-- «He Walked by Night,» directed by Alfred Werker
with uncredited work by the underappreciated Anthony Mann, this story of a police search for a canny killer is elevated to the crime stratosphere by John Alton's black - and - white cinematography.
Not exact matches
The
work is
uncredited on Betty Crocker, but the terms of my agreement
with General Mills were that the content I provided them was theirs to do as they wished!
WAMC's David Guistina talks
with Mike Spain, associate editor of the Times Union about a charter school proposal that would allow
uncredited teachers to
work, and a push to sue pharmaceutical companies that produce opioids.
Set in London, Kevin Billington's
uncredited remake of Interlude is a romantic melodrama about an ordinary
working woman who falls in love
with a married musician
with a foreign accent.
Written by Earl W. Wallace and William Kelley,
with Weir's
uncredited work on the script, shot by the Australian cinematographer John Seale, who would later win an Oscar for his
work on The English Patient,
with the French composer Maurice Jarre's (Doctor Zhivago, The Train, A Passage to India) score and Thom Noble's (Red Dawn, Thelma & Louise) editing, and
with the strong supporting roles of Danny Glover, Josef Sommer, Alexander Godunov and Lukas Haas, Witness is a pleasure to go back to even thirty - two years after its release.
Gilliam and his co-screenwriters (an
uncredited Charles Alverson (Jabberwocky), Charles McKeown and most famously, Tom Stoppard
worked on it on and off over six years) stuff the film
with subversive bon mots, furiously paced slapstick and sight gags, and the blackest of humour — it is at once thrilling and hilarious.
In 2001, he
works with his idols De Niro and Brando in «The Score,» is Smoochy the Rhino in Danny DeVito's «Death to Smoochy,» portrays Nelson Rockfeller (and is an
uncredited contributor to the script) in «Frida.»
The director himself, who co-wrote the screenplay
with Rodo Sayagues (and an
uncredited polish by Diablo Cody), directs
with a self - assurance that is all the more remarkable when one considers that his most prominent
work before this — and the one that got him noticed by Raimi — was a five - minute short, reportedly made for $ 300, in which giant robots destroy his native city of Montevideo, Uruguay.
Anderson has created for himself — and to some extent by himself (he directed it, wrote it and, though
uncredited, shot it)-- a
work through which he can freely exercise his gift for ecstatic cinema, never mind how banal or understated a scene might seem to be: Reynolds conducting his morning ablutions, for instance, shaving luxuriously, taming his hair
with a pair of brushes, dressing to the nines just to have breakfast.
Annie, meanwhile, can't quite get over a guy (an
uncredited Jon Hamm, making the most of his few scenes
with a goofy aura of entitlement) who only spends time
with her for sex, is still traumatized by the commercial letdown of a bakery she opened (She makes a single cupcake in secret and closes off whenever anyone asks why she doesn't bake anymore), and
works a dead - end job at a jewelry store where she can not help but inject a skeptical perception into the happiness of her potential customers.
Reitman doesn't do anything noteworthy or distinguishable behind the camera here, but it's nice to see him at
work again (complete
with an
uncredited cameo and a nod to his Meatballs), even if the Facebook - referencing material seems more suited for a filmmaker his son Jason's age (about whose acclaimed Up in the Air, the opposite could be said).
Having impressed Fox executives
with his screenplay for «Buffy the Vampire Slayer» and his
uncredited work on «Speed,» Joss Whedon was hired to write a new «Alien» film, and,
with Ripley dead, he elected to focus it around a clone of Newt.
We can
work as a credited coauthor or as an
uncredited ghostwriter,
with our role in the book's writing kept 100 % confidential.