Sentences with phrase «within cultural history»

This anchors her visual universe within cultural history and lends a modern, personal interpretation to Eastern religions, including Tibetan Buddhism, Indian Tantrism and Christian ecstatic traditions like those of the seventeenth - century Baroque.

Indeed, the decade of jive is often relegated to a less than Periclean position within our cultural history.

Not exact matches

It looks like the Pope is bidding fair to become «the Pope of Caritapolis,» who sees the whole world — in all its cultural, political, and cultural dimensions — as to be best grasped within the long history of «The City....

So far in this study, we've learned about the history of the Asian church, discussed contextualization, and considered some of the unique ways Asian church leaders are presenting the gospel so that it will be received within their own cultural context.

The Museum of History, within the Division of State History Museums, is part of the North Carolina Department of Natural and Cultural Resources.

Judt criticizes American foreign policy, free markets, fellow academics, Israel, journalists, and trends within the academic study of history (e.g., cultural studies are «jejune and callow»).

No doubt, this is because Aboriginal and Torres Strait Islander peoples are a heterogeneous group, with unique histories, languages, cultural practices and ways of operating within the classroom.

Grady spent many years compiling and researching local cultural history that simultaneously reveals the ongoing production of cottage architecture, cottage industry and the role that cottages play in politics and social identity within Cannon Beach.

Channel Islands National Park was established in large part to protect the unique natural and cultural resources found both on the islands and within ocean waters, and the park has a long history of monitoring, protecting and restoring these resources.

Maui Resort Fee The daily resort fee of $ 35 USD (plus tax) per room includes select fitness classes offered complimentary, Enhanced High Speed Internet Service, Kapalua Resort Shuttle Services (travel within Kapalua Resort), Complimentary Photo Session, Discounted Golf Fees & Preferred Tee Times, Cultural History Tours and Resort Activities (Basketball, Tennis, Shuffleboard, Croquet).

Rosewood Luang Prabang opens today as an ultra-luxury escape within an idyllic hilltop forest in north central Laos, where guests are able to immerse themselves in the rich cultural history, spiritual heritage and diverse tropical landscape of Luang Prabang, a UNESCO World Heritage Site.

Set within Hanoi's historical, business, and cultural districts, these great - value hotels also offer easy access to iconic landmarks such as Thang Long Water Puppet Theatre, Ho Chi Minh Mausoleum and History Museum, Dong Xuan Market, One Pillar Pagoda, Ngoc Son Temple, Imperial Citadel of Thang Long, and Hanoi Opera House.

You are in the heart of the capital here and are within walking distance to many famous landmarks and attractions like the cultural hostpots of South Kensington - Victoria and Albert Museum, Natural History Museum, Science Museum - and the historic buildings of Westminster - Buckingham Palace, Houses of Parliament, Westminster Abbey.

Within the spectrum of queer performance, re-enactment has often been employed as a strategy for deconstructing histories of heteronormative oppression but it is also becoming a means for queer artists to critically engage with their own cultural mythologies and origin stories.

It features Covert Histories, a discussion with Gray Matters artists Bethany Collins, Xaviera Simmons and Carmen Winant addressing the often - overlooked histories — or gray areas — buried within our shared cultural naHistories, a discussion with Gray Matters artists Bethany Collins, Xaviera Simmons and Carmen Winant addressing the often - overlooked histories — or gray areas — buried within our shared cultural nahistories — or gray areas — buried within our shared cultural narratives.

13:00 — 14:30 Discussion: Writing into history How are independent practitioners performing critique within and on the margins of cultural centres through forms of «writing»?

Contemporary artists Bethany Collins, Xaviera Simmons, and Carmen Winant address the often - overlooked histories — or gray areas — buried within our shared cultural narratives.

Within his fascination with source, Boone is interested in how particular arrangements and the accumulation of materials that are clearly part of a larger cultural fabric are what construct personal histories, and how reconfiguring these arrangements creates open vessels for new intention.

The three Gray Matters artists address the often - overlooked histories — or gray areas — buried within our shared cultural narratives.

These diverse fragments speak to general cultural history, while they simultaneously combine to form a rich and evocative history of meaning within Kounellis's oeuvre.

Seeking knowledge to educate herself and layering semiotics, contradiction and beauty, her work explores history, cultural and social configurations and human experience and imagination within the context of Malaysia and Southeast Asia.

Kobena Mercer has appropriately referred to this generation of «cinematic activists» as being engaged with the cultural struggle that takes place within the «domain of image - making» through self conscious cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that formed in this tumultuous period in Britain's cultural history give shape to an image of race otherwise mediated by outside entities.

Seeking knowledge to educate herself and layering semiotics, contradiction and beauty, her work explores history, cultural and social configurations and human experience and imagination within the context of Malaysia and Southeast Asia and beyond.

Featuring artists and art historians Cecily Brown, Emmelyn Butterfield - Rosen, and Nick Mauss, and moderated by Jutta Koether, this panel will consider different methods of reading Florine Stettheimer's work, through the lens of social and cultural history, or as an alternative example of modernism, creating its own series of networks from within.

Equal parts funny and tender, the video jerry - rigs analogue source material with a beguiling blend of digital aesthetics to explore the speculative future of the chikha — a female singer or dancer wound deep into the cultural history of Morocco — within the twenty - first century standards of social media - enabled distraction and cultural disassociation to which the twenty - nine - year - old Bennani belongs.

Woven within fabric and clothing are the ways we communicate and represent ourselves to the world, our family and cultural histories, our experiences and who we aspire to be.

But his willingness to call out what he saw as complacency within the contemporary art elite, his exacting knowledge of art history, and his witty approach to writing and speaking about art, marked him out, winning him a wide audience in an age obsessed with cultural criticism's supposed decline.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

The exhibition invites the audience to corroborate this non - traditional exploration of transformation, self evaluation, spirituality and history, within a cross cultural dialogue.

Through the intertwined languages of ballet, painting, photography, and sculpture, Mauss also mines a pre-queer history within the realm of supposedly straight cultural production of the 1930s and 1940s.

By investigating the cultural significance in objects and images, and their history within our culture, Cruzvillegas creates new dialogues for what would normally be discarded or useless.

Across generations these practices share a common investment in exposing or documenting the often - overlooked material traces of socioeconomic and cultural histories as they manifest within the lived environment.

The talk will be presented by Pratt Institute's Writing Program, and its Departments of Humanities and Media Studies and Social Science and Cultural Studies, which are housed in the School of Liberal Arts and Sciences, and its Department of History of Art and Design, which is housed within the School of Art and Design.

Woods» practice examines absences and vulnerabilities within cultural and social histories.

The body's largest organ, skin contains a whole biological and cultural history within its layers — in a way, similar to the pigments of paint in an artwork, fibers in clothes, or the architectural makeup of a building.

Keynote Talk + Discussion Dave Beech Thursday 12 December, 6.00 pm - 7.00 pm, Lecture Room, IMMA Beauty and the Revolutionary Subject In this talk Dave Beech (London - based artist, writer and Senior Lecturer, Chelsea College of Art,) discusses the emergence of the modern conception of beauty and the cultural politics of this recent phenomenon, as well as contextualizing contested debates on beauty in artistic practice within the broader history of aesthetics.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Alongside her untitled Mount Tamalpais paintings, her painterly studies of Bay Area environs, and a number of leporellos (accordion - pleated books), it included selected translations of her mid-1970s Al Safa writings, which sought to enrich understandings of her oeuvre within the context of Lebanon's fraught cultural history.

Kheirkhah's multi - disciplinary art practice and her specific focus on decentralising the generalising cultural forms of categorization, explores the representations of the so called «Middle Eastern» female identities through a practice which is generated by the interplay of history, politics, media and visual arts within contemporary Western visual culture.

We are intent on co-creating with community of AIRspace residents who value situating their practices within the rich histories of the Lower East Side, and who demonstrate a commitment to political and cultural equity.

Within each of these geographic areas, the history of the galleries, artist collectives, individuals, collectors, artists, and institutions — including the South Dallas Cultural Center, the Arts District, Good / Bad Collective, Toxic Shock, and others — will be presented through the ephemeral objects produced by these neighborhoods over the past fifty years along with research compiled for the DallasSITES project.

Following in the footsteps of pivotal figures of the Harlem renaissance, such as Jacob Lawrence and Romare Bearden, her work is imbedded within the cultural tradition of storytelling that has been central to the survival of African American histories.

Now, as this historical thread comes of age and recognizes itself in the mirror of history and on the faces of its youth, as the pioneers of the culture are canonized and the younger artists are united, there are many more opportunities afforded them within the design market, auction houses and fine art world, as these communities continue grow in their recognition of the cultural value and influence of Graffiti and Street Art, as the most prevalent styles and art movements in the late twentieth and early twenty - first centuries.

Through complex investigations of architecture, the human body, literature, and history, Attia demonstrates how individual and cultural identity is constructed within the context of colonial domination and conflict.

Sights not to be missed include: The Blount Cultural Park with the Alabama Shakespeare Festival and the Montgomery Museum of Fine Art, Alabama Department of Archives and History, Alabama State Capital, First White House of the Confederacy, Rosa Parks Museum, Civil Rights Memorial and Center, F. Scott and Zelda Fitzgerald Museum, Dexter Avenue King Memorial Baptist Church, Hank Williams Museum, Hyundai Motor Manufacturing Alabama, Old Alabama Town, Jasmine Hill Gardens and Outdoor Museum, Montgomery Zoo, Tallapoosa Entertainment Center, Victoryland / Quincy's 777 Casino, W.A.Gayle Planetarium, Riverfront Stadium and Montgomery Biscuits Baseball, RTJ Golf Trail - Three locations within easy driving distance.