The publication charts Hepher's life and work from the 1950s to the present day, tracing a path that begins in an era of the last century that was highly suspicious of figurative painting, through to the recent re-evaluation and rise to prominence of post-war British Art
within global art history.
Not exact matches
2015 100 + Degrees in the Shade, A Survey of South Florida, Miami, FL
Global Positioning Systems: Uses of
History, Perez
Art Museum Miami, Miami, FL From
Within and Without: The
History of Haitian Photography, NSU
Art Museum, Fort Lauderdale, FL DCG Summer Show, David Castillo Gallery, Miami Beach, FL
Significant as these two works are, both
within Oiticica's oeuvre and in terms of their impact on the trajectories of Brazilian culture and
global art history, they comprise only one element of the Whitney's retrospective, which takes an expansive view of the impressively diverse work Oiticica produced in just two and a half decades from the mid 1950s until 1980.
Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in
global art histories, the intersections of sound and performance with traditional media, and the function of contemporary
art within encyclopedic museums.
The exhibition examines the
history of the artist - orchestrated meal, assessing its roots in early - twentieth century European avant - garde
art, its development over the past decades
within Western
art, and its current
global ubiquity.
«This canonical essay precipitated a paradigm shift
within the discipline of
art history,» Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), «and as such her name became inseparable from the phrase, «feminist
art,» on a
global scale.»
Organized by the Bronx Museum with guest curator Isolde Brielmaier, Stargazers will be the first exhibition to frame Catlett's role
within the context of contemporary
art history and to look at her work from a
global perspective.
The gallery's primary mission is to support Chinese contemporary
art in China, and to preserve it
within the context of a
global art history.
The AAC, now in its tenth year, and two years into major reforms, carried out this year's selection according to the theme of «The Contemporary in
History,» seeking out the unique logic and value of contemporary art in the confluence of history and the contemporary, global and Chinese, inside and outside, in hopes of rediscovering the contemporary within a historical
History,» seeking out the unique logic and value of contemporary
art in the confluence of
history and the contemporary, global and Chinese, inside and outside, in hopes of rediscovering the contemporary within a historical
history and the contemporary,
global and Chinese, inside and outside, in hopes of rediscovering the contemporary
within a historical vision.