Sentences with phrase «with white enamel»

Rare, Robert Sonneman Minimalist Modern Adjustable Chrome Tripod Reading Lamp with White Enamel Shade.

They resemble chunks of a John Chamberlain sculpture, painted over with white enamel and shrunk down to the proportion of a human head, decorated with delicate flourishes of a thin blue wire («el wire» as it's known in the computer and technology trade).

The exhibition will consist of an environment of approximately forty bronze sculptures painted with white enamel, which were created from the years 2008 to 2012.

«Tiznit,» made with white enamel house paint and pencil and crayon, with gouges and scratches in the surface, was named for a town in Morocco that he had visited, and the painting's primitivist shapes were inspired by tribal pieces he saw at the ethnographic museum in Rome, as well as by artists like Dubuffet, de Kooning and Franz Kline.

In the first examples of the series of human and goat skull drawings, the subject of the current exhibition, Berthot continued to draw into the soft grey enamel, sometimes highlighting with white enamel (nos. 1 * through 4 are part of this group).

Built to celebrate Aston Martin's partnership with Quintessence Yachts, the AM37 Vanquish Volante also features Q Conker Saddle carpets with Q - exclusive Conker Saddle overmats, Q Rosewood High Gloss Fascia, Q Fender and Buckle Badges with white enamel infill, a full Q matching tailored luggage set, and a special plaque in honor of its status as a one - of - one model, reading: «specially commissioned by Q to commemorate the AM37 yacht launch — 1 of 1.»

The interior offers many goodies from Q by Aston Martin, including one - off colors and quilting, Q Conker Saddle carpets with Q exclusive Conker Saddle overmats, Q Rosewood High Gloss Fascia, Q Fender and Buckle Badges with white enamel infill, as well as a full Q matching tailored luggage set.

This metal shank button is coated with white enamel and encrusted with sheer rhinestones, wrapped around with a chain detailing.

Paint your child's hand with white Enamel or Acrylic paint.

Not exact matches

Ok, how awesome do those white enamel flatware look with the woven chargers?

These adorable pieces of jewelry are made with 18k gold plating with pink and white enamel bow design.

3) Lay keys and lobster clasp on silicone mat and apply white enamel with a toothpick (less is more).

The Daisies Necklace (pictured above) is made with sterling silver and accented with white and yellow enamel.

A gorgeous heart has been accentuated with an off - white resin enamel to create this simple yet stunning necklace.

9kt gold 1,75 gr «Lips piercing» earring from Delfina Delettrez featuring a lips motif with pink enamel and a screw on white pearl.

A wood and metal framed vanity mirror hangs between black enamel industrial sconces fixed over a white washstand fitted with a concrete gray quartz countertop and a polished nickel faucet kit mounted in front of white backsplash tiles.

Striking bathroom with ivory double sink vanity with open shelving paired with a white counter which highlights dual porcelain sinks with modern faucets below wood mirrors illuminated by black enamel wall sconces framed by white and beige horizontal striped walls over light tiled floors layered with jute herringbone rugs.

Enamel on Steel Tea Kettle in White, KitchenAid ® 2 - Quart Porcelain Enamel Tea Kettle with Stainless Steel Handle in White

Pick up a gold toned earring and pendant set with white crystals and small enamel flowers to team up with your tube dress.

From kate spade new york: A stylish addition to the home bar, this set is crafted of stainless steel and accented with black enamel dots on the corkscrew and a black - and - white barber pole stripe on the bottle opener.

A platinum rim and delicate flourish of vine - like, white - on - white imprints with raised, iridescent enamel dots decorate these timeless shapes.

Angled bamboo canes, woven together with natural jute, make up the table's base which is topped by a removable iron tray that has been enameled in a bright glossy white for maximum durability and ease of use.

This Vanquish is loaded with: Navigation, Neiman Marcus Christmas Book exclusive edition (Seychelles Blue Exterior Paint, 20 - spoke lightweight alloy wheels with Liquid Silver finish, bright finish front grille, Magnum Silver meshes, bright finish tailpipes, Blue brake calipers, Multi-layer fabric convertible hood in Atlantic Blue, Sterling Silver and Flux Enamel wing badges, Black and White Onyx «Q by Aston Martin» badges, handcrafted interior, Obsidian Black deep soft semi-aniline leather, soft semi-aniline leather seats with Aurora Blue welt, Aurora Blue contrast stitching, hourglass quilted seat accent matched to leather thread, quilted door insert with Aurora Blue welt, Obsidian Black carpet with Aurora Blue binding, Ivory Roekona headlining with Ivory Alcantara, Obsidian Black One - 77 style steering wheel with Aurora Blue contrast stitch, Black gearshift paddles with Aurora Blue leather tips, «Vanquish» embroidered on headrests, Satin Chrome instrument dials and controls, Walnut veneer fascia trim, more), umbrella in trunk, first aid kit and more.

With its smooth 10x20 RS - XF wheels in silver platinum (complete with 255x45x20» tyres), painted brake calipers, Kahn enamel wing shields, Amalfi White silhouette, privacy tinted glass and Kahn enamel tailgate logo go hand in hand with the coupe - like roof line and smooth, sweeping lines, ensuring an abundance of sporty characWith its smooth 10x20 RS - XF wheels in silver platinum (complete with 255x45x20» tyres), painted brake calipers, Kahn enamel wing shields, Amalfi White silhouette, privacy tinted glass and Kahn enamel tailgate logo go hand in hand with the coupe - like roof line and smooth, sweeping lines, ensuring an abundance of sporty characwith 255x45x20» tyres), painted brake calipers, Kahn enamel wing shields, Amalfi White silhouette, privacy tinted glass and Kahn enamel tailgate logo go hand in hand with the coupe - like roof line and smooth, sweeping lines, ensuring an abundance of sporty characwith the coupe - like roof line and smooth, sweeping lines, ensuring an abundance of sporty character.

Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLS INQ

Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.

It may mean something that almost all the abstract painting in the show is by women, from Ulrike Müller's small geometric enamel - on - steel pictures, as precious as antique cameos, to Nancy Brooks Brody's black - and - white grids radiant with half - hidden color.

Especially in the 1980s, he makes the choice of ground, from enamel to steel, part of the painting along with the bolts holding it to the wall — and these, too, often enough are white.

Increasingly she combined Pollock's epic battlefield with the flesh - like leaves of de Kooning's 1948 Painting — but in sepia rather than black enamel and white oil.

Some of those I'd been most drawn to appeared reduced, hardened and flattened, a little too obvious: the 1973 expanse of white Enamelac on an aluminium base that shows in a thin line down the left - hand side and along the bottom; a row of square pieces from the same year, their fat L - shapes of black (oxidised copper, apparently) set off by smaller white baked - enamel squares; and 1985's Catalyst III, with its steel bolts and thin, intermittent lines of black enamel seeming to divide the aluminium base and contain it in a pointedly incomplete frame.

Simultaneously there were surfacy, colorful abstractions, latter - decade paintings feature enamel paint — he was too poor for anything else — with black and white calligraphic forms.

He had his first solo exhibition at the Charles Egan Gallery in New York in 1948, with a body of work in black - and - white enamel paint.

And Gedi Sibony has nearly filled Greene Naftali's ground - floor space with a large white cube turned inside out, using white - enameled metal panels familiar from kitchens.

Antique 18kt Gold and Enamel Hunter Case Pocket Watch, the white enamel dial with Roman numeral indicators and subsidiary seconds dial, straight line anchor with visible ruby pallets, chronometer MEnamel Hunter Case Pocket Watch, the white enamel dial with Roman numeral indicators and subsidiary seconds dial, straight line anchor with visible ruby pallets, chronometer Menamel dial with Roman numeral indicators and subsidiary seconds dial, straight line anchor with visible ruby pallets, chronometer More...

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

MICKALENE THOMAS Still life with black and white panther, 2009 rhinestone, acrylic and enamel on panel 48 x 60 inches 1...

MICKALENE THOMAS Still life with black and white panther, 2009 rhinestone, acrylic and enamel on panel 48 x 60 inches 121.9 x 152.4 cm LM12075

Bernard Moore Grapevine Vase, England, late 19th / early 20th century, bottle - shape, with black enamel to a white ground, artist signed, ht.

This is clearest in an untitled 1973 work, in which five 8 - inch squares of copper, each with a white square of enamel baked onto the upper right corner, reveal fat L's of oxidized metal.

Jettisoning the so - called abstract paintings she had been producing up to that point — large and literal territories of soiled oil paint peppered with holes punched through the canvas — Pensato took on bucketloads of black - and - white enamel and doubled down on her canvases.

Lining the floor of Jablonka Galerie's booth — here seen underneath a new Ross Bleckner painting — these 70 cans of white radiator enamel literally grounded the display with a clever installation piece that could be seen as invoking anyone from Piero Manzoni to Cady Noland to Duchamp to, hey, Darren Bader.

Keyser's Sad White Music, 2007, an orb of house paint on a sawdust - encrusted canvas support, and Smithson, 2007, a collage of enamel and paillettes on a blown - up 1970s copy of Smithsonian Magazine with a rope - harnessed rain - forest biologist swinging above a verdant canopy on its cover that becomes the painting's ground, exemplify both operations.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iWhite Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 iwhite color 32 1/4 x 32 1/4 x 2 3/4 inches

There is also a lot of strong monochromatic painting, by artists like Marcia Hafif (a small, bright, handsome, yellow enamel square), Olivier Mosset (a small off - white square, typically flat and deadpan), Kathy Drasher (a warm, peachy decagon with a poetic bit of text) and Daniel Levine (another square, this one an ethereal, almost glowing, white).

1998 - Jenny Holzer «Black & White», Enamel paint on metal, 1980 - 82Patty Chang «Come with Me, Swim with you», DVD.

Barlow frequently covers her work with thick, drippy, Twombly - like layers of paint — never a tasteful white, but cartoon - bright coloured enamel.

Kapoor has used various combinations of yellow and white gold and coloured enamel to play with ideas of depth and perception and create the effect of illusion as he does with his sculptures, one of which is part of the show.

It was after this, that Wool took up painting professionally, achieving a breakthrough around 1986 - 7 with his «Pattern Paintings», made by using paint rollers incised with abstract designs so as to transfer patterns in black enamel to a white canvas.

Yellow, red, blue and black offset print, overpainted with black and white enamel.

T01944 FLAXMAN: UNDERSTUDY [from](SANDSEND SERIES FROM BEYOND THE WORLD»S END) 1972 [T01941 - T01944; complete] Inscribed «FLAXMAN understudy Sandsend Series from beyond The World's End» b.l., «Scale 1 = 4» b.c. and «optional orientation - preferred position Ian Stephenson 1972» b.r. Oil and enamel with ballpoint on paper treated with white polish, 30 × 40 (76.2 × 101.6) Purchased from the artist (Grant - in - Aid) 1975 Exh: 11 englische Zeichner, Kunsthalle, Baden - Baden, May — June 1973, and Kunsthalle, Bremen, July — August 1973 (Stephenson 16); Recente Britse Tekenkunst, Koninklijk Museum, Antwerp, September — October 1973 (Stephenson 16); Art as Thought Process, Serpentine Gallery, December 1974 — January 1975 (no numbers); Ian Stephenson: Paintings 1955 — 66 and 1966 — 77, Hayward Gallery, March — April 1977, also Arnolfini Gallery, Bristol, May — June 1977, and Turnpike Gallery, Leigh, August — September 1977 (72) All four studies [T01941 - T01944] were first shown at an informal British Council preview, Drawings by 11 British Artists, at the Hayward Gallery in London on 16 March 1973, immediately prior to their despatch for tour in Europe.