Sentences with phrase «with white acrylic paint»

In 1968, she began to embed glass microspheres, tiny reflective beads commonly used to brighten highway signs, in her paintings by mixing them with white acrylic paint.

I painted them with white acrylic paint first.

I don't if you realize but the design you made on your thump with white acrylic paint is also the symbol of my Favorite brand.

Start by painting your pot with the white acrylic paint.

Not exact matches

Paint your child's hand with white Enamel or Acrylic paint.

We painted ours with a couple of layers of ordinary, white ready - mix paint, although acrylics looks really effective too!

Make sure the rocks are clean and then paint the rocks with white craft paint — we used acrylic paint.

Then after the paint dried, I took some 2 ″ letter stencils I got from Michael's along with some acrylic paint in white and stenciled on what I wanted to write...

I mixed some the turquoise and purple with regular white acrylic paint to make softer shades and it worked fine.

I mixed a custom colour using Annie Sloan Chalk Paint in Antibes and Old White with a little bit of turquoise acrylic paint added, I got as close to the colour of the handles as I could.

You can get a non-patent leather, paint the stripes with white acrylic color and seal it with acrylic sealer.

As I didn't have a baby blue colour at home, I decided to experiment and mixed some blue acrylic paint with white Annie Sloan chalk paint.

1 Comment Filed Under: acrylic paint, chairs, furniture, table Tagged With: beach, blue, red, sailboat, white

No matter, acrylics is a very forgiving medium, so I mixed some almost white paint (a little lighter than the sky) and made it a touch runnier with a drop of water, so it would flow better.

In 1966, Redstone decided that, in order to bring discipline to her work, she would paint only with 90 - and 45 - degree angles in gray, white and primary color acrylics.

Still Life with Four Blue - Green Stripes, Two BB Holes and White Drips / 2015 / oil, acrylic, spray paint, glue, mud with polymer medium, gesso, ink, smoke stains, and floor sweepings on canvas / 84» x 30» / PLS INQ

The mural, made of acrylic paint and water - based crayon, is divided into three square areas of equal size, one red, one yellow and one blue, each enhanced with vertical and horizontal white lines and geometric shapes.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 1acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

Mix white acrylic paint with water to a very fluid, runny consistency.

Painted with acrylic and wax crayon in bright shades of yellow, pink, red, white and crimson, the central image (no. 88) calls to mind an abundance of different - colored blossoms.

She taught those who attended how to create a value scale as well as how to represent the basic qualities of value by painting a white ball with one light source by only using a dollop of white acrylic paint and a dollop of black acrylic paint.

Black - and - white photograph of cast concrete sculptures with acrylic paint in artist studio, 8 1/2 x 11 in.

Using the gallery's main exhibition space as her canvas, the artist masked the floor with a large foam stencil, painting over it and the surrounding walls in sprayed - on, bright acrylic paints, before lifting the stencil to create large, white, disconcerting voids upon entering the space.

Consisting of five sections of blue strips of Chinese paper, with white stripes running vertically from top to bottom, the installation's austerity is enhanced and offset by the contrast in acrylic colors (the paper has been painted blue and white).

She always used visible ruled pencil lines to divide the white ground of the canvas and she was equally devoted to a dilute acrylic with which to overpaint, or paint between, these lines.

abstract three - dimensional wall sculpture, acrylic and wood on panel carved pieces of wood painted in shades of white, grey and beige with an accent of mint green.

Most backgrounds are painted with black or white acrylic.

Since the mid-1960s, Corse has developed an innovative technique that involves mixing acrylic paint with tiny glass beads commonly used in the white lines of lane dividers on highways and painting vertical bands onto the canvas.

A semi-abstract acrylic painting featuring lilac alliums on a white background with metallic silver highlighs.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iWhite Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite color 32 1/4 x 32 1/4 x 2 3/4 inches

Often incorporating life size imagery, these paintings combine collage with acrylics, drawings and oils, mosaics of real textures, and black and white photographs.

Mary Corse's large white - on - white glass canvases have glass micro-beads embedded in the acrylic paint to create a surface that shifts dramatically with the light.

A grand piano is painted all over with brilliant black and white acrylic paint (Bechstein, 2013); ready to be played.

Like a scientist growing cultures in a lab, Jaq Chartier methodically arranges her inks, stains, and dyes to interact with layers of white paint and acrylic resin on immaculately prepared wood panels.

Paintings # 650 to # 656, made with acrylic, alkyd, and oil on polyester, display gestural paint strokes in unearthly pale colors, mostly on a white background.

By pouring her acrylic pigments (she works almost solely with black and white) directly onto glass and letting them dry there, she can then slice into the pigment and, having cut out a cartouche or a length of filigree, can carefully lift that segment of limp paint from the glass and position it upon the canvas.

A white acrylic painting with geometric pencil lines by Agnes Martin sold for $ 4.2 million.

Often Herrera has made use of a single color against the raw white paper to create special tension, but in many of the works on view, Herrera fills each of the dimensions with acrylic paint to create bold geometrical structures.

By blending this unorthodox material with various shades of white acrylic paint, Corse has created scores of austere canvases that respond to changing light conditions and the viewer's movements.

The first four pieces one sees upon entering, a series of white, blue, yellow, and black paintings which utilize acrylics, oil, and magic sculpt on gesso boards are each adorned with a single word, «washed», «blood», «bellied», and «power».

That same year Erik began experimenting with monochromatic works — a series of acrylic drawings consisting of white and off - white squares arranged into groups of three to five panels — but tabled the idea a year later focusing his attention instead on paintings organized around a nine square grid structure (3 rows x 3 columns).

Abstract painting on paper in turquois - black acrylic colors handmade frame (4.5 cm) with white - gilt decorations, anti-reflecting glass Ricardo Santamaría — Biography born 1920 in Zara...

Central to the exhibition is a group of gradient paintings made exclusively with black and white acrylic exterior house paint that has been blended and forced through sheets of burlap laid face - down on a variety of objects and surfaces (from plastic tiles and garbage bags to silkscreened enlargements of Hagen's own high school drawings) that act as molds, effectively casting the paint, or becoming embedded elements in the surface of the works themselves.

POPE.L aka William Pope.L, Detail of «Claim (Whitney Version),» 2017, installed at 2017 Whitney Biennial (acrylic paint, graphite pencil, pushpins, wood, framed document, fortified wine and bologna with black - and - white portraits).

Ready to hang or consider a white float... more Stephanie Henderson's original acrylic painting with flat finish on 24x24 wood panel.

«Mann and Maus,» 1991 - 92 (polyester resin and paint) by Katharina Fritsch, with «White Squad II,» 1982 (acrylic on canvas) by Leon Golub, in the background at right.

Free Wheeling, 1971; Etching with hand - painted acrylic colors on White German Copperplate paper (unique); Signed, dated and noted Printers Proof; 30 5/8» x 21 5/8» (plate); 42 1/8» x 30 1/8» (sheet); Literature: Harrison 31; Berggruen 32; Clark 35; ULAE 21; NGA 18; Provenance: The artist; Donn H. Stewart, thence by decent; Private Collection Signed, dated and noted printers proof in pencil lower recto.

Black and White Paintings illustrate concern with bringing a form into being by exploring the material and sculptural potential of acrylic paint.

Set on intricate backgrounds of fabric collage and pastel - colored acrylic paint, Baechler often furnishes his objects with a white halo that gives them a child - like cutout quality and makes them seem to float off the canvas.

Untitled Slab Works 1, circa 1978 - 1980; black and white photograph of cast concrete sculptures with acrylic paint in artist studio; 8.5 x 11 in.