Sentences with phrase «with visual artists robert»

Not exact matches

«Big Challenges in Little Manhattan: The Visual Effects of Escape from New York» looks behind - the - scenes with some interviews with Dennis Skotak, Director of Photography of Special VFX and Robert Skotak, Unit Supervisor and Matte Artist.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

The Smack Mellon Artist Studio Program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council Member Stephen Levin, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the National Endowment for the Arts, and with generous support from The Andy Warhol Foundation for the Visual Arts, The Edward and Sally Van Lier Fund of The New York Community Trust, Jerome Foundation, Gilbert Mackay Foundation, The Robert Lehman Foundation, The Greenwich Collection Ltd, Milton and Sally Avery Arts Foundation Inc., Select Equity Group Foundation, and Smack Mellon's Members.

Their decks featured artworks by Damien Hirst, an edition considered to be one of the most valuable and coveted Supreme releases to date; Ryan McGuinnes with the collection of Pantone decks; the street artist KAWS; the visual artist, graffiti writer, performance artist musician and sculptor Rammellzee; the artist Dan Colen with the edition featuring imagery of Nike sneakers and chains; the Russian conceptual artist Andrei Molodkin; the graphic designer Peter Saville with iconic pulsar waves featured on a Joy Division album artwork; the director Larry Clark most famous for his cult film «Kids»; Neo-Pop artist and 80s icon Jeff Koons with the variety of monkey imagery with surreal backgrounds; Richard Prince; world - renowned Japanese artist Takashi Murakami; Marilyn Minter; George Condo; John Baldessari; Robert Longo; Raymond Pettibon; and many many more.

The earliest origins of Pop art can be traced to the mid-to-late 1950s in Britain and the United States, where artists such as Eduardo Paolozzi, Richard Hamilton, Robert Rauschenberg and Jasper Johns combined visual aspects of advertising, comic books, and popular culture with theoretical elements of Dada and Surrealism.

Founds the New Provincetown Print Project in conjunction with the Fine Arts Work Center; during summer, collaborates with master printer Robert Townsend and guest artists Mary Frank, George McNeil, Fred Sandback, and Gregory Gillespie on monoprint and monotype projects; at Harvard's Carpenter Center for the Visual Arts, attends weekly drawing and printmaking sessions with fellow faculty and teaching assistants, resulting in the continuing Harvard Evenings print series; solo exhibition: Michael Mazur: Color Prints, Mary Ryan Gallery, New York (also has solo exhibitions there in 1994, 1995, 1996, 1997, 1998, and 1999).

Showcasing artists such as Sol LeWitt and Keith Tyson whose works develop from systematic parameters and mathematical formulae to figures such as Robert Mangold and James Siena who work within a geometric visual vocabulary, Principia Mathematica examines the myriad ways 20th and 21st century artists dynamically engage with mathematics as a creative device.

Upstream Gallery proudly presents a two - artist presentation with work by Jan Robert Leegte and Rafaël Rozendaal for inclusion in the SOLO section of Art Dubai 2017: a signaling exhibition in which the impact of digital culture on the visual arts is shown.

Robert Irwin is a conceptual artist who often uses our perception of subtle differences in light to create paintings, installations and sculptures that play with our ability to experience subtle edges of visual experiences.

Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture.

As part of Chinati Weekend 2013, artists Robert Irwin and Zoe Leonard discuss their respective upcoming projects at Chinati with Lynne Cooke, Andrew W. Mellon Professor in the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, D.C., and Rob Weiner, associate director, Chinati Foundation.

Although his work is grounded in poetry and was affiliated with William S. Burroughs, Giorno's collaborations and friendships with leading visual and performance artists, such as John Cage, Brion Gysin, Yvonne Rainer, Robert Rauschenberg and Andy Warhol pushed his work into performance, film, painting and other media.

Robert Wilson in Glass 10/9/2017 -17 / 9/2017 Organized by Fondatione Berengo Curated by Jean Blanchaert, Noah Khoshbin Coinciding with the first The Venice Glass Week, Fondazione Berengo is proud and delighted to present Robert Wilson in Glass, an exhibition of glass artworks by the renowned stage director, designer and visual artist, curated by Jean Blanchaert and Noah Khoshbin.

A presence in the East Village arts community since 1980 (with fellow artists Greer Lankton, Huck Snyder, Luis Frangella, David Wojnarowicz, Keith Haring, Robert Mapplethorpe, Peter Hujar, Hugh Steers, and Mark Morrisroe — most of whom are in the Visual AIDS Archive), Rhein experienced not only the community's creative explosion, and also its profound devastation due to the AIDS epidemic.

Four of the highlights of Prospect.3 are the electrifying film, The Living Need Light, And the Dead Need Music by The Propeller Group (Phunam and Tuan Andrew Nguyen from Saigon, Matt Lucero from Los Angeles) with New Yorker Christopher Myers at the UNO St Claude Art Gallery; Silent Parade... or The Soul Rebel's Band vs Robert E Lee, a video by Peruvian - born William Cordova in which a local band serenades — or challenges — a statue of Robert E Lee from a rooftop shown at Dillard University; the exuberant, immersive two - channel video at the CACNO by David Zink Yi, another Peruvian artist, that explores Afro - Cuban music and culture, remixing the visual and the aural; and Kwaku Ananse (2013), a film by Akosua Adoma Owusu, an American of Ghanian descent, presented with the compelling simplicity of a fable in which a young woman returns home to attend her father's funeral, then goes into the wild in search of existential meaning.

January 23 - March 26, 2010 Opening Reception: January 23, 2009 7:00 - 10:00 pm Robert Sain, LACMAlab founding director, and LA based visual artist Andrea Bowers, were commissioned to organize this unique visual arts laboratory with young artists from the Otis...

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

4:00 PM Artist Robert Irwin, Chinati Weekend honoree, and artist Zoe Leonard will discuss their respective upcoming projects at Chinati with Lynne Cooke, Andrew W. Mellon Professor in the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, D.C., and Rob Weiner, associate director, Chinati FoundArtist Robert Irwin, Chinati Weekend honoree, and artist Zoe Leonard will discuss their respective upcoming projects at Chinati with Lynne Cooke, Andrew W. Mellon Professor in the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, D.C., and Rob Weiner, associate director, Chinati Foundartist Zoe Leonard will discuss their respective upcoming projects at Chinati with Lynne Cooke, Andrew W. Mellon Professor in the Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, D.C., and Rob Weiner, associate director, Chinati Foundation.

The presentation of Robert's work is rooted in Visual AIDS» mission to ensure the legacy of visual artists with HIV and work to secure their place in art hiVisual AIDS» mission to ensure the legacy of visual artists with HIV and work to secure their place in art hivisual artists with HIV and work to secure their place in art history.

He graduated with a BA in visual arts, physics and architecture from Pomona College and from 1969 — 1971 he studied at UC Irvine under renowned artist Robert Irwin for his MFA.

Exploring one of the most important chapters in the history of contemporary art, The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns focuses on Marcel Duchamp's American legacy, tracing his relationship to four great modern masters — composer, John Cage, choreographer, Merce Cunningham, and visual artists Robert Rauschenberg and Jasper Johns.

Besides gathering visual documentation of LeWitt's wall drawings and his sculptures - or «structures» as he preferred - the publication also includes his complete writings; spreads from his artist's books; plus interviews and essays by virtually every artist and author closely associated with LeWitt, among them Lucy Lippard, Rosalind Krauss, Mel Bochner, Dan Graham and Robert Smithson.

Each participating artist was invited to submit an original visual proposal covering up to four pages with various format options; creations from famed contemporary artists such as Anri Sala, Jimmy Robert, Wolfgang Tillmans, Carlos Amorales, Rosa Barba, Carsten Höller, Olaf Nicolai, Jimmie Durham, Monica Bonvicini, Tacita Dean, Angela Bulloch and Glenn Ligon fill the pages.

Join renowned singer - songwriter, poet, and visual artist Patti Smith for a unique performance exploring her extraordinary friendship with celebrated photographer Robert Mapplethorpe through the many songs, poems, and stories she's written over the years inspired by their artistic bond.

Fashion comes in the Museum with Marvel of the Modern World Award, a retrospective exhibition featuring the Italian designer's cutting - edge creations, remarkable for their adaptation to social changes, in a spectacular setting designed by visual artist Robert Wilson.

In 2002, I met a very ambitious young Dutch curator named Robert Meijer who started an edition project called En / Of (Dutch for â $ œand / orâ $) that paired visual artists with experimental sound artists.

MAHWAH, N.J. — Collection Dialogue: Robert Forman, an exhibition which mixes works from various college collections with «yarn paintings» by a contemporary artist, opens on Wednesday, January 31, in the Pascal Gallery of the Berrie Center for Performing and Visual Arts.

The Broad presented visual artist and world renowned filmmaker Shirin Neshat in conversation with Christy MacLear, executive director of the Robert Rauschenberg Foundation, in The Un-Private Collection: Artist as Actartist and world renowned filmmaker Shirin Neshat in conversation with Christy MacLear, executive director of the Robert Rauschenberg Foundation, in The Un-Private Collection: Artist as ActArtist as Activist.

«American Art on Paper from the 1960s to Present: Selections from the Permanent Collection,» Mildred Lane Kemper Art Museum (formerly the Washington University Gallery of Art), Washington University, St Louis, MO, January 23 — April 18, 2004 «neoqueer: new visual art by lesbian, gay, bisexual and transgender artists,» Center on Contemporary Art (COCA), Seattle, WA, February 7 — March 20, 2004 «Super-Sized: The Big Print Show,» Greg Kucera Gallery, Seattle, WA, May 12 — June 12, 2004 «Remembering,» Sweeney Art Gallery, University of California, Riverside, CA, October 1 — December 11, 2004 «Experiments with Truth,» guest curator Mark Nash, The Fabric Workshop and Museum, Philadelphia, PA, December 3 — March 12, 2005 «Love / Hate: From Magritte to Cattelan: Masterpieces from the Museum of Contemporary Art, Chicago,» curated by Francesco Bonami, Villa Manin Centro d'Arte Contemporanea, Codroipo (Udine), Italy, 2004 «Great White,» curated by Joanna Montoya, Center for Curatorial Studies Museum, Bard College, Annandale - on - Hudson, NY, 2004 «Open House,» Brooklyn Museum of Art, Brooklyn, NY, 2004 «Singular Forms (Sometimes Repeated),» curated by Nancy Spector, Solomon R Guggenheim Museum, New York, NY, 2004 «Robert Colescott & Glenn Ligon from the Logan Collection,» curated by Shannen Hill, Victoria H Myhren Gallery, University of Denver, Denver, CO, 2004

Beginning with artworks by pioneers in the use of actual light — fluorescent light in works by Dan Flavin and Robert Irwin, and Bruce Nauman's use of neon light — the exhibition continues to the present with the visual light embodied in monochromatic paintings and sculptures by such artists as Daniel Levine, David Simpson, Phil Sims, Anne Truitt, and Anne Appleby.

Cunningham worked closely with composer John Cage, his longtime partner who died in 1992, and with visual artists such as Robert Rauschenberg and Jasper Johns.

Opening Reception: September 4, 2014, 6:00 - 8:00 pm, with a short gallery talk at 6:00 pm with artists Shan Kelley, Robert Sherer, and Jessica Whitbread, as well as Nelson Santos of Visual AIDS.

Over the past ten years, Evertz has also curated several critically - acclaimed artist retrospectives and surveys of abstract painting at Hunter College, including Visual Sensations: Robert Swain Paintings, 1967 - 2010; Presentational Painting III; Seeing Red: An International Exhibition of Nonobjective Painting (co-curated with Michael Fehr); Set in Steel: The Sculpture of Antoni Milkowski; and Mac Wells: Light into Being (co-curated with Robert Swain).