For forty years he has made artworks dealing
with universal human experiences such as birth, life and death.
Not exact matches
In portraying Rodrigues's struggle to reconcile this idealized vision
with the concrete reality of the Japanese people, Endō and Scorsese wish us to see the
universal experience of
human weakness.
In contrast
with this
experience, which is
universal and important but not of central or ultimate importance, the
experiences described in the next part of this book as defining religious
experiences are involved in and illustrated by every form of
human activity including the seeking for food and the appreciation of art.
Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by
experience; (3) no other Christian artist or seer has so fully directed his vision to history and
experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the
universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus
with the individual
human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.
But the theory of divine relativity assumes a finer and deeper knowledge of reality than that evidenced by
human knowing
with its dependence upon sense
experience and abstract
universals.
Still, by starting
with the frankly stated premise that the problem is the flawed
human character in a mysterious universe, Miller was able to highlight the
universal aspects of even so eccentric an
experience as that of the Puritans.
The theological entailment of this is that the locus of revelation is not just the event of Jesus Christ or the word about him or, on the other hand,
human experience, but is rather the intersection of the New Testament kerygma
with the
universal archetype of death and resurrection which underlies that fundamental
human life rhythm of upset and recovery (Susanne Langer) and which generates comic narratives.
This position evidently belongs
with the «Athens» type, but it has been radically modified by the rejection of the assumption that usually goes
with paideia — that of a
universal «essence» to
human nature or to
human experience.
I thought there would be cultural differences but after studying and working
with parents from around the world, I am convinced that the
human experience is
universal.
The film's thematic center is no less than the
human experience when faced
with imminent, inescapable death, and the fact that, despite cultural boundaries and international conflict, there are
universal truths to our existence as
human beings.
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«Language arts became a discipline concerned
with major
universal themes, the
human condition, exploring life
experiences, and social agendas introduced through quality literature» (Gonzales & Grubb, 1997 p. 696).
Her lifelong project as an artist is fusing everyday architectural and domestic forms
with personal and
universal human experiences and memories.
Ekpuk's art reflects his
experiences as a global artist: «the subject matter of my work deals
with the
human condition explained through themes that are both
universal and specific: family, gender, politics, culture and identity».
«We are thrilled to provide our audiences a rich array of encounters
with internationally acclaimed artists, whose deeply poignant works resonate
with the Israel Museum's focus on the
universal and Israeli
human experience,» said Ayelet Shiloh - Tamir, Acting Director of the Israel Museum.
A concrete cast of the interior of an entire terraced house, House only stood for a few months before its demolition, but was a landmark public sculpture for London and has come to epitomise Whiteread's lifelong project as an artist: fusing everyday architectural and domestic forms
with personal and
universal human experiences and memories.