Sentences with phrase «with theatrical play»

Not exact matches

On this episode of the Thought Talk Podcast, I speak with Marlo Hunter, successful New York director, choreographer and now co-creator and founder of The Theatrical Culinary Project, an immersive play in development with chef Carla Hall from The Chew.

SFI also funded a school assembly - based theatrical production called Food Play that conveyed the importance of healthy food choices while entertaining students interactively with acrobatics, humorous skits, and magic tricks.

In classical tragic format, the play covers twenty - four hours of drama — and in classic Russian theatrical style begins with bourgeois jubilation that soon deteriorates into something far more sinister.

In Ibsen's play A Doll's House, which I watched last night before the news of Purnell's resignation came through, Nora walks out on her dysfunctional marriage with a slam of the door that has echoed through theatrical history.

Its theatrical plays and concerts offer a unique experience you can share and enjoy with someone special.

Of course, it never hurts to have on board the perfect storm of actors blessed with ready - made star power, gifted theatrical talent, and most importantly, golden voices capable of translating the play's gigantic heart and soul to the silver screen.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

Despite what critics and some audiences who may have inconsistencies or confusions or improbabilities, but there is one perfect thing at it's center, and that is the character of Celie, played with riveting and emotional fire by Whoopi Goldberg in her first ever theatrical role that consisted of its predominately African - American cast that also included Margaret Avery, Rae Dawn Chong, Laurence Fishburne, and Adolph Caesar.

Someone should alert Trey Parker and Matt Stone, however, that the Sheriff of Nottingham, played with theatrical aplomb by Matthew Macfadyen, stole psychic John Edwards» title as Biggest Douche in the Universe.

Hudd first came to serious critical attention with his portrayal of Guildenstern in a 1925 modern - dress production of Hamlet, and he later became a theatrical star in the play Too Good To Be True, in the role of Private Meek, a character modeled after T.E. Lawrence; as surviving photos from the production reveal, in costume he was a near dead - ringer for the real - life Lawrence.

His sister Emily (Kerris Dorsey), a theatrical 8th grader, wakes up with a bad cold on the day that her school's new play, for some reason a stage adaptation of Disney's Peter Pan, is to debut.

During B - D reporter Chris Eggertsen's recent discussion with director Brad Anderson about his latest film Vanishing on 7th Street (currently playing on VOD before it begins a limited theatrical run February 18th), the Session 9 helmer talked about the next project he'd like to get off the ground, serial killer flick Jack.

In anticipation of James Wan's (THE CONJURING) new horror thriller INSIDIOUS: CHAPTER 2, FilmDistrict announced today that participating theatres nationwide will host THE ULTIMATE INSIDIOUS EXPERIENCE — a one - night - only theatrical event giving fans the opportunity to catch the original INSIDIOUS playing back - to - back with early access to INSIDIOUS: CHAPTER 2.

As old grudges threaten to undermine past glories and theatrical temperaments play havoc with the rehearsal schedule, it becomes apparent that having four of the finest singers in English operatic history under one roof offers no guarantee that the show will go on.

The disc winds down with three 30 - second TV spots (frustratingly still without a «Play All») and Platoon's great original theatrical trailer (1:44), all of which are most welcome.

Rounding out the mirrored Blu - ray and DVD releases are «Outtakes & Bloopers» (5:04), the «Theatrical Trailer» (2:28, HD), and 3 «TV Spots» (1:36 with «Play All»).

Along with his original plays, Stoppard also translated a number of theatrical works by other European writers, including Vaclav Havel and Arthur Schnitzler.

Further fest play is a given, with TV showings (courtesy of presenter A&E) and perhaps a limited theatrical release representing its most likely future.

Today Anton Chekhov is arguably best known for his plays, and although I count myself as a huge fan of his masterful short stories, I am not terribly familiar with these classic theatrical works (aside from Louis Malle's brilliant Vanya on 42nd Street).

(Too bad that they can't be fused into one with the best elements of both because good luck finding an actress as famous and as talented and as theoretically bankable as Viola for the actual theatrical version) Playbill Patti Lupone on Penny Dreadful (uff, she's so great on that show) and her next musical War Paint Lenny Letter Tony nominee and Oscar winner Lupita Nyong» o reveals why she chose a small play as Oscar follow up in a great piece.

In Chronicle, Josh Trank's (who's previously worked on TV's «The Kill Point») theatrical debut, we learn that, much like how it is with young love, when high school students are confronted with superpowers, things can quickly escalate from skipping stones and playing aeronautical football to committing crimes of passion and bouts of melodrama.

The setup is simple, even a little theatrical: Scott Thomas plays gynaecological surgeon Anne, who is kidnapped and help captive on the eve of her annual leave by a handsome but unbalanced young man (Pio Marmai) with a gradually revealed professional grievance against her.

In the theatrical version, the song that Meurice plays on the jukebox in an early scene is the Four Tops» «It's the Same Old Song,» which recurs twice more in the film («but with a different meaning...»).

Sally Potter's 71 - minute film The Party is a short, sharp, funny shock of a movie; a theatrical drawing - room comedy which plays out in real time with elegance and dispatch, cantering up to a cheeky punchline twist which leaves you laughing over the final credits.

The disc expands upon the last release's 2 1/2 - minute making - of piece with a 9 - minute featurette titled «Making the Deuce», but drops a storyboard - to - scene comparison and (for no good reason) the theatrical trailer, while adding seven deleted scenes (no play - all option provided), several «fly on the set» shorts, which let the cameras roll in between scenes (again, no play - all option provided), and a «video diary» made up of on - set footage taken by the director himself.

Audio Commentary by Writer Bill Condon, Actors Dan Shor and Dey Young / Isolated Music Score / 2 Deleted Scenes (2:02) with optional audio commentary / Photo Gallery (58) / 12 CAst & Crew Bios / U.S. and Australian theatrical trailers for «Strange Behavior» and («Dead Kids») plus trailers for «Patrick,» «Thirst» and «Syngenor» with «Play All» option

That, coupled with the unease with which this would play in much of Middle America, better explains the lack of a meaningful theatrical release than the ordinarily safe presumption of inferior quality.

Leonard Maltin Hosts Warner Night at the Movies 1931 with Newsreel, Spencer Tracy Short The Hard Guy, Cartoon Lady Play Your Mandolin and Theatrical Trailers.

Last up the self - explanatory «Experiencing the PCT: A Special Message From Cheryl Strayed» (1:47, HD), the «Theatrical Trailer» (2:02, HD), and a Gallery (2:03, HD) with auto - play and manual - play options.

Rounding out the disc are «Music Video: Cary Brothers «Ride» Performance version with Zach Braff intro» (3:25, SD), seven «Deleted Scenes» (14:07 with «Play All» option, SD), the «Gag Reel» (2:44, SD) and the «Theatrical Trailer» (2:34, HD).

Also included are «Director's Original Storyboards» (4:00, SD) of the O.K. Corral sequence and a suite of «Trailers & TV Spots» with a «Play All» option: «Theatrical Trailer» (2:35, SD), «Theatrical Teaser» (1:26, SD) and seven «TV Spots» (3:28, SD).

Four «Theatrical Promotional Spots» (6:29 with «Play All» option, HD) are worth checking out, as they include EPK - style interviews with John Cusack, Rob Corddry, Clark Duke, Craig Robinson, Chevy Chase, costume designer Dayna Pink, and Crispin Glover.

** Disc Introduction by the Ape Guide ** Conquest The Planet of The Apes - Unrated Version ** Conquest The Planet of The Apes - Theatrical Version ** Play Feature ** Play Feature with Introduction ** Isolated Score Track 5.1 DTS HD MA (Unrated Version Only) ** Riots and Revolutions: Confronting the Times ** A Look Behind The Planet Of The Apes (1972) ** J. Lee Thompson Directs Conquest Of The Planet Of The Apes ** Original Theatrical Trailer ** Future News Gallery ** Interactive Pressbook ** Advertising Gallery ** Lobby Card Gallery ** Behind - the Scenes Gallery ** Forced Farm ** «Content Loading «ANSA Graphic ** D - Box Logo ** BD - Live Portal

Netflix was apparently offering $ 8 million — I ran across some Netflix buyers and it seems they actually have a budget this time — but the filmmakers, including Margot Robbie, wanted a theatrical release that will play better with Oscar crowds.

Illogically taking place entirely on the first day of camp — they mount an entire theatrical production in a day, for example — the structure of the new «Wet Hot American Summer» allows Wain and his team to play with the back stories of beloved characters from the film.

With Good Luck Chuck just around the bend, and making such a desperately naked play to position itself as the next Wedding Crashers, I figured it's time to re-post a slightly redacted version of that film's original review, originally published in Screen International upon its theatrical release in 2005.

Grave of the Fireflies played as a double feature with another Ghibli classic, My Neighbor Totoro, upon its initial theatrical release in 1988, and you really need the pick - me - up of Totoro after this one.

Shorts: «Hollywood: Style Center Of The World» (11:05), «From The Ends Of The Earth: Another Romance Of Celluloid» (10:19) / 16 indexed Scoring Stage Sessions with «Play All» option (audio only) / Alternate «Fashion Show» Sequence (6:13) / Theatrical trailers for «The Women» and «The Opposite Sex»

I'm sure if I had refreshed my memory with the theatrical version before watching the director's cut, I could have picked out a few additions, but the point is that both versions play spectacularly; my opinion did not change from the original cut to the new one.

Disc 4 — 2004 Documentary: «Melanie Remembers: Reflections by Olivia de Havilland» (38:40) / Gable: The King Remembered» (1975)(64:59 / «Vivien Leigh: Scarlett and Beyond» (1990)(46:01) / «The Supporting Players: «At Tara» (7:30 in 7 segments), «At Twelve Oaks» (8:13, in 3 segments), «In Atlanta» (8:21, in 6 segments) each with «Play All» option / 5 Theatrical trailers for «Gone With The Wind», Disc 3 with «Play All» option, and «The Polar Express» preview / 20 page colur boowith «Play All» option / 5 Theatrical trailers for «Gone With The Wind», Disc 3 with «Play All» option, and «The Polar Express» preview / 20 page colur booWith The Wind», Disc 3 with «Play All» option, and «The Polar Express» preview / 20 page colur boowith «Play All» option, and «The Polar Express» preview / 20 page colur booklet

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

From this list, there is no film to which I respond quite as strongly as Paul Thomas Anderson's extravagantly theatrical, mysterious and masterly drama Phantom Thread, which is of course dominated by Daniel Day - Lewis as the imaginary couturier Reynolds Woodcock, who enters into an enigmatic romantic duel with his new muse, a German waitress played by the sadly un-nominated Vicky Krieps.

In the theatrical release, «Love Is the Drug» was chopped up and played with the end credits.

I'm glad that director Rodman Flender, a TV veteran picking up only his second theatrical credit since helming Leprechaun 2, shows us the real Conan instead of a martyr and a saint, as an early scene of him playing with his kids suggests we'll get.

Last year, Cannes director Thierry Fremaux boosted his Competition lineup with two Netflix movies, Bong Joon Ho's «Okja» and Noah Baumbach's «Meyerowitz Stories,» but he was unable to play that card again, given France's unforgiving 36 - month theatrical exclusive window, which the streaming service can not abide.

This is no knock on the extensive amount of technical work that went into this digital edition; as with the theatrical rerelease that played in a few cities this fall, this version of the film has been refurbished in sound and image, and it shows: the Technicolor leaps out; the music rings clear.

Set in 1944 in NYC (though the film was shot entirely in the UK), it begins with Florence and her husband, St. Clair Bayfield (played by Hugh Grant), performing theatrical skits at the Verdi Club, which Florence founded a quarter century earlier.

Part of me wishes that «I Don't Feel At Home in This World Anymore,» a shocking, comic noir thriller from writer - director Macon Blair, were available in theaters; now having seen the film and responding vocally to its various jolts and jokes alone (so very alone) in an empty room, I can only imagine how it would have played with a theatrical audience.

Audio Commentary # 1: Director Stephen Sommers, Producer Bob Ducsay / Audio Commentary # 2: Actors Richard Roxburgh, Shuler Hensley and Will Kemp / «Explore Dracula's Castle» Game / Production Featurettes: «Bringing The Monsters To Life» (10:00) + «You Are In The Movie» (4:28), also with Enhanced Viewing Mode while feature is in play / Outtakes & Bloopers: Bloopers (5:38) / «The Legend Of Van Helsing» (10:08) / Van Helsing Game Xbox demo of first level / TV Spot: Van Helsing Superbowl TV Spot / Theatrical trailer for «Van Helsing» plus «Shaun Of The Dead,» «Seed Of Chucky» teaser, DVD trailer for «The Mummy,» «The Mummy Returns» and «The Scorpion King» and preview of «Shrek 2» on DVD

(5:22) / 3 Photo Galleries: 181 images (12:16) / 4 TV Spots, with «Play All» option / Lily and the Unicorns; Jack's Challenge; Downfall of Darkness (300 images) / 2 Theatrical trailers for «Legend» (1.33:1)(U.S. and Intl) / Production Notes / DVD - ROM: Script To Screen, Weblinks / 8 page colour booklet