Sentences with phrase «with turpentine on»

Rendered with oil paints thinned down with turpentine on linen canvases, Vecsey's reduced shapes are saturated with color.

Not exact matches

Jelly jars of turpentine with brushes soaking in them on the coffee table.

It's never poured, I prep a tin in which I mix up a couple of tubes of oil paint with a lot of turpentine, a lot or a little less depending on what I want to do.

Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured turpentine - thinned paint in watery washes onto the raw canvas so that it soaked into the fabric weave, becoming one with it.

Visitors will encounter references to the literal and metaphoric scars of the pine industry and the turpentine camps (not unlike the slave plantations once located on the same land), along with the music that grew out of this labor and the resilient spirit of the workers.

Frankenthaler began her departure from Pollock by thinning her oil paint with turpentine and then pouring it directly on to the bare canvas.

Coming on Avery's heels, Frankenthaler developed her «soak - stain» technique, in which paint thinned with turpentine is poured directly onto an unprimed canvas.

Coming on Avery's heels, Frankenthaler developed her «soak - stain» technique, in which paint thinned with turpentine is

Defacement again came into productive play with Wool's Untitled (2007), spray - painted on linen and rubbed raw with turpentine, and Guston's North (1961 — 2), which used a similar method of scribbles of black paint bleeding into a white ground to produce dense passages of grey.

Her technique of using oils diluted with turpentine directly on very large, unprepared canvas, created a field of transparent color.

These pictures were based on a 1979 series of oil - on - paper paintings, Drunk with Turpentine, which Motherwell had generated by the process of automatism.

Using turpentine in conjunction with oil paints Innes thins and removes layers, revealing underlying colours and leaving the evidence of his process on the canvas.

Finally, oil paint thinned with turpentine was applied to depict the woman and unthinned oils were used for the beads and the colours on her chest.

Using a restricted palette, Yun applied layers of pigment to raw canvas in vertical or horizontal bands interspersed with blank space; working on his studio floor, he diluted the paint with turpentine so that it would gradually bleed into the support.

In fact, it's downright fun to imagine being one of Katz's female muses, up in his sun - drenched Soho studio, slightly high on turpentine fumes, watching him zealously cut into his paints with his palette knife, as enamored with the process as ever.

In other words, there is a wide range of compositional devices that are, on the one hand, very elegiac, with carefully cut - out biomorphic shapes, painted often with high - keyed colors to subordinate the quasi-rectilinearities of, let's say, a found chair, a turpentine container, or flanks of wood, etc..

Working with a large canvas on the floor, the artist thinned her oil paints with turpentine and poured directly onto the canvas.