Sentences with phrase «within contemporary sculpture»

Screens: Virtual Material focuses on the increased presence of screens within contemporary sculpture and installation.

Not exact matches

Within two decades, she exchanged the language of classical sculpture with an idiosyncratic lexicon of new shapes, unusual materials, processes and themes that held a dialogue with the contemporary art scene and her own biography.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Louisiana presents a cornucopia of international contemporary and classic works of art acquired over the past three years — more than fifty works within painting, photography, sculpture and installation.

As well as our in - house exhibitions, William Benington Gallery has contributed to various external projects including Sculpture in the City, a public exhibition of contemporary sculpture within the Square Mile of the City of London; and an ongoing collaboration with menswear fashion house,Sculpture in the City, a public exhibition of contemporary sculpture within the Square Mile of the City of London; and an ongoing collaboration with menswear fashion house,sculpture within the Square Mile of the City of London; and an ongoing collaboration with menswear fashion house, E.Tautz.

Similar to the practice of formal sculpture, Otero makes work that have a presence within the long - standing dialogue extracted regarding contemporary painting, while communicating with the past.

«Comic Future,» curated by Ballroom Marfa's Fairfax Dorn, assembles drawings by Sigmar Polke and Walead Beshty, sculptures by Liz Craft, a video by Paul McCarthy, and paintings by Lari Pittman, among other works, to plumb the formal and conceptual plasticity of comics and cartoons within contemporary art.

The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculpture.

The artists, in the words of arts writer Lucia Simek, «build upon the manifold architecture of isolation and artifice that they have sustained throughout their collaboration» to create «an elaborate sound sculpture» that explores containment and the imaginary within the framework of contemporary life.

As a renowned sculptor, Balkenhol is recognised not only for the technical prowess with which he hand carves each of his wooden sculptures, but for his continual devotion to exploring the role of the figure within contemporary art.

Perhaps our fascination with what might remain after the big destruction, relates to our similarly morbid preoccupation within contemporary art, and specifically sculpture, which has become partially about making objects that can be left behind for the next generations to discover; constantly aware of imminent mortality.

In her evocative introductory essay for Vitamin 3 - D, Anne Ellegood uses Rosalind Krauss's landmark 1978 essay «Sculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and instSculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and instsculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and instsculpture and installation.

Fever Within was accompanied by Forging Connections: Ronald Lockett's Alabama Contemporaries, a companion exhibition of large - scale sculptures that linked Lockett to key artists who emerged from the African American steel communities of Birmingham and Bessemer, Alabama, in the late twentieth century.

Generously donated by Gordon W. Bailey as part of a major gift to the High Museum in 2016, this work is one of six large - scale sculptures included in Forging Connections: Ronald Lockett's Alabama Contemporaries, which accompanies Fever Within.

Richard Serra is best known for his enormous COR - TEN steel sculptures installed within gallery spaces, urban environments, and landscapes, and his significant work has had an enormous influence on the contemporary art world.

12 Lower - Division Sculpture (4) Introduction to the challenges, strategies, and techniques of 3D artmaking within the expanding fields of traditional and contemporary sSculpture (4) Introduction to the challenges, strategies, and techniques of 3D artmaking within the expanding fields of traditional and contemporary sculpturesculpture.

The significance of Biggers» work within contemporary society has been celebrated through solo exhibitions both nationally and internationally, most recently at the Brooklyn Museum, Sculpture Center and Mass MoCA.

Best Use of In Situ Classical Statuary by a Contemporary Artist: Nicole Eisenman's Carnegie Prize - winning installation at this year's Carnegie International for her show within a show interspersing her own paintings and plaster sculptures among marble figures in the museum's permanent collection

My recent paintings and sculptures focus on the African - American experience of navigating public spaces while remaining buoyant within them... Working beyond the physical image of the body, objects of buoyancy, and navigation become metaphors for selfhood, resilience, and the sanity required in the turbulent oceans of contemporary America.»

Intriguing pairings will encourage visitors to consider commonalities between seemingly disparate works, such as Giovanni de Vecchi's 16th - century drawing of a corpse alongside contemporary artist Olafur Eliasson's conceptual sculpture of negative space formed by glacial ice melted within a concrete block, The Presence of Absence (Nuuo Kangerlua, 24 September 2015 # 3).

In the 50s and 60s, Erminio Cidonio, launched the company's art studios / ateliers, to promote marble in contemporary sculpture and held sculpting seminars for young artists within its workshops.

A member of the African American avant - garde in Los Angeles and New York in the 1970s and 1980s, Nengudi began her career with innovative sculptures and performances, staged within art spaces and beyond gallery walls, that expanded the definition of sculpture, engaged with performance art's ephemeral nature, and questioned women's delimited roles in contemporary culture.

Her works have been exhibited within the decennial art exhibition Skulptur Projekte Munster 2017, the 55th edition of the Venice Biennale - Romanian Pavilion, Tate Modern London, Tate Liverpool, the 9th Berlin Biennale for Contemporary Art, Manifesta 10, Centre Pompidou - Paris, New Museum — New York, Museum Ludwig Cologne, the 12th Swiss Sculpture Exhibition, the Van Abbemuseum, Hebbel am Ufer Berlin, Museum of Modern Art — Warsaw, among many others.

Hermann's sculptures estrange everyday objects from their original context to create straightforward compositions that preclude the functionality their shapes suggest, and promote a reevaluation of ceramics within the landscape of contemporary art.

An exhibition within the fair, Focus: Beyond Territory will feature work from seven international galleries including Marian Goodman Gallery, who will be exhibiting a major tree sculpture by the Italian sculptor Giuseppe Penone — one of only two artists who have received a contemporary commission from the Louvre Abu Dhabi.

Torkwase Dyson's paintings, drawings and sculptures are informed by the contemporary and historical conditions in and through which Black people negotiate systems and deeply rooted ideological orders within built and natural environments in the United States.

First, housed within Zabludowicz's main 19th century Corinthian - style Methodist chapel space are recent works by key members of The Still House Group; these paintings and sculptures reflect upon the role of contemporary art in current culture, and are framed by site - specific sculptural interventions which challenge perceptions of the weight and importance of the everyday.

With her classically formal clay and bronze sculptures, London - based Rebecca Warren positions herself within the predominantly male figurative tradition, which includes Degas and Rodin, while maintaining the contemporary stance of questioning her predecessors» authority.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

While the exhibition programs consist of a wide range of medias within the visual arts, Galerie Forsblom is highly profiled as presenting excellence in contemporary painting as well as sculpture.

IMMA Collection: A Decade includes many of the wide range of media represented within the IMMA Collection: painting, sculpture, drawings and prints, photography, film, video, installation and performance giving you a sense of the huge variety of artistic practice in contemporary art.

Combining seemingly disparate materials within her sculptures, Genzken investigates intersecting relationships, such as those found between the commercial and the urban or the architectural and the ideological, while also questioning contemporary socio - political structures.

The exhibition includes many of the wide range of media represented within the IMMA Collection; painting, sculpture, drawings and prints, photography, film, video, installation and performance and include works by both Irish and international artists, giving you a sense of the huge variety of artistic practice in contemporary art.

The contrast between the classical icons and the realities of contemporary culture gave birth to a new sculpture vernacular within Schütte's oeuvre.

Challenged by the hybrid forms that often appear under the term «installation,» sculpture — that is, discrete objects that deal with issues of mass, gravity, volume, open - vs. closedness, movement, materiality, color, structure, monumentality, etc. — has had a hard time maintaining a meaningful place for itself within contemporary art practice.

Corresponding to her critically acclaimed exhibition Harriet Tubman and Other Truths [which was co-produced by Grounds For Sculpture and Goya Contemporary, with guest curators Patterson Sims and Lowery Sims], this latest exhibition [curated by Amy Eva Raehse] further develops narrative around social and political injustices, sexism, racism, violence, systems of power, and biases within the artist's personal history, and our collective experience.

Hage's works may take the form of photographic prints, sculpture, video or installation but is rooted within a contemporary photographic discourse.

A defining artist in elevated trash, McCarthy's a cult figure when it comes to exploring, critiquing and ultimately parodying contemporary culture within his sculpture, performance and video work, perhaps brilliantly exemplified in his equal parts bizarre and transgressive video for «Painter «(1995).

Chowdhury's sculptures are infused with the artist's humour, commenting on the dark side of human nature and the consequences of humanity's contemporary conduct, evident in works such as Opinion, where two men face each other with swords, Audacity, in which a man holds a pistol and has guns for legs, or Freedom, where a man is trapped in a small cage within a larger cage.

Turner Monet Twombly will allow Turner and Monet to be seen within a contemporary context, while demonstrating the strong lure of classicism in the painting and sculpture of Twombly.

For many, the definition and understanding of «sculpture,» and even more so the term «sculptural,» has been expanded to the point of collapse within contemporary artistic practice while contracting within popular culture to the point of obsolescence (think no further than every bad public sculpture and memorial controversy or the trendiness of using «sculptural,» or as a comparison «architectural,» to describe everything from clothing design to cuisine).

When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three - dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.

There were a number of interesting, challenging, and even physically off - putting three - dimensional things included in the 2017 Whitney Biennial, and the fact that most of them seemed to explore and express the bodily, the quotidian, craft, and even a relationship with the image may indeed suggest something about the current status of sculpture within contemporary artistic practice.

In fact, within the world of visual art, the term art festival typically embraces the widest possible spectrum of creative events, involving contemporary art: from traditional media, such as painting and sculpture, to more modern forms like installation and video art, film - making, animation and photography, as well as avant - garde art forms such as performance art.