Sentences with phrase «with traditional art materials»

Most of these artists worked with traditional art materials like paint and canvas, but others were inspired by newer methods of art making, particularly an approach known as Process Art.

Planes of light and dark in contrasting colors counteract one another, revealing remarkable complexity in the works on view as part of Manual Digital, an exhibit highlighting eight artists in the US working to deconstruct technological paradigm shifts through their work with traditional art materials and practices.

Not exact matches

Curriculum - related materials, representing a wide range of intellectual and social development and a broad range of student needs and subject areas, include those that deal with current issues and concerns as well as those that treat the traditional categories of literature, history, government, the arts and sciences, etc..

Play is welcome at Le Méridien Barcelona with Wii consoles in Family suites, an Arts and Crafts Kit in the Hub (our reinterpretation of the traditional lobby) and colouring material and more at the CentOnze Restaurant.

A living testimony to his zest of harmonizing nature and art, his joy for blending traditional motifs with modern material, for balancing European geometries with a Balinese sense of place and symbolic form, can bee seen in this Water Palaces he built: the Ujung Water Palace in 1923, the Tirta Gangga in 1957.

McCloud, who worked on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and woodblock printing techniques, to create his works.

Organized by Celia Forner, who collaborated closely with the artists, the Portable Art Project includes unique pieces as well as editioned series, crafted from an array of materials ranging from traditional gold and silver with precious and semi-precious gems, to enamel, aluminum, bronze, and iron.

Drawing from Hughes» remark on the assumption that «all of us had a sense of rhythm», this exhibition presents an original research into rhythmic sources in performative, material, and immaterial productions within African traditional and contemporary cultures, and extends this assertion to the field of contemporary art; opening up the «us», referring to black people, to a cross-cultural and multidisciplinary engagement with notions of rhythm.

The works reflect Song's intervention and satire of traditional art, integrating the humble cultural material of food with the elegance of traditional Chinese landscape painting.

In «Meta - Modern» practice there is extension and deconstruction of formalism, which blurs lines between abstraction and figuration, and employs the use of non-traditional with traditional painting materials, which is found in much of Vernacular art.

Abstract art in the forms of painting and sculpture have a long history, by breaking with traditional methods and materials, these artists are continuing with an exploration into perception.

Without formal training (in Lockett's case, deliberately so) and working largely with found materials, Lockett, Dial, Holley and peers like Joe Minter took their visual language from traditional black Southern vernacular art forms like the scrap quilt and the yard show but adapted it to speak of personal philosophies, social issues and the African - American experience.

Overlaying the anachronistic medium of rice paper with the photographic material, Wu reinvigorates a traditional art form with a contemporary vocabulary.

Black sculpts vibrant fields of color in large floor works comprised of a powdered plaster that combines domestic products with traditional art - making materials.

During the 1980s, members of the Fiber and Space Art Studio, such as Shi Hui, participating artist and one of the exhibition's three curators, experimented with structures and space through materials such as bamboo and paper, in addition to the traditional materials of wool, linen and cotton.

From the»40s on, American Abstract Expressionism dominated the Western art landscape and returned many artists» attention to the evocative formal qualities of paint on canvas and traditional sculptural materials — although the biggest figure associated with «Action Painting», Jackson Pollock, also stuck detritus including cigarette butts, coins, buttons, and keys onto the surfaces of his paintings.

We had lectures on anatomy in the Mac lecture theatre using skeletons and life models, lectures about colour and pigment, materials, and art history, of course, and tutors who were familiar with traditional drawing and painting materials and technique.

Traditional art forms such as photography and painting now regularly commingle, often seamlessly, with plastic, concrete, textile, veneer, rubber, and other household and industrial materials.

In the 1960s, while studying at Turin's Accademia Albertina di Belle Arti, he fell under the influence of older contemporaries, including Michelangelo Pistoletto and Giovanni Anselmo — artists who used unconventional materials and forms to create works that replaced the artifice of academic art with simplicity, criticism of traditional social values and an interest in the potential of the everyday.

For its first year, the residency program hosted two artists (Brown and Rodriguez) with traditional studio practices, providing facilities and materials to support an ongoing archiving project for the Brockman Gallery and Brockman Productions, an art gallery and curatorial office founded by brothers Alonzo and Dale Brockman Davis in Leimert Park in 1967.

Traditional offerings of quilts, weavings, knits, and crochet are available, as well as innovative art that uses fiber techniques with nontraditional materials, such as metals, glass, wood, and clay.

The forward motion of contemporary crafts, with artists working traditional materials including clay and wood and glass, continues to offer encouraging evidence that a hybrid of crafts in art is here to stay and that purely unadulterated works whether crafted from a lathe or a potter's wheel continue to be influential and appreciated.

Thornton Dial, a self - taught contemporary artist who worked in Alabama, crafted vast assemblages that combined found items with more traditional art materials like paint and fabric.

Everything I do, whether it's an oil painting, a painting made with a less traditional material, a sculpture, a film or performance — whatever it is comes back to my exploration of the artist's mark, that moment when the art locks into place... even if it's just for a second.

orking in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

Despite this ambivalent attitude, he was unquestionably one of the most important exponents of Poor Art, often working with appropriately humble, mundane materials, as well as with more traditional media.

Working in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

A large portion of Cayla's works merge traditional acrylic paints with other unique materials; she transcends the confines of mixed media art to create a style all her own.

The traces to traditional art mediums and the representation of mundane material make the works unfamiliar yet aesthetic; by stripping objects off its original function, replacing them within an art context, and combining them to form a new sculptural entity, Stramrud unavoidably points at Surrealist juxtaposition techniques with its aim to create an image of poetic reality.

In her work Jiha merges the traditional techniques and materials of her native Korea, such as her use of handmade hanji paper, with references to global art and culture.

In her work Jiha merges the traditional techniques and materials of her native Korea, such as handmade hanji paper, with references to global art and culture.

Rey Zorro is a multimedia conceptual artist who combines traditional art making materials with contemporary Pop imagery.

By mixing traditional art materials such as linen and acrylic with unconventionally applied organic substances (including spirulina, chlorophyll, wood, staples, and aluminum foil), Tran creates colorful and highly textural works that formally and thematically syncretize Eastern and Western influences.

She employs ornate craftsmanship along with inventive materials to create objects and installations that transcend traditional boundaries between art and design.

Fascinated with psychological vulnerability, Karla Black's innovative sculptural installations are rooted in feminism and combine traditional art - making with modern materials, writes Matthew Cain.

When many local artists gave up their paints and brushes for trendy mixed - media and ready - made installation objects in the 90s, she persisted in making art with traditional tools and materials.

Karla Black mixes traditional art - making tools with materials such as mud and cosmetics to make sculptural instillations.

Black combines traditional art - making materials with medicines, packaging, clothing, carpets, foodstuffs, toiletries and make - up.

Proceeding with this objective, in recent years KMAC has accessioned work by artists such as Wendell Castle, Ebony Patterson, and Simone Leigh; all living artists whose work is grounded in the materials and processes representative of traditional craft also who maintain positions as noteworthy figures within the landscape of contemporary art.

Banff Artist in Residence (BAiR) New Materiality Banff, Alberta, Canada Deadline: September 2, 2015 Banff Artist in Residence (BAiR) New Materiality is a contemporary art residency that challenges participants to engage with materials in unconventional ways and push the boundaries of traditional artistic mediums.

Mullen's use of art magazines as source material is in part a consequence of progressive art studios» inherent subversion of traditional ideals of outsiderism; they have long been affiliated with Outsider Art due to disability, but in fact their core intentions are in direct opposition to the historically romanticized notion of outsider artisart magazines as source material is in part a consequence of progressive art studios» inherent subversion of traditional ideals of outsiderism; they have long been affiliated with Outsider Art due to disability, but in fact their core intentions are in direct opposition to the historically romanticized notion of outsider artisart studios» inherent subversion of traditional ideals of outsiderism; they have long been affiliated with Outsider Art due to disability, but in fact their core intentions are in direct opposition to the historically romanticized notion of outsider artisArt due to disability, but in fact their core intentions are in direct opposition to the historically romanticized notion of outsider artists.

With these and many other Works, Borland has questioned how We identify truth, or objective, scientific fact and fused traditional, conventional forms and materials of art - such as the use of bronze or ceramics - With advanced, new technologies.

Last year, during a summer residency at Lake George in upstate New York sponsored by Openings Artist Residency, Lee experimented with new forms, techniques and materials, while continuing to take inspiration from masters of traditional Chinese art and modern, abstract painters.

Unlike other abstract sculptors of the time, Caro eschewed traditional art materials, creating sculptures with found steel, plates and beams welded into angular assemblages; and made works that are positioned directly onto the floor without a traditional platform or fixed center.

Bringing these materials into a gallery context, Ochoa intends to both connect with viewers outside the art world and question traditional exhibition strategies.

In his later works, traditional art materials share pictorial space with tactile ready - mades, bits and pieces from coloured out newspapers, laundry receipts, cellophane, noodles and tea: glued in, enmeshed and stuck on.

Made with panels of art glass or eco-resin, we like Century not only for its sustainable materials but for its nice balance of modern and more traditional design elements, and the panels produce a really interesting lighting effect; just don't forget the compact fluorescent lightbulbs to light it up.

We have shown entire galleries and slideshows where artists have started with garbage and turned it into art; James Carl does the opposite, and takes artists» traditional materials like marble and turns it into garbage, like this series of takeout

Using only the best materials, they blend traditional Indian handicraft techniques — such as hand carving and foiling — with state - of - the - art manufacturing.