Sentences with phrase «with violent scenes»

With violent scenes making up the vast majority of screen - time, there is little opportunity for profanities or sex — although Lara packs a different type of heat when she shows off her naked back and side after a relaxing shower.

Not exact matches

The scene turned violent as counter protesters clashed with the marchers.

As we were watching «The Bible» miniseries with my daughters, during a violent scene my daughter asked, «Daddy, where is Jesus?»

Dr. Edward Donnerstein of the Center for Communication Research at the University of Wisconsin told the hearing that his study of films which combine erotic material with violence indicates that exposure of young men to violent sexual scenes, especially rape, tends to desensitize them to aggression toward women.

Violent scenes outside Arsenal's Emirates Stadium have been reported tonight, with both sets of fans trying to charge the barriers outside the gates in order to try and force a way into the ground.

12.42: At Ofejikpi 1, Anyigba, Dekina LGA, which has 1,395 registered voters, a certain voter threatened to be violent with INEC officers at the polling unit, but the police intervened, removing him from the scene.

of appeals against permanent exclusions, reinstatement was upheld so that pupils could return to the scene of their offences with impunity, most of them having nothing to do with SEN. Does the Minister think it right that a pupil who has been excluded for violent crime, racist or sexual abuse should be readmitted to schools under any circumstances against the better judgment of the head or the governors?

Fonda is supremely sexy as «Nina» the woman turned around to an assassin, its pretty violent and there's plenty of gun play with steamy scenes.

When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.

Quarrelsome Bill (Richard Gere) has an undisclosed, violent altercation with his foreman, punches him to the ground, and renders him unconscious - thereby forcing him to run from the scene and leave town as a fugitive.

Matthew Heineman gets up close and personal with some of the RBSS members, who live with the daily threat of violent retribution and in some scenes comment from the cloistered security of German or Turkish safe houses.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

An Amazing Fps game with Amazing graphics... Also the most violent game I've ever played plus with the realistic graphics it makes it gruesome... The aliens (Stroggs) like to experiment on humans, people are shown with parts of their face torn off, intestines hanging out, there is a scene where you can see your characters legs being sliced off by a bloody saw while strapped down, limbless people are attached to machines, some strange experiments like that, Do nt play this game if you are a little kid or some idiot thats going to copy what you see in this game...

With it's dark humour, violent action scenes, great acting and interesting story, Kill Me Three Times is an original movie that deserves to be well known.Sure, the movie is not perfect and has it's flaws like the fact that the scenario is not all that clever, there was some annoying plot holes and overall the movie is silly but it's still a great entertaining movie.

Frank takes a big risk when two goons demand the six grand he owes them; Fiona agrees to a night away with Steve, leaving Liam in agoraphobic Sheila's care; Ian is fed up with Mickey's bullying of Kash and goes to do something about it, leading to a violent scene.

While helping Lumen, Dexter finds himself on a collision course with Debra and the rest of Homicide when he is called to investigate a horrifying crime scene; the Santa Muerte case leads to a violent standoff between Debra and the killers.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Moving in the same orbit as the original film, Men in Black 2 is splattered with alien innards, sexual content and violent action scenes.

These elements, along with a short violent clip from the movie Dirty Harry and a scene where Max is drunk and violently vomits on another man, will have many parents raising their eyebrows.

The death scenes are getting far more gruesome and violent with each passing movie which makes it a bit more frightening at times.

Consider the breathless, reserved way the elder Affleck shoots the storming of a barricaded old house, the grisly discovery in an upstairs bathroom, and the product of a series of violent acts that ends, a few scenes later, with a conversation between young Patrick and crusty Bressant about regret, forgiveness, and the impossibility of doing the right thing when there's no reliable yardstick for measuring propriety.

Yes there's nudity — and more than that, several violent scenes — but the whole tone seems like a 1980s affair, with a standard Russian cartoonish accent from Lawrence, many twists that are confusingly predictable (you'll NEVER guess who the mole is!)

As a game, perhaps there is enough fun to be had tinkering around with the «bullet time» - style of mechanics that packs an interesting and exhilarating violent punch to scenes where one gets to eviscerate a parade of bad guys before getting to the more challenging boss characters.

The director, McG, tries to juggle violent action scenes with sentimental father - daughter bonding scenes and they don't mix well.

The documentary is mainly comprised of interviews, many with the director himself in his apartment, but the highlight for most will be the scene of Tarantino and De Palma talking about the similarities in their careers of having to deal with public attention regarding the violent content in their films (this comes after an extended sequence featuring Tarantino explaining his love for De Palma, which includes a personal scrapbook of printed interviews and a description of the influence that Casualties of War had on certain elements in Reservoir Dogs).

Tony is pretty much an everyman character going about his daily business when he happens to see what he sees, which leads to one of Argento's more memorable set pieces as Tony is trapped between the two glass doors of the art gallery, unable to help the victim inside who is bleeding on the floor and unable to escape outside to fetch help, and his and Julia's situation and relationship is played out in a very natural way, the scenes in their apartment with just the two of them interacting being as integral to the plot as the more violent scenes.

His previous outing was the all - star Anne Rice adaptation INTERVIEW WITH THE VAMPIRE and his latest, dark tale follows wandering immortals Eleanor and Clara (Gemma Arterton and Saoirse Ronan), two mysterious young women who flee the scene of a violent crime to find sanctuary in a run - down UK coastal resort.

Next, we see a violent scene in a bar, with a woman - who looks more than a little like the first game's awesome rancher Bonnie MacFarlane - stabbing a dude in the hand.

O» Flynn commented on a violent scene which she felt could potentially affect the audience's sympathy with the main character.

Over the course of the day we'll watch Tatum and Clarke mix it up in what will be a brutal, violent, explosion filled fight scene complete with a high tech rocket launcher called a Javelin, blue screens and a huge piece of glass.

The story missions, centring around Seed and his siblings, are disquieting and extremely violent, with pretty graphic scenes of torture, indoctrination and religious frenzy; after a while, it gets wearing.

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

Shot with all the expressive minimalism of a Dardennes film, the last quarter of Custody, from the dialogue - free party scene to the violent conclusion, is gripping beyond compare, the only film this year during which I forgot to breathe for a good portion of its running time.

From the excess of the Capitol to the claustrophobic hive of District 13 to the violent scenes of civil war, you have taken the ball and run with it in fabulously detailed and thoughtful ways, grounding the fantastical, and fusing disparate elements into a cohesive reality.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

In fact, most scenes tended to go completely against the grain, where one scene played for silly comedy while the next ended up being dark, brooding and excessively violent in a way that loses the audience sympathy and ability to identify with any of the characters as human beings.

He has an explosive scene with the store manager that threatens to turn violent, but at that very moment, a young woman he'd been flirting with earlier as she shopped calls his name.

Amid all this appalling cliche, Knowing summons its entire reserve of filmmaking energy for gleeful scenes of mass death: an extremely violent plane crash that sends passengers fleeing the wreckage covered in flames; an outlandish subway accident that wipes out several platforms of commuters with a CGI splat.

Relative to other very violent PG - 13 films, the carnage depicted here is muted with fast camera moves and cuts to another scene just as a knife or sword is about to do its bidding.

William Wellman («Yellow Sky» / «Blood Alley» / «Track of the Cat») keeps it raw and hopping along in a linear manner with a number of memorable scenes about the rise and fall of a small - time violent gangster.

The movie is rated PG - 13, and pitched to a slightly younger audience, but it should be noted the climactic battle scenes are more violent than is typical with family - oriented animated fare.

Both are indiscriminately used as cannon fodder, shot and blown up on screen in highly violent scenes with video - game - like gore.

There's also the possibility of Golden Lion winner Kim Ki - duk (Pieta) returning with his new film, Mobius, but it was banned in South Korean due to «graphic sexual / violent content, reportedly including scenes of self - castration and incest.»

But it cancels any possible anticlimax that could follow this scene with a brutally violent sequence in the present tense.

Wheatley stormed onto the horror scene with his twisted and violent horror flick Kill List and has been working non-stop since then.

Ritchie, who co-wrote the script while serving as director, alternates violent action (including a torture scene involving the delivery of severe electric shocks to a principal performer) with fairly inane dialogue.

The bullying of a motorcyclist and a pursuit by a rival gang aren't rendered with the aggressive cuts and angles we'd expect in violent scenes in the Hong Kong action pictures then ruling Taiwanese screens.

«Pirates of the Caribbean» is quite violent — not just with the gory skeleton effects on the enchanted pirates, but in the battle scenes as well.

On the video side, where all extras are encoded in HD, we begin with «No Regrets: The Making of Blue Ruin» (18:56), which features surprisingly traditional cast and crew sitdowns, minimal behind - the - scenes footage and pictures, and some brief clips of auditions and even Saulnier and Blair's violent childhood movies.

The film quickly shows that it's willing to toy with our expectations, as Deckard walks through the aftermath of what must have been a rather violent scene — bodies of SWAT members lying dead on the floor, with a few survivors taken out by the grenade - happy baddie.