Not exact matches
Two
women stand
with one
behind the other at a window and both facing the
camera; the second
woman shoots the first
woman in the back of the head (we hear the loud gun report and see a flare of light as the screen goes black and there's no blood).
The streamer's FYSee space at Raleigh Studios in Hollywood, Calif., was home to two such important conversations on Saturday — «leading the charge,» moderated by Variety's own Jenelle Riley, featured powerful
women in front of the
camera, including Alison Brie («GLOW»), Danielle Brooks («Orange Is the New Black»), Sarah Gadon («Alias Grace»), and Regina King («Seven Seconds»); Variety «s executive editor of TV, Debra Birnbaum, moderated a panel
with those
behind the
camera — showrunners and «shot callers» Liz Flahive and Carly Mensch («GLOW»), Marta Kauffman («Grace and Frankie»), Gloria Allred («Seeing Allred»), Veena Sud («Seven Seconds»), Melissa Rosenberg («Marvel's Jessica Jones»), and Netflix's own vice president of original series Cindy Holland.
Whitney Cummings tries to breathe new life into the tired, men - are - like - this,
women - are - like - this style of romantic comedy both in front of and
behind the
camera with «The Female Brain.»
Screenwriters Elizabeth Hannah and Josh Singer recount how their Pentagon Papers drama came to fruition
with director Steven Spielberg and how
women in front of and
behind the
camera came together to tell Katharine Graham's historic story.
As for Rees, she made sure Mudbound was full of
women behind the
camera,
with Rachel Morrison (Dope, Fruitvale Station) handling cinematography, Mako Kamitsuna (Pariah) editing, Tamar - Kali (Bessie) composing music and Angie Wells (black - ish) leading the makeup department, among others.
The following quote from Ryan Coogler, writer and director of Black Panther — a superhero blockbuster — on working
with Rachel Morrison, supports the notion that there is no reason for the dearth of
women cinematographers
behind the
camera when shooting action — or any other kind of scene.
Not so in the case of Greta Gerwig, as from the looks of things the Frances Ha and 20th Century
Women actor has delivered a confident and substantial first feature
behind the
camera with Lady Bird.
Putnam also stressed Sundance's ReFrame project, an effort
with the activist group
Women in Film to urge movie studios toward hiring more women in behind - the - camera
Women in Film to urge movie studios toward hiring more
women in behind - the - camera
women in
behind - the -
camera jobs.
But this year, issues of gender politics have leapt to the fore,
with women stirring things up
behind the
camera, in front of it, and in the conversation.
I'm very lucky to have worked
with a lot of
women in powerful roles on set, both in front of and
behind the
camera.
Less a story of how Wonder
Woman began, and more a tale of living life on your own terms, Professor Marston and the Wonder
Women is sensual and smart, a stunning film with incredible and totally badass women both in front of and behind the ca
Women is sensual and smart, a stunning film
with incredible and totally badass
women both in front of and behind the ca
women both in front of and
behind the
camera.
Hollywood's getting a little better at telling stories that incorporate more diverse perspectives,
with women and people of color getting more opportunities both in front of the
camera and
behind it.
Portman's effort
behind the
camera yields one of the film's most forgettable segments in the story of an apparent manny (that's «male nanny», impressed
women explain) enjoying a day in Central Park
with a playful young girl.
The depressing statistics don't take away from the great work those
women are doing
behind the
camera, nor does it subtract from the excellent performances in front of the
camera by current Emmy nominees like Viola Davis of How to Get Away
with Murder, Taraji P. Henson of Empire, Elisabeth Moss of Mad Men, Amy Poehler of Parks and Recreation, Jessica Lange of American Horror Story or any of the other
women who are up for awards tonight.
We're in the countryside,
with a windmill in the distance
behind two
women, passers - by, walking toward the
camera.
Two female - centric features took center stage for day 3 of MVFF, further bolstering the festival's
women - in - film initiative
with female talent both in front of and
behind the
camera.
Even better, Fifty Shades of Grey and Pitch Perfect 2 raked in the cash
with both female directors (Sam Taylor - Johnson and Elizabeth Banks, respectively)
behind the
camera and
women in the lead roles.
And Showtime will present «Storytelling
with Tenacity,» a panel featuring the powerhouse
women in front of and
behind the
camera on a handful of their series.
His films have never endorsed these men (and, occasionally,
women) but you could always feel Scorsese
behind the
camera, understanding their problems, sympathizing
with their plight; making their every pain real
with music cues and whip pans and crash zooms.
Studio Movie Grill's Senior Director of Outreach, Lynne McQuaker, says, «We are so excited to bring this celebration of
women on screen and
behind the
camera to Studio Movie Grill and to partner
with local non-profits who provide needed resources and give
women the power to grow and heal.»
We can do better than marginal improvement, and that starts
with supporting more
women - driven films, especially ones
with women working
behind the
camera.
Turned away from the
camera with her arms crossed
behind her back, dressed in a plaid skirt and sneakers, the
woman exudes a schoolgirl innocence and naiveté that only heightens the uncertainty about her fate.