Sentences with phrase «with viewer expectations»

The film also plays a bit with viewer expectations, involving the tropes of these types of films.

Not exact matches

Unfortunately, this is one reality show that strays far, far away from reality, misleading younger viewers in particular with inaccurate expectations about entrepreneurship — especially with the notion that «the life» is more important than the work required to achieve it.

The hearer, as with the viewer of a picture, has the edges of his attention gathered up and focused by the clear sense of being personally addressed with a definite expectation of some kind of response.

I will say that American plays better on second viewing, mostly because it means the viewer comes to it with appropriate expectations.

With a giant god like hand, Whedon destroys viewer expectation by carefully crafting the perfect satire film with a wit, intelligence and depth that is often lacking in the films it makes funWith a giant god like hand, Whedon destroys viewer expectation by carefully crafting the perfect satire film with a wit, intelligence and depth that is often lacking in the films it makes funwith a wit, intelligence and depth that is often lacking in the films it makes fun of.

While the most surprising aspect of Queen to Play (Joueuse) for many viewers will be the realisation that, yes, that really is Kevin Kline up on the screen starring in a gentle French «dramedy», there is nothing inherently wrong with meeting expectations, and director Caroline Bottaro's first feature certainly does so.

The kind of games Haneke plays with plot expectations and the viewers» navigational role are unfaltering reprisals against melodrama and the audience that consumes it.

It may get by without regularly producing winces, but it eventually must undo itself with questionable actions and the unenviable task of trying to dance around expectations while still leaving viewers fulfilled.

With that in mind, viewers should - if possible - attempt to manage their expectations before walking into TDKR.

Like most of Joel and Ethan Coen's movies, A Serious Man will no doubt draw mixed reactions from viewers, with its industry recognition confusing certain members of the general public whose heightened expectations aren't met.

I realize that there will be some viewers out there for which this film will not meet the expectations that I will be generating with a rave review.

Both of the presumed frontrunners feel like challengers: The Shape of Water, with its offbeat fantasy, sudden violence, and, um, interspecies sex; and Three Billboards Outside Ebbing, Missouri, which delights in confounding viewer expectations and has endured controversies about an ill - conceived racial subplot.

Based on George R.R. Martin's bestselling high fantasy series, A Song of Ice and Fire, «Game ofThrones» has surpassed all expectations and become one of the most popular television series in recent memory with millions of viewers tuning in for each episode.

The first promotional videos of Kinect set player expectations unhelpfully high, wowing viewers with the prospect of fully motion - captured real - time kung - fu duels, and a racing sim a family can play from the sofa, with a second player serving as your pit crew.

The «wallpaper», which formulates a deceptively innocent pattern, is in fact created from endoscopic images of the artist's own internal organs - Rehberger often plays with the viewer's ideas and expectations in order to challenge preconceptions and routine «thinking habits».

In his artist statement, Harris says that his work «teases the viewers» perceptions and expectations, resignifying cultural cursors and recalibrating the familiar with the extraordinary.»

There is another instance in No. 2, when you have to read your way through it, and you give the viewer lots of problems to deal with... I don't mind having to work to put the thing together, but then you get the defying of expectations, where you flip the thing around somehow, or do an extra bit of articulation that gets the thing round to another place to join it.

Viewer association may propel the interior spaces and anthropological evidence that inhabit Hughes» canvases, or her milieu may propel viewer expectations with a jolt of the unViewer association may propel the interior spaces and anthropological evidence that inhabit Hughes» canvases, or her milieu may propel viewer expectations with a jolt of the unviewer expectations with a jolt of the uncanny.

Known for his self - portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), Harris teases the viewers» perceptions and expectations, resignifying cultural cursors, and recalibrating the familiar with the extraordinary.

Known for his self - portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), Harris teases viewers» perceptions and expectations, resignifying cultural cursors, and recalibrating the familiar with the extraordinary.

In doing this Paolini challenges the viewers preconceived ideas of what an art work should be, subverting expectations and leaving the viewer with a sense of ambiguity.

Often narrated in the artist's voice, and interspersed with spoken and written instructions that directly address the viewer, her works confound expectations through a rapid - fire succession of moving images and sounds.

The exhibition challenges viewers» expectations of looking at art, crafting a juxtaposition of 20th century mastery with 21st century speculation.

The artist's first show with the gallery since 1991 rejects viewers» expectations for the artist's work.

With a focus on art as a device to re-experience, he creates work that simultaneously utilizes and disrupts the viewers» expectations of the familiar.

The artist strives for the feeling of both the stone and the essence of the subject, which «shakes up the expectations of the viewer» by forcing them to reconcile the inanimate material with the viewer's living memory of that object.

Her sleek, abstracted metal and concrete furniture combines the aesthetic sensibilities of contemporary design, craft, and sculpture to create objects that alter viewers» expectations of and interface with the domestic landscape.

Be it videos, works on paper or installations, his work, exemplary of post-conceptual strategy, plays with the viewer's expectation by a free use of common cultural codes such as the teaser borrowed from cinema's industry: Coming Soon.

Across these works, Price plays with methods of presentation, material, scale, and detail in order to challenge viewers» expectations and assumptions.

In many ways the sculptural successor to Wayne Thiebaud, Anton turns up the dials of humour, colour and scale in his seductive works, which play with viewers» expectations and desires.

«In all of my work, I'm interested in exploiting the tension between «observed» and «abstract,» and similarly, I enjoy playing with the expectation of reality by inventing where the viewer may not expect invention,» Cole explains, «My paintings are at once rooted in the unique experiences of my own life in Brooklyn, and in conversation with the larger history of American painting.

Sometimes they match with viewers» expectations, sometimes they don't.

This show promises to challenge the viewer's normal expectations of material, space and gesture, «infused with a little bit of magic.»

An empty room with lighting that seems to be misbehaving itself confounds the viewer's normal expectations.

Rannva Kunoy's paintings deliberately hijack viewers» expectations about the process of looking, with works that change surface, color and tone.

Known for his self - portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), Harris teases the viewers» perceptions and expectations, signifying cultural cursors, and recalibrating the familiar with the extraordinary.

Yet upon closer inspection, the object subverts the viewer's expectations with the discovery that it is in fact a painting.

Canan Tolon's paintings at Von Lintel last year played with viewer's expectations.

Kara Walker, after working with Cherry during her MFA at Columbia University, has said that Cherry's work «break [s] apart the rules governing painting and sculpture, and tease [s] that unsettling sweet spot that disarms viewers» expectations.»

A representative of the Young British Artists movement, Douglas Gordon creates a diverse body of works that plays with viewers» perceptions, memories and expectations.

The company also wrapped the report with a few 2018 predictions, including its expectation to see more streamers and viewers, as well as a boost in mobile live streaming, and a jump in non-gaming verticals.

After explaining the basic premises behind both Bitcoin and blockchain technology, Oliver takes the time to caution viewers against blindly throwing money at the markets with the expectation of high returns.