioning abstract painting as a theatrical, time - based art.

With the technical education to operate electrical and lighting equipment efficiently and creatively, I have had a great opportunity to use these skills and knowledge in contributing to the artistic value of theatrical performances.